Everything you need to know about 5G

Monaco is set to launch the 5G network in a matter of weeks. Ahead of this highly anticipated rollout, the government has detailed the technical and health aspects of the controversial highspeed internet service.

It was on 30th April that the Prince’s Government set the tone for Monaco’s ambitious transition to a digital world with the launch of the #ExtendedMonaco program.

The first pillar of this ‘Smart Principality’ was the implementation of fiber optics and the emergence of a sovereign cloud. Next, the 5G network will be activated in the Principality in July.

Monaco will be one of a handful of European countries with 5G capabilities including Portugal, Switzerland, the United Kingdom, Belgium and soon France.

5G press conference © Direction de la Communication – Stéphane Danna

On Tuesday 18th June, the government held a press conference at MonacoTech announcing the next stage of the 5G rollout, with key players in the project laying out the details related to technology, regulation and health.

“Before we even look at the opportunities for progress, the priority of 5G is to keep us within a quality network, the same one that has reached saturation levels with 4G,” said Martin Peronnet, General Manager Monaco Telecom.

In outlining the enormous increase in demand that the Principality has experienced for mobile internet, Mr Peronnet added that there will be a “revolution in the world of business, which will be able to communicate massively with all connected objects, almost in real time.”

The 5G technology will be 10 times more faster than 4G, allowing multiple objects to be connected at the one time. It will be used for e-health, the intelligent city programme, the transport network including autonomous vehicles, ultra HD media, and it will allow for the advancement of robotics and automatisation in future industry.

Throughout the Principality, 27 antenna sites will be authorised for 5G technology, including those used for 4G. This summer the Government will publish a site map of authorised and controlled sites and, at the end of the year, an electromagnetic cadastre.

Christophe Pierre, Director of the Development of Digital Uses, discussed the regulation attached to the 5G network. “Since 2010, the Principality has adopted a regulation in this area that is even more restrictive than the international standard issued by the ICNIRP (International Commission on Non-Ionizing Radiation Protection), which set out the guidelines defining the exposure limit values ​​not to be exceeded. These are already 50 times lower than the level inducing thermal effects and, for Monaco, these values ​​were even more reduced.”

Meanwhile, Alexandre Bordero, Director of Action Sanitaire et Sociale, addressed the health concerns. “According to the World Health Organisation, taking into account the extensive number of collective scientific studies on electromagnetic waves carried out and verified for over 20 years, this is not classified in the category of proven health risks, especially cancers.”

 

Interview: Simon Bernard, co-founder of Plastic Odyssey

A unique vessel powered solely by plastic waste is preparing to embark on the first-round-the-world expedition of its kind, raising awareness about plastics in our oceans and alternative options for recycling and fuel production.

Monaco Life spoke to Simon Bernard, co-founder of Plastic Odyssey, who will be sharing details of this incredibly ambitious project at the Transition Forum in Monaco this June.

“19 tons of plastic enter the ocean every minute. Once at sea, it’s too late. The problem must be tackled at its roots by collecting and recovering plastic waste before it enters the ocean.” 

Simon Bernard is a French merchant navy graduate, former deck and engine officer, who is passionate about finding solutions to environmental issues. After conducting several studies on eco-friendly ships, CO2 emission reduction, and low technologies for developing countries, he founded Plastic Odyssey, an NGO that aims to reduce the ocean’s pollution by promoting plastic recycling solutions adapted to developing countries.

He and his team have created an oceanographic catamaran that transforms plastic waste into fuel thanks to a pyrolysis unit stored onboard.

Simon, what motivated you to find solutions to reduce pollution in the ocean?

I have always lived by the sea and I can say that I am an ocean lover. I am convinced that ocean conservation is crucial to the survival of humanity. The ocean regulates the climate, provides us with oxygen and is home to thousands of species.

The recovery process that you propose is the last in a line of strategies that can be employed to fight plastic pollution. Why do you think this step should be included in the chain?

Even though the first thing we see in the media about Plastic Odyssey is plastic to fuel, we do work on all the chain. We carry out two actions in parallel:

  • Working on solutions to “cleanup the past” by developing small scale recycling plants adapted to emerging countries to get rid of the five billion tons of plastic that is currently in nature and flows partly in to the Ocean. This include working on sorting, shredding, mechanical recycling and eventually plastic to fuel;
  •  Build the future by promoting alternative and reduction solutions to reduce the plastic consumption and footprint.

These two goals will be highlighted in two areas of our ambassador boat to showcase and spread solutions around the world.

© LUCAS SANTUCCI / ZEPPELIN NETWORK

In 2020 you will head off on a three-year expedition around the world on a boat powered solely by plastic waste. Tell us about the vessel and how it will be able to turn waste into fuel on board…

The aim of the boat isn’t to clean up the ocean and make fuel. It can better be seen as a floating ambassador of concrete solutions to reduce plastic and recycle it. The technologies embarked upon will be tested and improved at each port of call in order to demonstrate that solutions exist and can be replicated in the different cities visited.

The fact that the boat will be powered by the fuel produced during the demonstration phase of the pyrolysis unit is a good way to raise awareness and show that plastic is too valuable to be left in the nature.

© LUCAS SANTUCCI / ZEPPELIN NETWORK

Will this process be creating more CO2? And if so how is this environmentally responsible?

Turning plastic back into fuel is the last step of recycling (when no other option is possible). If we consider that the fuel replaces virgin oil that otherwise would have been extracted, refined and transported, the process actually cut out 10 to 20% of CO2. This is without taking into account that the plastic could have been open burned in landfill otherwise. To sum up, plastic to fuel is not the energy of the future but a good transition before we stop producing fuel and single use plastics.

Developing green energy solutions is an economic choice for many in the industry, but your developments are free of rights and not patented. Why?

We believe open-source is the only option to solve the major environmental issues we are facing. It allows the solutions to be spread much faster while enabling improvements easier. As Einstein said, we cannot solve our problems with the same thinking we used when we created them.

Why have you decided to take part in the Transition Forum?

It’s a great opportunity to share our vision to tackle environmental issues and inspire people

 

 

Art Basel 2019

Art Basel is one of the most influential art fairs in the world and is represented by 290 galleries from 34 countries. Almost 100,000 people headed to Basel in Switzerland to find out what the best world galleries had to offer.

Jeff Koons

Among the names at the 50th edition of Art Basel VIP opening was singer Rihanna, megacollectors Leon Black, Eugenio López Alonso, Jean Pigozzi, and Monaco based art collectors Laurent Asscher and Maurice Amon.

Rihanna at Art Basel

The most scale-striking and discussed artwork was the massive Jeff Koons stainless steel sculpture Sacred Heart (magenta/gold) with an asking price of $14.5 million. The artist has proven to be the most expensive living artist at auction with his $91 million Rabbit sculpture, which was sold at auction last year by mega-collector Steven Cohen.

Art Basel recorded a new record sale with David Zwirner Gerhard Richter’s 1966 photo painting Versammlung, which sold for $20 million. The piece has been in a private collection since 1970 and is fresh to the market. The gallery also sold a large 1967 painting by Joan Mitchell for more than $6 million.

Richter

Landau Fine Art from Montreal represented one of the most affecting masterworks of the fair, Alberto Giacometti’s ‘Caroline’ 1963, with an asking price of $18.5 million.

Hauser & Wirth representing the John Chamberlain estate sold its sculpture for $3 million and a Louis Bourgeois sculpture for around $2 million. The most expensive works presented at their booth was by Cy Twombly and Lucio Fontana (no official report on the sales of the latter).

The Art Basel fair opened just a few weeks after the 58th edition of the Venice Biennale, and one art-market adage is “See in Venice, buy in Basel”, as many works featured in Venice appear in the booths at Basel.

The #MeToo Movement has been widely represented at the art fair, with the Unlimited section focussing heavily on sexual harassment at work place, which sparked numerous negative and positive reactions. Many women who were the collective image in artworks at Unlimited were survivors and had been through a lot before they decided to come forward. Andrea Bower’s work Open Secret documented international movements against sexual harassment and assault based on approximately 200 photographic prints on a red background listing the name and occupation of the accused person.

Hans-Peter Feldmann

Another strongly representational work was ‘Sex Doll’ by Hans-Peter Feldmann with the Mehdi Chouakri (Berlin) gallery and an asking price of 100,000 euros.

‘Gender pay gap’ was another topic discussed at the fair. Living female artists are nowadays making the historical correction of underrepresentation of female artists throughout art history and it was clearly seen at the fair from mega galleries like David Zwirner to smaller ones.

Mary Weatherford has been extremely contested among 20 to 30 collectors at Gagosian gallery who sold it to a distinguished European collector for just under $500,000.

Andrea Bower Open Secret installation on show
Andrea Bower Open Secret installation on show

Another painting was also sold for $400,000 to a foundation in Asia at David Kordansky Gallery (Los Angeles). Hauser & Wirth represent approximately 30 to 40 female artists in their gallery, similar to the David Zwirner gallery which has 50/50% gender representation of both living artists and the estates that the gallery represent.

However, on average across all galleries the gender representation is 30% women and 70% men. Of the 100 top-selling artists, only five are women.

By Liliya Tippetts

APIdays® celebrates 10th anniversary

The incredible work of bees, their protection and the role of beekeepers were all on the agenda as APIdays celebrated its 10 year anniversary with local school kids.

©Direction de la Communication – Manuel Vitali

Launched by the National Union of French Apiculture (UNAF), the APIdays® are part of the national program ‘Bee, Sentinel of the Environment’, of which the Principality has been a member since 2011. The APIdays® facilitate the organisation of events in the 130 partner sites, including the Principality of Monaco.

Every year in June, the Urban Planning Department organises an information day by offering educational and fun workshops and an exhibition to raise public awareness about bees, wild pollinators and beekeeping.

Several classes of schools in the Principality were welcomed to attend the honey harvest of the Monégasque apiary located on the roof of the Museum of Stamps and Coins in Fontvieille, and also to participate in various awareness workshops.

This year the exhibition took place outdoors on the terraces of the UNESCO Garden, in an effort to ecourage young students to adopt concrete measures in the protection of bees and the development of beekeeping.

The 10th edition was held under the theme ‘The Bee: Best Worker of France’, highlighting the multiple skills of the bee.

UPAW, a Street Art contest for college students

The Mayor of Monaco has announced that a Street Art Challenge for students in the Principality will be taking place as part of the upcoming Urban Painting Around the World (UPAW) event.

Created by students from Charles III College, the first edition of the Street Art Challenge Junior contest will take place from 25th June at the UPAW event at Stars’N’Bars, with an awards ceremony on 27th June at 5pm, just ahead of an auction of the exhibition at 5.30pm.

The challenge is being implemented thanks to the participation of Alberto Colman, director of WSM Events.

Considering art is also about procuring and producing emotions, students will have the opportunity to show their talent and use the same type of canvas as the international artists who will also be present.

The jury, which is composed of UPAW street artists, elected municipal officials, Willem Speerstra, artistic director, José Giannotti and Paolo di Nola will award a prize to the winning student group.

The aim of the event is for young people to present their work and to meet artists, perhaps even unveil future talents.