Monte-Carlo Television Festival to open with French premiere of ‘Watson’ and honour rising star Jaz Sinclair

The 64th Monte-Carlo Television Festival will open with the highly anticipated French premiere of Watson, a new CBS Studios series starring Morris Chestnut, and will spotlight American actor Jaz Sinclair as this year’s recipient of the International Golden Nymph for Most Promising Talent.

Announced on Thursday 15th May by Festival Managing Director Laurent Puons and Executive Director Cécile Menoni, the premiere screening and special award ceremony will take place during the Festival’s opening night on Friday 13th June at the Grimaldi Forum Monaco.

The new drama Watson picks up six months after the death of Sherlock Holmes, thrusting Dr. John Watson back into the spotlight. Chestnut leads the cast as a reimagined Watson, now heading a clinic for rare disorders while facing the lingering shadow of Holmes’ greatest nemesis, Moriarty. Blending the intrigue of classic detective fiction with the intensity of a modern medical mystery, Watson promises to deliver an innovative twist on the legendary Holmes universe.

Executive produced by Craig Sweeny, who also serves as showrunner, the series features a high-profile ensemble including Eve Harlow, Peter Mark Kendall, Ritchie Coster, Inga Schlingmann and Rochelle Aytes. The first episode, written by Sweeny and directed by Larry Teng, will premiere immediately following the Festival’s Opening Ceremony.

Adding star power to the opening night is Jaz Sinclair, who will be presented with the Festival’s International Golden Nymph for Most Promising Talent. Known for her breakout role as Rosalind in Netflix’s The Chilling Adventures of Sabrina and currently starring as Marie in Prime Video’s Gen V, Sinclair has earned acclaim for her fearless performances and growing international influence.

Her work in Gen V earned her multiple award nominations in 2024, including nods from the Black Reel Awards, the Critics Choice Super Awards, and the Gotham TV Awards.

In addition to her on-screen success, Sinclair is also gaining recognition as a musician under the name Jasimi, with her debut EP Bought Myself Daisies featured on Spotify’s “New Music Friday” playlist.

Festival Executive Director Cécile Menoni praised the dual announcement, saying: “We’re extremely pleased to present the French premiere of Watson and welcome both Morris Chestnut and Craig Sweeny to Monaco. This standout series is the perfect way to launch our 64th edition. We’re equally thrilled to honour Jaz Sinclair with the Most Promising Talent award—her work is bold, dynamic and deserving of international recognition.”

The Monte-Carlo Television Festival runs from 13th to 17th June 2025.

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Green Shift Festival returns to Monaco with bold new themes and open-air evenings on Larvotto

green shift festival

Monaco’s Green Shift Festival is back for its third edition this June, transforming the Promenade du Larvotto into a space for dialogue, art, and ecological action. Organised by the Prince Albert II of Monaco Foundation, the free three-day event will run from the 4th to the 6th of June and is open to the public each evening from 6pm.

Now firmly established as part of the Principality’s summer calendar, the festival blends live performances, expert talks, and cultural engagement to encourage fresh perspectives on the environment. “By reinventing our relationship with the living world, we can profoundly transform our environment,” says Olivier Wenden, Vice-President and CEO of the Foundation. “The Green Shift Festival is an invitation to explore those paths together.”

Each night will feature a distinct theme. The opening evening, titled Welcome to 2050, will use storytelling and performance to imagine a future shaped by successful ecological transition.

On the 5th of June, At the Heart of the Living World will focus on human interdependence with nature, while the final night, Music & Ecology, will see artists and activists discuss how sound and creativity can support climate awareness.

Daily Happy Hours from 6pm will showcase local green initiatives, followed by performances from 7pm to 8:30pm and DJ sets and sustainable street food until 10pm. The event also includes a collaborative art installation and morning wellness sessions supported by the Kate Powers Foundation. The 2025 Environmental Photography Award exhibition will open on the final evening, with the grand prize winner in attendance.

In the case of rain, the programme will move to the Rainier III Auditorium or the Monaco Multimedia Library.

Full programme and practical details are available at thegreenshiftinitiative.org.

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Photo from 2023 Green Shift Festival

Drug-sniffing dogs and surprise searches: Monaco cracks down at heliport ahead of Grand Prix weekend

Just days before Monaco’s biggest weekend of the year, authorities have launched a bold new anti-drug operation—beginning with surprise passenger checks at the Monaco heliport on Monday.

With the world’s spotlight turning to the Principality for the Formula 1 Grand Prix and a flurry of luxury events, the Parquet Général (Public Prosecutor’s Office) is tightening its grip on illegal activity during party season.

Acting under expanded legal powers introduced in 2024, Monaco’s Public Security officers, assisted by drug-sniffing dogs and members of the Public Prosecutor’s Office, swept passengers and luggage from nine helicopter flights entering and leaving the city.

According to a press release from the Public Prosecutor’s Office on Thursday, the operation resulted in the seizure of one gram of cocaine and an official procedure has been opened.

Officials say the message is clear: Monaco’s border points—air, land or sea—are under heightened scrutiny.

These operations are expected to continue regularly, not only at the heliport but across the Principality, as authorities move to ensure that glamour doesn’t overshadow the law during one of the most high-profile weekends on the global calendar.

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Photo source: Monaco Government Communication

Star power on and off the track as F1 drivers attend private screening of Brad Pitt’s racing film in Monaco

With Monaco’s streets transforming into a race circuit and the world’s media descending on the Principality, Formula 1 drivers took a detour from preparations on Wednesday evening to attend a private screening of F1 The Movie—the Brad Pitt-led film that has become nearly as talked-about as the championship itself.

Hosted at the Grimaldi Forum just ahead of the Monaco Grand Prix weekend, the event brought out a glittering line-up of drivers and team principals, all stepping into the spotlight for a behind-the-scenes look at Hollywood’s high-octane take on their world. Ferrari’s Charles Leclerc, Monaco’s hometown favourite, was among the first to arrive, while Mercedes’ George Russell made a dramatic entrance behind the wheel of his AMG ONE hypercar, partner Carmen Montero Mundt in the passenger seat.

Lewis Hamilton, who serves as a producer on the film, made his entrance in the back seat of a Ferrari Purosangue. One notable absence? Reigning world champion Max Verstappen, who opted for a quieter night—spotted streaming on Twitch from home under his well-known pseudonym @FranzHermann69.

Also in attendance were Toto and Susie Wolff, joined by several other senior figures from across the paddock, making the evening as much a meeting of F1 minds as a cinematic celebration.

Directed by Top Gun: Maverick filmmaker Joseph Kosinski and produced by Jerry Bruckheimer, Brad Pitt and Hamilton himself, F1 The Movie has generated intense buzz ahead of its global release on 25th June. With Pitt playing former driver Sonny Hayes and Damson Idris as rising rookie Joshua Pearce, the film follows the fictional APXGP team as it battles from the back of the grid to the heart of the action.

Filmed on location during real Grand Prix weekends—including in Monaco—the production was granted rare access to F1 paddocks, garages, and even race sessions, allowing Pitt and Idris to drive two modified Formula 2 cars developed by Mercedes, seamlessly integrated into the real race weekend environment.

With drivers themselves appearing alongside the main cast, the film is promising a level of authenticity never before seen in a motorsport movie—something fans and critics alike will judge when it lands in cinemas internationally on 25th June and in North America on 27th June.

See more: 

Interview: Charles Leclerc talks new two-stop rule, pressure to perform, and life at Ferrari

Monaco Life is produced by multi-media journalists writing original content. See more in our free newsletter, follow our Podcasts on Spotify, and check us out on  Facebook,  Instagram,  LinkedIn and Tik Tok.

Main photo source: F1 Facebook

Marcos Marín transforms Marius into F1 gallery with optical masterpieces

As Monaco braces for the annual Grand Prix spectacle, acclaimed Brazilian artist Marcos Marín is set to transform the intimate setting of Marius restaurant into a vibrant celebration of Formula One’s most iconic figures. 

The exhibition, titled ‘F1 Icons’, opens to the public on 26th May and features more than three dozen sculptures, paintings, silkscreens and kinetic totems that capture the essence of motorsport’s greatest legends through Marín ‘s distinctive optical style. 

“Formula One is absolutely the heart of Monaco,” Marín told Monaco Life. “This exhibition is about friendship—my friendship with this ancient restaurant, with Annette who runs it, and with the racing community I’ve become connected to over my 16 years living here.”

Marcos Marin at the press briefing of his new exhibition at Marius. Photo credit: Kyriaki Topalidou, Monaco Life

The Brazilian artist’s connection to Formula One’s rich heritage began 11 years ago through his admiration for racing legend Ayrton Senna. Commissioned to create a commemorative sculpture for the 25th anniversary of Senna’s passing, Marín crafted a three-metre-high tribute that stands at the entrance to Marius and bears the signatures of both Prince Albert II of Monaco and Viviane Senna, the driver’s sister. 

“The place of the heart of Ayrton Senna was Monaco, the place that he won the competitions. He belongs to the history of Monaco,” Marín revealed, highlighting the special relationship between the Brazilian champion and the Principality. 

What makes Marín’s work particularly captivating is his innovative approach to portraiture. His depiction of Fernando Alonso stands as the artist’s personal favourite in the collection, employing a technique that creates the illusion of movement through carefully positioned static lines.

“I create a kind of kinetic colour and forms—it’s a fake movement. It’s not kinetic, it’s static, but we have the impression of movement,” Marín explained. “Our brain recomposes the image, and you see perfectly the face, even the small details.”

Marcos Marin with his favourite piece, his giant work of the late F1 driver Ayrton Senna. Photo credit: Kyriaki Topalidou, Monaco Life

Celebrating diversity in motorsport

The exhibition notably breaks new ground by celebrating the often-overlooked female pioneers of Formula One. Visitors will find striking portraits of Maria Teresa de Filippis, who made history as the first woman to compete in Formula One when she raced at the 1958 Monaco Grand Prix in a Maserati 250F. Contemporary female drivers like Bianca Bustamante are also featured.

“When we were brainstorming the show, we asked ourselves, ‘How about the women drivers?'” Marín said. “It’s so important to highlight this aspect of Formula One history.”

The collection represents something of a departure for Marín, who typically works on much larger canvases. “I was looking to do a different kind of show here,” he confided. “This intimate space at Marius has given me the opportunity to showcase work I rarely exhibit—pieces created exclusively for this venue.”

The exhibition forms part of Marius Monaco’s ambitious new ‘Art of Storytelling’ initiative, which aims to transform the restaurant into an evolving cultural space where selected artists can share narratives through immersive visual experiences.

See also: 

Artistic legacy unveiled: Cocteau-Moretti collaboration showcased at Marius

Monaco Life is produced by real multi-media journalists writing original content. See more in our free newsletter, follow our Podcasts on Spotify, and check us out on  Facebook,  Instagram,  LinkedIn and Tik Tok.  

 

Interview: Charles Leclerc talks new two-stop rule, pressure to perform, and life at Ferrari

With the Monaco Grand Prix just days away and the Principality transforming into a high-speed stage, Charles Leclerc – coming off a challenging start to the 2025 season – speaks candidly about Ferrari’s performance struggles, the pressure of racing at home, the impact of having Lewis Hamilton now on the other side of the garage, and how this year’s newly introduced two-stop rule could finally bring fresh unpredictability to Sunday’s race.

As F1 team trucks rolled into position along Quai Antoine Ier and ACM officials worked to manage the logistical whirlwind of Grand Prix set-up, local media, including Monaco Life‘s Cassandra Tanti, gathered at Marius on Wednesday 21st May for the annual press session – a rare chance for Monaco’s own to ask Leclerc about everything from this season’s technical frustrations to the emotional weight of competing on streets he’s known since childhood.

Monaco’s most recognised sportsman sat down to reflect on a season yet to ignite, and the one race where it still might. One year on from his long-awaited home victory, Charles Leclerc says the pressure has shifted, but not disappeared.

“The podium doesn’t really make me dream,” he admits. “If I visualise anything, it’s winning.”

Charles Leclerc took time out of his busy schedule to meet with local press on Tuesday. Photo credit: Scuderia Ferrari Media Centre

Q: You’ve arrived at the Monaco Grand Prix with 61 points and a single podium in Jeddah—how would you evaluate your start to the season so far?

A: Honestly, it’s bad. Let’s not beat around the bush—we’re not at all satisfied with the car’s performance at this point. Last year, we ended the season fighting for the Constructors’ Championship. We had a real desire to try and go for the title this year. But when we started the first few races, we realised pretty quickly that unfortunately, the car wasn’t up to the task. 

Still, it’s a point of motivation. It hasn’t demotivated us—we’re pushing hard to try and recover the performance we’ve lost, especially compared to Red Bull, and even Mercedes has come back a bit. They’re a bit more inconsistent. But it’s our duty to try to improve the car and get back to the top so we can fight for victories.

It’ll be your seventh Monaco Grand Prix, but your first as the defending winner. What’s changed for you? Do you feel a weight lifted? And when you think back to that 2024 Grand Prix, what moment stands out the most?

There are definitely images that come to mind. Maybe the strongest one is when I jumped into the harbour with Fred—it was something we had talked about for years. Since my first year in Formula 1, we said if I scored points in Monaco, we’d jump into the port. And it turned out it was for my first win with Ferrari, so it was a really special moment.

Other than that, there’s no particular pressure or feeling of relief. I’d say the biggest change is with the media—maybe they’ll be a bit more positive than in past years. Because unfortunately, they’re always talking about my “bad luck” , when things went against us in previous years. We were so close to the goal so many times and couldn’t make it happen. So I’m expecting a more positive grand prix.

Unfortunately, this track highlights the weaknesses of our car, so on paper it’ll be a difficult circuit. But with Monaco, you never know. I hope to reproduce the same result as last year.

Prince Albert II of Monaco with Charles Leclerc claiming victory at the 2024 Monaco Grand Prix. Photo source: Scuderia Ferrari Media Centre

Since your debut in Formula 1, have you noticed changes in Monaco, especially in terms of your popularity? Is it harder for you to get around? Are you more in demand?

Yes, for sure. My first year in F1 was pretty calm. Then, Drive to Survive on Netflix launched, and that really blew up Formula 1—not just in Monaco, but everywhere, especially in the US and among younger audiences.

In Monaco, it’s a bit harder for me than before, but honestly, it remains one of the places in the world where I feel most at peace. It’s always nice to come home. Of course, there are moments when it’s more difficult—this weekend will be very demanding. But it’s part of the job.

Given how the first part of the season has gone, do you let yourself imagine being on the podium here in Monaco, or is that not really on your mind?

If I visualise anything, it’s winning. The podium isn’t really my dream. But once again, we have to be realistic. Right now, the car hasn’t had the pace in slow corners, and that’s what Monaco is all about. So I’m expecting a tough weekend. But Monaco is so special and unique that maybe we’ll find something we haven’t discovered yet in the car, something that works really well here. I really hope so, because even though the points are the same as every other race, emotionally speaking, Monaco is different. And I hope we can experience something great again.

You’re one of the fastest over a single lap. How are you handling the difficulties this season, especially with qualifying? 

It’s tough—not just in qualifying but also in the race. When we execute everything perfectly and still finish third, fourth, or fifth, while last year doing everything perfectly could lead to a win, it’s more frustrating. But that’s part of the job. Some seasons start off great; others you have to work to reach the top. That’s also what keeps me motivated—to bring Ferrari back to the top. Of course, I’d have preferred a stronger start to the season.

This year’s race will see a mandatory two pit stop requirement for all teams, which Leclerc believes will help shake up Sunday’s race

How does the new two pit stop rule in Monaco change your usual game plan, especially since one-stop strategies used to be the norm? Do you think it’ll shake things up and add some unpredictability to the race?

Yeah, I think it’s going to be interesting. It’ll add a key moment to the race. We’ll probably see some very unique strategies in Monaco—ones you don’t see anywhere else. That will bring something fresh.

Because it’s true that until now, Saturday has been extremely important. It’s by far the best qualifying session of the year because of the adrenaline and the level of precision you need on the streets of Monaco. That’s something unique to this circuit.

But it’s also true that Sundays have been harder in terms of on-track action. So the fact that there are now two mandatory pit stops—well, I hope it’ll help the race. Maybe it’ll create more opportunities, maybe some surprises. That’s what we need to bring back some excitement to Sunday. 

See more: FIA confirms new mandatory double pit stop rule to spice up Monaco Grand Prix

You’ve had three pole positions in Monaco in the last four years. Apart from the year with Sauber and your first season, you’ve never qualified lower than P3 here. What do you attribute this consistency and speed to on a track like this?

I’m not totally sure. I just love street circuits in general. It’s not just Monaco—it’s the same in Baku, Singapore… those are tracks I really enjoy. When there are barriers, you can take more risks as a driver. Often it pays off, but if it doesn’t, you end up in the wall. That’s the kind of challenge I really like.

Especially in qualifying, you can really make the difference as a driver. I hope I can do that again this year. With the barriers and the level of risk you can take in qualifying, you can pull off something special. That’s what I like.

“When there are barriers, you can take more risks as a driver. Often it pays off, but if it doesn’t, you end up in the wall. That’s the kind of challenge I really like.” Photo source: Scuderia Ferrari Media Centre

The arrival of Lewis Hamilton caused a stir at Ferrari. What has changed for you personally? Do you feel less pressure, or maybe more?

Honestly, nothing has changed for me. It’s an incredible opportunity. Like I’ve said, he’s one of the legends of Formula 1. So it’s a huge chance for me to learn from Lewis, but also to show what I’m capable of alongside him in the same car.

As for all the buzz and attention around Lewis and Ferrari—it’s not something that bothers me. I was off doing a silent retreat in the Dolomites with no phone signal, so I didn’t really follow all that. And once you’re on the track, it doesn’t change anything.

What kind of teammate is Lewis Hamilton? What exactly have you learned so far?

Discipline and the way he works. It’s different for each driver. Carlos was a hard worker too, but Lewis works in a different way. It’s super interesting to see the team dynamics—how he manages feedback, how he communicates about the car’s development, etc. That’s always something useful for any driver: analysing how your teammate works with his engineers.

And of course, he’s incredibly talented. He does things with the car that are really interesting—things I can sometimes apply during races, depending on the situation. What’s surprising is that we actually drive in quite a similar way.

Charles Leclerc taking a selfie with teammate Lewis Hamilton at the Emilia Romagna Grand Prix 2025. Photo source: Scuderia Ferrari Media Centre

To turn your season around in the championship, do you feel you need to focus on qualifying first? And is there any specific reason behind these struggles?

Yes, clearly. Qualifying is the key to success this year. If we don’t qualify well, it becomes very difficult, because even though our race pace is decent, it’s not enough compared to McLaren or Red Bull.

We’re very close in race pace. But if we don’t start ahead of them, overtaking is really hard, because everyone’s race performance is so similar. On top of that, we often start too far back, and that always costs us time in the first stint. So yeah, that’s where we’re losing the most.

As for the solution—I don’t have it. If I did, we would’ve already fixed it. But we’re working hard. We’ve been doing a lot of simulator work to try to understand and solve it. There are some interesting ideas, but in Formula 1, things take time.

Last year, you documented your journey before and after your Monaco Grand Prix win in a vlog, which you published on your YouTube channel. Have you gone back and watched those emotional moments yourself? And can we expect another behind-the-scenes video after this year’s Monaco Grand Prix?

Not really, no. I’ve got someone on my team who follows me all year and films everything, and he creates those videos. But for me, they’re moments I live in the present. They’re documented for others, and I’m not a big fan of watching myself on TV.

I did watch the qualifying lap, yes—I focused more on the technical aspects. But in terms of the emotional side of the race, no, I don’t watch it.

Charles Leclerc at qualifying in the 2024 Monaco Grand Prix. Photo source: Scuderia Ferrari Media Centre

After your victory last year, Frédéric Vasseur said: “There will be a Charles before and after Monaco.” In what way did that long-awaited success here change you as a driver?

I’m not sure I completely agree with Fred. But yeah, of course, winning in Monaco gives you a certain confidence. It’s not just any race—it’s Monaco. Winning a Grand Prix, in general, gives you confidence. But winning here, where the driver can really make the difference, and finally converting on Sunday after so many missed opportunities in the past—it felt really, really good.

It also allowed me to turn a page. Like I said earlier, there were always negative questions and comments from the press about the past—how close we’d come, how we hadn’t converted. It made it harder to stay in the zone and concentrate.

So yeah, in that sense, it will definitely help for this year. But I think the real shift in mindset came after my first career win in Formula 1. That’s when you finally tell yourself, “Okay, I can actually win a race.” Before that, you have doubts. But once you’ve done it, you know it’s possible. Winning in Monaco was just pure happiness.

The start of the season didn’t live up to expectations. Given your current position in the Constructors’ and Drivers’ Championships, what can you realistically hope for this season? What could 2025 look like?

Honestly, I haven’t thought much about it. It’s hard for me to say that finishing 4th or 3rd would be a “great” season. I don’t think so. I still believe we can do better. I’ll believe that until the very end.

And we’ve seen how quickly things can change—at the beginning of the season, Red Bull was absolutely dominant for the first seven races. Then McLaren came back strong. I hope we can have that kind of rebound too. I’m not sure if that’s the right word—”rebound”—but I hope we can turn things around starting from Barcelona.

Next week there will be a change in front wing regulations. We’ve worked a lot on that. We think it should be positive for us. To what extent, we don’t know yet. So until then, we need to score as many points as possible and hang on.

Charles Leclerc driving Ferrari at the Chinese Grand Prix 2025. Photo credit: Scuderia Ferrari Media Centre

This will be the last year you will be driving these kind of cars. With the 2026 regulations promising a shift towards more sustainable and hybrid technology, how do you personally envision adapting to a car that might be fundamentally different from what you’re driving today?

Sustainability is obviously super important. Formula 1 has always been a pioneer in tech, and they’re proving that again with the new technologies and the new fuel coming next year.

In terms of driving, it’s going to be very different. But it’s hard to say exactly how, because we’re still in the early stages of development for those cars. I’ve done a few laps in the simulator, but nothing in-depth yet.

What’s certain is that the driving will change a lot. We’ll have to adapt to these new cars, especially with the active aerodynamics—that’ll be a big change for Formula 1. There are going to be a lot of changes, and they’ll have a big impact on how we drive.

Monaco Life is produced by multi-media journalists writing original content. See more in our free newsletter, follow our Podcasts on Spotify, and check us out on  Facebook,  Instagram,  LinkedIn and Tik Tok.

Main photo of Charles Leclerc at Wednesday’s press conference sourced from Scuderia Ferrari Media Centre