Hit me with your best shot Monaco Life: Ms Fit – Fit for a Princess

Trainer’s background: Iryna Pugachova is a professional dancer, a classically trained ballerina with working experience all over the world. She danced seven years in the Moulin Rouge in Paris

Type of workout: includes intense cardio, strength training, cross training, flexibility and Pilates

Target area: all parts of the body, even in overload

Who’s the workout for: a women-only training program that is adapted perfectly for the demands of a female body: long lean muscles, no bulk, strong core plus flexibility and great posture.

What equipment do you need: normal active wear, grippy socks and a bottle of water. Ballet barre provided

Few names of clients: Ms Fit has become synonymous with a high-end clientele that includes very successful female entrepreneurs and the ultra-wealthy

Hardcore level: depending on your background, very challenging (10) but if you’ve had classic ballet training, 6-7.

Cost: €20 for one 60-minute class, or €180 for 10

For a couple of years in my late twenties, I took bellydancing classes in a basement church at Bathurst and Bloor in downtown Toronto. I couldn’t tell you what prompted me to sign up, although I do recall – after years of yo-yo dieting (for which I can never apologise enough to my Mom for my ridiculously random eating habits) – wanting to “befriend my belly”.

I didn’t consider this exercise, never even took a bottle of water, and I would leave the evening class to rehydrate with alcohol at a club, checking out live music as I worked in the music industry at the time.

I was infatuated with my Lebanese teacher, whose Rubenesque figure teetered-tottered her hip scarf effortlessly. I wanted to teeter-totter.

The women-only bellydancing class – with many shapes and sizes, ages and nationalities, all shimmying our hearts out while watching every bit of our body jiggle in the mirrors – is very much a memory close to my heart to this day: the bizarre looks I got as I would practice the shimmy while waiting for a TTC bus remain vivid.

After many, many months, when I finally nailed the Vertical Figure 8 technique, I was cheered, even by those in the class who still had not the conquered the pelvic movement. There was no judgement.

We didn’t need to put a fist in the air while chanting “Girl Power”. Somehow empowerment and body confidence just tiptoed into our lives along the way.

Nearly twenty years on, I rediscovered this atmosphere in a little dance studio up the Montée de la Crémaillere in Beausoleil, next to the Pharmacie de la Crémaillère and, of all things, a sex shop.

Iryna Pugachova, in pink top, created Ms Fit - Fit for a Princess
Iryna Pugachova, in pink top, created Ms Fit – Fit for a Princess

Iryna Pugachova started “Ms Fit – Fit for a Princess” because after relocating with her family to Monaco six years ago “people were asking me to set something up using the barre”.

“It’s been a nice work transition for me from professional dancing to running a business as I can still expend energy with great music and I can give to others.”

Clearly she excels in motivating the class, both with her dazzling ballet-sculpted body as well as an outstanding selection of music that would have even the shyest of women pliéing with a smile.

Ms Fit replaces military-style workouts – there are no heavy weights or bodybuilding elements – with ballet and dance-inspired disciplines, “to build and shape long, beautiful muscles and bodies”.

Like Pilates, this barre class was a tad intimidating because I am not flexible. Ask me to run 100 miles and I’ll do it. I’ll finish dead last, but I’ll do it. Put a €100 note at my feet and ask me to touch my toes, and I’ll rapidly calculate how I can save a hundred euros instead, so I’ll still come out ahead without having to bend.

Supple or not supple, The Ms Fit class is a hard-hitting overall body conditioning, adjustable for all levels. While Iryna can scratch her head with her toes, my leg kick barely gets off the ground. However, the all-female environment creates a safe zone that you can only understand if you have ovaries. Women have a tendency to be over judgemental of others females, but put them in what Iryna calls “fitness for women, by women, with no sweaty guys in the back of the class, checking you out!” and the cat claws are clipped.

It’s brilliant and addictive. Our inner-ballerina came to life as we combined fitness with graceful movements – Rond de Jambe, Arabesque Attitude, Plié pulse and passé – and one of the toughest yet most pleasurable ab workouts I’ve put been through. “Do you feel 5 centimetres taller?” Iryna asks as we finish off with stretching, as we nodded in unison.

Janna, a Ms Fit regular, who was suffering vertebrae issues after years of sports and crossfit – as she described, “carrying a person on my back as I ran up a hill” – said she started these ballet-style classes based on her doctor’s advice and was immediately hooked. “I love it. I feel stronger yet discovered my femininity.”

There are five classes (instruction is in English), with up to 12 people, per week – Sunday, Tuesday and Wednesday at 10 am, Thursday, exceptionally held at YCM, 9 am, Thursday 7:30 pm and Friday at 9:30 am – and you book your session online in advance.

The Espace Danse is equipped with a change room and toilet but no shower. But who cares? Leaving the studio sweaty, body hard, after an intense Ms Fit dance workout is the Flashdance moment we all dream of.

For more about Ms Fit – Fit for a Princess, see the website.

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News

 

Two concerts Wednesday, free tickets

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Monaco town hall has announced that a few tickets are still available for the Aldebert “Childishness 3” free concert Wednesday at 3 pm at Espace Léo Ferré. Organised as part of the National Day celebrations, the show is for children ages 5 to 10. To pick up tickets, call +377 93 10 12 10.

Later on Wednesday, at 7 pm, students of the Rainier III Academy present their Autumn Concert at the Théâtre des Variétés. Families and music lovers are welcome to encourage Monaco’s young musicians. Free admission, no reservation necessary.

The mairie also shared that on Saturday, November 11, as part of the traditional Remembrance Day ceremony, the mayor and the communal council laid a wreath at the King Albert I monument on blvd de Belgique. Following this, they placed another wreath at the Monument to the Dead, which was unveiled in 1928 for the Monegasques who fell during the war, at the Monaco Cemetery.

 


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Monaco Life’s Summer Olympic Series: Marcos Marin

Our Q&A with Monaco’s Brazilian community
talks to internationally acclaimed artist Marcos Marin

Marcos Marin with his sculptures
Marcos Marin with his sculptures

ML: Could you tell me about your background?
MM: I was born and grew up in Sao Paulo. My mother is Lebanese and my father, who worked for the Brazilian theatre and cinema, is Spanish. It was my father who inspired me to pursue an artistic career. I started playing the piano at a very early age, at 5 years old, in fact.

ML: You say your country has an “innate richness” and you are a proud to have Brazilian identity. How does your culture different from others?
MM: There is something wonderful about being Brazilian, the positivity, the enthusiasm and sincerity. Brazil is part of the “new world”. We have the sun of the tropics and our culture is a rich blend of African, indigenous and European, where the social codes are different. Brazil has taken these influences and mixed them to create its own identity. Another major difference is the perception of space. Brazil is huge, and has a universe of possibilities still to be explored.

ML: How did destiny bring you to Monaco?
MM: My story with Monaco started with a meeting with Delphine Pastor during the Art Basel Miami Beach fair in 2004. She had discovered my work – I was living in Miami at the time – and invited me to exhibit my art in her recently opened gallery, the Gismondi Pastor gallery in Monaco. The exhibition was well received and one of my portraits of Princess Grace was selected to be part of the collection of the new Monaco Modern’Art museum. Prince Albert II later commissioned a monumental work in honour of his father Prince Rainier III, which was inaugurated January 18, 2006. I was travelling frequently between Miami and Monaco when finally I was invited by Pierre Cardin to come and live and work in Lacoste, a village in Luberon, a three-hour drive from Monaco. Pierre Cardin became my patron and I started to create monumental sculptures. My career in the Principality had evolved enormously and, in 2009, I had the opportunity to set up my studio and my home in Monaco.

ML: You are trained as an artist in plastic and as pianist. How did your career evolve?
MM: I trained as a classical pianist and moved from Sao Paulo to Paris in the 1990s where I met the great master Vasarely, who inspired me to create my optical portraits. My music career gradually gave way to an artistic career as a painter and sculptor. As my works of art started to become recognised and win awards, I moved to Miami and contributed to the artistic effervescence that was there in the early 2000s. My work was exhibited in collections of major museums in the US, and my return to Europe with Delphine Pastor, meetings with Prince Albert and patron Pierre Cardin gave a huge drive to my career. A number of public monuments are installed in and around Monaco, such as Coco Chanel in Cap Martin, Cocteau in the citadel of Villefranche-sur-mer and a whole series of large sculptures of Princess Grace and other members of the royal family are presented every year. I became a member of the Academy of Arts and Letters in Portugal and my contact with the arts patron Stanley Ho of Macau enabled me to produce some major works in Asia, in Hong Kong and Macau in particular. This, along with several commissions for official portraits from royal families and presidents around the world, means that I have travelled extensively!
In Paris, in 2011 I was the guest artist to celebrate Coca Cola’s 125th anniversary and I joined the great masters in the art collection of the Coca Cola Museum in Atlanta USA.
My collaboration with the Prince Albert II Foundation has resulted in a commitment and a series of works dedicated to the cause.

ML: How is music and the world of art different in Brazil from other countries Brazil, say Monaco as an example?
MM: Each country’s culture evolves differently depending on its influences, its economic opportunities, history, tradition, and reputation in a specific field.In Europe, classical music is at the highest level, with the best academies. In Brazil, the “bossa nova” is becoming a reference for excellence around the world. Brazil also has a very strong art market, both domestic, with the great masters, and on the world stage where Brazil participates in the largest international contemporary art fairs.

ML: What do you enjoy most about living in Monaco?
MM: I appreciate many aspects of living in Monaco, the security, obviously, and the organisation, but also the beauty of the area. I think it is a privilege to live here. I am very active in the local Brazilian community, particularly in the Brasil-Monaco Project, which I contribute to with my artworks.

ML: You visit Brazil often. What do you think of Rio as Host to the Olympics this summer.
MM: As for the Olympics, despite all the criticism and the difficult political context, I think for Rio de Janeiro to host the games it’s an opportunity to advance, to be creative and to experience the intensity and positivity that such an event can bring – just what the Brazilian people need. The opening ceremony was sublime! Very original, very “ARTY”! Bravo!

For more on Marcos and his work, visit artmarcosmarin.com from August 21.

READ MORE ABOUT MONACO’S BRAZILIAN COMMUNITY
The Honorary Consul of Brazil in Monaco
Luciana de Montigny, President and Founder of the Brasil Monaco Project
Severiano Alves-Pereira,Executive Director J. Safra Sarasin Bank
Tereza Mahot, NavigatorsYachtClub.com

Sommeliers to taste their own expertise

Wine bottles

new-year-s-eve-ceremony-champagne-sparkling-wine (1)

Monaco’s elite wine waiters will gather at the Hotel Meridien Beach Plaza on Friday, November 17, for the 26th annual Gala of the Monegasque Sommeliers, under the guidance of Dominique Millard, chief sommelier of Le Meridien Hotels and Resorts. The theme of the evening will be to honour famous champagne houses.

The event will begin with an aperitif in the Sea Club, and the eight-course Gala dinner, courtesy of chef Laurent Colin and maître d’hôtel Antonio Fochi, will follow in the Mediterranean Room. Students of Monaco’s Hotel and Technical High School will assist.

Most of the courses reflect the Mediterranean inspiration of local menus, including sea bream carpaccio, scallops and langoustines. The multitude of courses will also allow for the serving of a wide range of fine wines, culminating in a digestif of 21-year-old Glenfiddich whisky.


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Caribbean climate change experts visit Monaco’s environmental lab

IAEA Vienna. Photo: Flickr IAEA Imagebank
IAEA Vienna. Photo: Flickr IAEA Imagebank

Senior representatives of the Caribbean Community Climate Change Centre (CCCCC) have visited the International Atomic Energy Agency’s (IAEA) headquarters in Vienna after first visiting the agency’s Environmental Laboratories in Monaco.

The Centre, based in Belize, was established in 2002 by the Caribbean Community (CARICOM) Heads of Government and officially opened in August 2017. The CCCCC plays an important role in coordinating the Caribbean region’s response to climate change, working on effective solutions to combat the environmental impacts of climate change and global warming through numerous projects and scientific research.

David Osborn, Director of the Laboratories, welcomed the delegates and provided an overview of how various nuclear and isotopic techniques can contribute to Member States’ efforts to protect the environment. Monitoring the presence of marine contaminants and understanding the impact of ocean acidification are among several potential areas for cooperation between the CCCCC and the IAEA, which were subsequently discussed. The CCCCC delegation also highlighted the need to connect environmental challenges in the Caribbean with the socioeconomic issues of the region.

This was followed by a tour of the Monaco Laboratories to see firsthand how scientists at the IAEA can assist Member States by providing the necessary information for more precise and effective environmental management, and by building Member State capacities in applying nuclear technology in this field. (Source: IAEA)


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