No Finish Line 2025 breaks records as Monaco celebrates a historic edition

The 26th edition of No Finish Line came to a triumphant close on Sunday 23rd November at 2pm, marking a milestone in the race’s history with record-breaking participation and distances covered. Prince Albert II completed the final lap alongside members of the government, National Council and Monaco’s town hall, bringing an emotional close to eight days of solidarity and sporting excellence.

Despite a stormy opening weekend, the 2025 race exceeded all expectations. More than 14,440 people registered, surpassing the initial target of 14,000. By Saturday 22nd November at 4:20pm, the collective distance goal of 325,000 kilometres had been overtaken, ultimately reaching an extraordinary 375,245 kilometres. That achievement translates into the same amount in euros — €375,245 — to be donated to support around 20 projects for sick and disadvantaged children, upholding the event’s guiding principle: one kilometre equals one euro. Since its creation, No Finish Line has raised over €5 million.

Among the many standout moments of this edition, Justine Houteer Magni made history by becoming the first woman in 26 years to win the overall race. In her first participation in the Monaco No Finish Line, she covered 928 kilometres, smashing the previous female record of 924 kilometres set by Sarah Barnett in 2011. Houteer Magni was crowned first overall and took the top spot on the women’s podium, receiving the Prince’s Cup. Marie-Laure Roussel finished second with 784 kilometres, awarded the Government Cup, while Paola Coccato came third with 681 kilometres and received the National Council Cup.

Women’s podium with Justine Houteer Magni – the first woman in 26 years to win the overall race, photo credit: Andre Faure

In the men’s individual category, Andreas Michalitz took first place with 845 kilometres, followed by Christian Stolowitz at 843 and Philippe Pollesel at 829. The Carabiniers Fight Aids Monaco team won the overall team competition with 14,189 kilometres, while Special Olympics Monaco led the associations category with 10,396 kilometres.

An intense highlight of the week was the 24-hour race, held from Saturday 22nd to Sunday 23rd November. Reserved for experienced runners, the event drew 213 participants — including 60 individuals and 30 relay teams — exceeding last year’s figures. In total, they ran more than 17,801 kilometres in a single day. Fabien Majet was the top individual male with 199 kilometres, followed by Claudio Della Morte with 194 and Antonello Volpe with 183. In the women’s category, Virginia Oliveri led with 190 kilometres, followed by Pauline Marguet with 178 and Marie-Pierre Reynaud with 175. Among the relay teams, Monaco Telecom 2 secured victory with 296 kilometres, ahead of FAR 1 with 282 and Bodhiciotta 2 with 281.

This remarkable edition of No Finish Line confirms the event’s enduring power to unite the Principality in generosity and sporting spirit. The next edition will take place from 14th to 22nd November 2026, with new records ready to be challenged.

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Main photo credit: Andre Faure

Charles Leclerc claims P4 amid Las Vegas drama

The Formula 1 Las Vegas Grand Prix delivered a spectacular show on and off the track, with Monaco’s Charles Leclerc finishing fourth after two dramatic post-race disqualifications reshaped the final standings.

Originally, McLaren’s Lando Norris had crossed the line in second place behind Max Verstappen, with teammate Oscar Piastri finishing fourth. However, both drivers were later excluded from the final classification after their MCL39 cars were found to be in breach of FIA technical regulations. Specifically, the underfloor skid blocks on both vehicles were measured below the minimum 9mm thickness required by Article 3.5.9 of the Technical Regulations.

As a result, George Russell was promoted to second place, Kimi Antonelli moved up to third, and Charles Leclerc — who had crossed the line in sixth — rose to fourth in the official classification.

Leclerc Holds Steady in Sin City

While much of the race’s attention focused on the leaders and the chaos in the midfield, Leclerc delivered a consistent and composed performance for Ferrari. Starting on the Medium compound tyres, he was involved in early battles, including contact with Fernando Alonso that forced him wide on the opening lap.

Despite losing ground, Leclerc worked his way back through the field, overtaking Oliver Bearman, Oscar Piastri, and Isack Hadjar to climb into the top five by the midpoint of the race. A pit stop on lap 24 saw him switch to Hard tyres, rejoining just ahead of teammate Carlos Sainz.

However, tyre graining and a lack of straight-line speed hampered his chances of moving higher in the final stint, as he remained stuck behind Kimi Antonelli and Piastri.

“I didn’t leave anything on the table,” says Leclerc

Reflecting on the race, Leclerc expressed mixed feelings about the result but was satisfied with his effort behind the wheel.

“I am not satisfied finishing P6, but if I look back at my race, I didn’t leave anything on the table,” said the Monegasque before his promotion to fourth. “I had some good battles and took the right risks, so on a personal note, I am satisfied with my performance today.”

“Our straight-line speed was not the strongest, so it was difficult to fight with our competitors,” he added. “I made up for it a bit with how I was braking, but with Oscar in Kimi’s DRS, it was difficult to catch them.”

Championship Battle Heats Up

The disqualifications also had significant implications for the championship standings. Verstappen’s win now puts him level with Piastri on 366 points, while Norris remains in the lead with 390. With two Grands Prix and one Sprint race remaining in the season, 58 points are still up for grabs.

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Photo source: Scuderia Ferrari Media Centre

High jewellery and iconic handbags to go under the hammer at Hôtel Métropole

Wannenes Auction House returns to the Principality with an exclusive two-day sale of exceptional jewels and luxury handbags at the Hôtel Métropole Monte-Carlo this December.

On Wednesday 3rd December 2025, the spotlight will shine on 213 exquisite jewellery lots, showcasing an extraordinary curation of precious stones and heritage pieces. The highlight of the sale is Lot 153: a pair of earrings crafted from gold, silver, Burmese sapphires, and diamonds, certified by CISGEM and SSEF, with an estimate between €150,000 and €200,000.

Other standout pieces include Lot 152, a platinum ring featuring a 15.60 ct untreated octagonal Burmese ruby, estimated at €80,000–€100,000, and Lot 166, a platinum ring set with an 8.21 ct emerald from Zambia, valued at up to €90,000. Lot 164, a platinum bracelet featuring emeralds from Afghanistan’s Panjshir Valley and Pakistan, is expected to fetch up to €70,000.

Historic maisons are well represented. A Cartier 1924 watch (Lot 163) in gold and platinum, adorned with pearls and rose-cut diamonds, carries an estimate of €20,000–€25,000. Meanwhile, Van Cleef & Arpels’ platinum and diamond bracelet (Lot 100), attributed to Louis Maruzzi, is estimated at €60,000–€80,000. Bvlgari’s Serpenti Tubogas rose gold bracelet/watch and Orisa’s two-tone diamond bracelet also feature in the impressive lineup.

One particularly fascinating piece is Lot 5, a Sri Lankan colour-changing sapphire ring (14.25 ct), transitioning from blue to violet and untreated, estimated at €8,000–€10,000.

Coveted Hermès handbags lead luxury fashion sale

The second session on Thursday 4th December shifts focus to high fashion, with some of Hermès’ most collectible models going under the hammer. Top of the list is Lot 238: a Kelly Sellier 28 from 2019 in Rouge de Cœur Epsom leather with gold-tone hardware, estimated at €15,000–€20,000, offered in pristine, never-worn condition.

Also included is a Kelly Sellier 25 in Rose Extrême (Lot 240), from 2024, equally in immaculate condition, with the same estimate. The auction concludes with Lot 241, a Mini Kelly 20 II Limited Edition from 2022, featuring a tri-colour palette in Epsom leather, expected to fetch €17,000–€22,000.

Public viewing and participation

The public can preview all lots from 30th November to 2nd December (10:00–19:00) and the morning of 3rd December (10:00–12:00) at the Salon Théâtre of Hôtel Métropole. Live auctions will be held in the same location, with online participation available through Wannenes’ platform and other portals including LiveAuctioneers and Drouot.

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Photos source: Wannenes

Interview: Principal Dancer Mira Nadon on artistic heights, self-care, and the legacy of Princess Grace

In partnership with the Princess Grace Foundation-USA, Monaco Life proudly presents a monthly series spotlighting the lives and artistic contributions of the Foundation’s remarkable Award winners. 

What does it take to rise to the pinnacle of one of the world’s most prestigious ballet companies before the age of 25? For Mira Nadon, the answer lies in equal parts artistry, resilience, and an unwavering devotion to the music that guides her every step. 

Since joining New York City Ballet in 2018, Mira Nadon has captivated audiences with her commanding presence and emotional depth, earning her a promotion to Principal Dancer in 2022—the same year she received the Princess Grace Award for dance.

In this candid conversation, Nadon reflects on the transformative roles that have shaped her, the importance of self-care in such a demanding profession, and the legacy of Princess Grace that continues to inspire a new generation of artists. From the dream of dancing Swan Lake to imagining the magic of performing outdoors in Monaco, Nadon invites us into the world of ballet at its highest level—where discipline and passion meet beauty and grace.

Principal Dancer Mira Nadon. Photo Credit: Erin Baiano

On the Princess Grace Foundation-USA

As a Princess Grace Award winner, how has the recognition impacted your career?

It was so exciting to be nominated and then receive the award. Looking at the list of past winners was overwhelming—there are so many incredible names in dance and theater. I felt honored to join the ranks. Beyond the award itself, it’s the community that stands out. Going to the ceremony and meeting other winners from my year and previous years was inspiring—everyone is just so grateful to be part of it.

Do you connect personally with Princess Grace’s legacy?

I didn’t know much about her before joining the organization, but I’ve come to really appreciate her elegance and dedication to the arts. That kind of commitment feels rare today—and very special.

On Her Career & Artistic Growth

Congratulations on your promotion to Principal Dancer at New York City Ballet. What was that moment like for you?

It felt surreal. Becoming a principal was always a goal, but when it actually happened, it took months—maybe even a year—for it to truly set in. I knew I had worked hard, but thinking of myself as a principal dancer took time. Now, two years in, it feels wonderful to focus less on “what’s next” and more on pushing myself artistically and reaching higher heights.

How would you describe your approach to performance?

For me, everything comes from the music. The music tells you what you need to know. Even in abstract works, there’s so much emotion to tap into. And I think having a genuine connection with your partner is key—the audience can feel that.

Was there a role that especially challenged or transformed you?

Dancing Swan Lake this past winter season was my first full-length role, which was a dream. It was incredibly rewarding to sustain a story of that scale while also managing the technical demands.

Any bucket-list roles still ahead?

I’ve been fortunate to perform some of my dream roles already—Diamonds, Swan Lake, Aurora in Sleeping Beauty. But I’d love to take on works like Holberg Suite, Chaconne, Western Symphony, or Prodigal Son. We’re lucky at NYCB to have such an extraordinary repertoire—there’s always something new to aspire to.

On Life Beyond the Stage

When you’re not dancing, what’s your perfect New York day?

I live on the Upper West Side, so being near the park is a gift. I love escaping there to read or spend time with friends. I also enjoy cooking—taking time at home to do something for myself or others is really restorative.

Do you take advantage of New York’s wider arts scene?

Absolutely. I try to be intentional about seeing performances—especially at City Center and The Joyce, where so many diverse and interesting companies perform. And of course, I love seeing ABT, Alvin Ailey, and DTH. There’s such a wealth of beauty and inspiration here.

Ballet is extremely demanding—both physically and mentally. How do you take care of yourself?

I’ve learned to put less pressure on myself as I’ve grown older. Trusting my body makes the work more sustainable. I always take my day off and give myself real downtime at the end of each season—sometimes a week or two away from dance. It’s essential for recovery.

On What’s Next

Any future projects or choreographers you’re especially excited about?

I’d love to do more full-length ballets. At NYCB, we’re so lucky to have Alexei Ratmansky and Justin Peck creating for us—I’d love to continue working with them. They really push us as dancers.

What does the ideal day in Monaco look like to you?

It would be a dream to perform there. Dancing outdoors, feeling the breeze, in such a beautiful setting—that would be magical.

Please describe your artistry in three words:

Musical. Strong. Connected.

 

Follow Mira Nadon on Instagram @miranadon.

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Barefoot running: strong feet, strong mind

I’ve always believed the human body is a masterpiece of engineering — the kind of design that would make any Formula 1 team envious. Yet for decades, most of us have been sabotaging one of its most brilliant components: our feet. We’ve wrapped them in layers of padding and support until they’ve forgotten how to do their job. We’ve essentially turned them into spoiled passengers instead of the powerful, adaptive shock absorbers nature intended them to be.

That all changed for me years ago when I was introduced to Vivo Barefoot — a UK brand that’s been leading the charge in the barefoot movement for years. There are many great barefoot shoe brands out there, but Vivo was my first step (literally) into this world. Their philosophy is simple: reconnect your feet with the ground and, in turn, reconnect with yourself.

I’ve worn Vivo’s for just about everything — hiking trails, airport marathons, and more recently, on coastal adventures wearing their swim-run version, which lets me dive straight into the sea and scramble over rocks like a well-meaning amphibian with questionable balance. They’ve genuinely changed the way I move.

The Anatomy Lesson You Never Got at School

Your foot isn’t just a block of meat at the end of your leg — it’s a biomechanical marvel with 26 bones, 33 joints, and over 100 muscles, tendons, and ligaments. And all of them are designed to move.

When you start going barefoot (or close to it), those systems finally wake up again. The toes spread. The arches lift. The stabilising muscles begin firing like they were meant to. Over time, your feet become stronger, more stable, and more responsive. And that doesn’t just improve your balance — it influences everything up the chain: knees, hips, even your posture.

Running Rewired

Barefoot running changes your mechanics completely. Instead of crashing down on your heel — as most cushioned shoes encourage — you start landing softly on your mid- or forefoot. This reduces impact and allows your body to use its natural springs: muscles and tendons instead of bones and joints.

Your stride shortens, your cadence increases, and your running starts to feel more natural. Every step becomes a conversation between your foot and the earth. There’s something primal, grounding, and oddly meditative about it.

The Diamond Calf Warning

Now for the honest bit: don’t throw on a pair of barefoot shoes and head out for a 10K. You’ll regret it. Your calves will turn as hard as diamonds for a week, and you’ll curse me every time you try to walk down stairs.

Transition slowly. Start with walking, then short runs — five to ten minutes max — and build gradually. Think of it as strength training for your feet. Your body will thank you for the patience.

Why It Matters

Barefoot running isn’t just about fitness; it’s about reconnecting with your own design. We were built to move like this. For me, it’s become a small act of rebellion against modern comfort — and a reminder of how good simplicity feels. There’s something special about feeling the ground beneath you, whether it’s sand, trail, or tarmac.

So if you see someone jogging along the Monaco coastline in shoes that look like they’ve escaped from a science experiment, that’s probably me — smiling, grounded, and enjoying every step.

For anyone curious, start slow, listen to your body — and maybe keep a foam roller handy for those diamond calves.

See also: 

Why you’ll never “get everything done” (and why that’s the point)

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AMADE reports a record year, reaching over 354,000 children worldwide in 2024

Monaco’s AMADE (Association Mondiale des Amis de l’Enfance), one of the Principality’s most respected humanitarian organisations, has published its 2024 bilan report, revealing an impactful year that delivered support to over 354,000 children globally. With operations spanning Africa, Europe, and Asia, AMADE remains a leading force in child protection, education, health, and empowerment.

In a message introducing the report, Secretary General Jérôme Froissart said the year was marked by both innovation and consolidation. “In an increasingly complex international context, AMADE continued to invest in rigorous monitoring, evaluation, and close partner support,” he wrote. “This demand for quality allows us to position ourselves as a trusted intermediary between local partners and our donors”.

In total, €831,632 in direct funds were deployed across 23 projects in 2024, backed by a broader €2 million commitment. Partner organisations mobilised nearly €4.8 million more for these shared efforts.

Five core programmes, one shared mission

AMADE’s work in 2024 focused on five strategic programmes: Un Enfant, Un Talent (child development through art, sport and mentorship), Un État Civil pour Tous (access to civil registration), Dignité pour les Femmes (support for vulnerable girls and menstrual health), L’Énergie de l’Espoir (renewable energy for education), and assistance for unaccompanied migrant minors.

The charity also stepped up its work in emergency response and post-crisis recovery, with €138,060 dedicated to these areas last year.

Local partnerships, lasting impact

AMADE’s approach is rooted in partnership. Rather than implementing projects directly, it supports NGOs and social entrepreneurs on the ground. “We prioritise the empowerment of those with proven expertise and strong local leadership,” the organisation stated in its report.

One such partnership is with the FVS-Amie des Enfants in Burundi, which enabled Floride Ikizakubuntu, once forced to abandon school, to pursue a dream of becoming a doctor. “Today, I am no longer a forgotten girl, but a future paediatrician, standing tall, confident, ready to serve,” she said.

In Senegal, the Yéré network, supported by AMADE and implemented by Le Partenariat, has empowered women entrepreneurs like Coumba Diop to deliver solar lighting and digital education to remote rural communities. “Each day, I see the impact of our actions on children and women—and it drives me to do more,” she shared.

Financial transparency and trust

AMADE’s commitment to transparency is underscored by double financial oversight—both by an external auditor and Monaco’s public financial watchdog. Thanks to government subsidies covering operational costs, 100% of donor contributions go directly to project implementation.

The charity’s income in 2024 totalled €1.29 million, with nearly half coming from public generosity. A further 15% came from state subsidies, while previously earmarked funds were responsibly used to supplement budgets for ongoing programmes.

Looking ahead to 2025

AMADE plans to expand its initiatives in 2025 with a renewed focus on civil registration, menstrual health in East and West Africa, and mentorship for at-risk youth in France. It will also continue bringing solar power to schools in remote regions of northern Senegal under its L’Énergie de l’Espoir initiative.

Now in its 61st year, AMADE remains one of Monaco’s most active and impactful international charities, channelling its resources into long-term, community-driven change for vulnerable children worldwide.

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