Monte-Carlo Printemps des Arts Festival returns with ‘Utopias’ theme

The Monte-Carlo Printemps des Arts festival has unveiled its 2026 programme, providing a chance to music lovers to experience 27 concerts featuring more than 80 works performed by 260 artists from March 11th to April 19th. 

Artistic director Bruno Mantovani revealed the season’s highlights during a presentation at the Oceanographic Museum on December 5th, which will present 12 world premiere performances, and showcase works by 50 different composers.

The 42nd edition is titled ‘Utopies – opus 1’ and will place musical instruments at the heart of the programme. Both period and modern instruments will feature in dialogue from Renaissance masters to contemporary composers.

The festival, presided over by Princess Caroline of Hanover, will open on March 11th with works by Gesualdo and Monteverdi performed by La Venexiana and Duo Xamp at the Église Saint-Charles. The following evening, the Monte-Carlo Philharmonic Orchestra will present pieces by Stravinsky, Monnet and Debussy at the Auditorium Rainier III.

Concerts will take place in various locations including the Oceanographic Museum, the Prince of Monaco’s Car Collection, as well as venues in Nice such as the Théâtre National’s Franciscan hall.

Highlights include a candlelit concert on March 14th featuring violinist Tedi Papavrami and pianist Jean-Frédéric Neuburger, and ‘La Grande Battle’ by Ensemble I Gemelli at the Oceanographic Museum on 13th March.

The programme also features performances from earlier centuries, including ‘Laude Novella’ by Ensemble Gilles Binchois and ‘Harmonia Artificiosa’ by Ensemble Artifices, alongside major works such as Messiaen’s Turangalîla-Symphonie performed by the Monte-Carlo Philharmonic Orchestra at the Grimaldi Forum on 4th April.

The festival concludes with ‘Miniatures’, a series of ballet performances by Les Ballets de Monte-Carlo at the Opéra de Monte-Carlo from 16th to 19th April.

Accessible pricing

In a significant change for 2026, the festival has introduced the same pricing for most concerts at €20, making the festival more accessible to audiences.

Exceptions include concerts in partnership with the Monte-Carlo Philharmonic Orchestra and Les Ballets de Monte-Carlo. The festival remains free for under 25-year-olds with advance booking.

Tickets are now available online via the Monte-Carlo Ticket platform: https://indiv.themisweb.fr/0526/fListeManifs.aspx?idstructure=0526 or at the box office in the Casino de Monte-Carlo’s entrance hall, open Tuesday to Saturday from 10am to 5:30pm, and on concert Sundays from 10am to 4pm (closed 24th and 25th December).

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Photo credit: OPMC

Why teaching children to say ‘no’ matters

France has published new guidance on teaching children about consent, an education necessary to protect young children and shape tomorrow’s society. 

Delphine Saulière, editorial director at Bayard Jeunesse and co-author of a book on preventing sexual violence against children, explains that consent education should begin in early childhood, even though children rarely understand the term itself.

According to the guidance, consent involves giving permission for things that affect you. While adults must make certain decisions for children, respecting a child’s input means explaining what will happen and why.

The key is informing children about decisions affecting them, listening to their concerns, and helping them feel involved in their own lives.

Everyday consent lessons

Parents can teach consent through daily situations. For instance, they might explain that children needn’t accept unwanted kisses from people they barely know, and mustn’t force kisses on others either. Similarly, siblings can learn to respect each other’s privacy during bath time, asking permission before entering the bathroom when someone is washing. Parents might also discuss playground dynamics, such as when certain groups occupy play spaces and exclude others.

These ordinary moments help children recognise what feels right and wrong, and push them to speak up.

This consent education creates a culture of mutual respect. Children learn they have rights over their own bodies, and thus must respect others’ boundaries too.

The approach covers all forms of mistreatment, not just sexual violence. Children should know they can refuse being pushed around at school or excluded from games.

Practical advice for parents

Experts recommend creating regular dialogue opportunities, perhaps during shared reading time, when conversations can flow naturally. Meanwhile, parents might use age-appropriate books to introduce difficult topics without making children feel ambushed. Another recommendation is taking advantage of natural moments, for example school registration or joining sports clubs provides opportunities to discuss what children might experience in these new environments.

The guidance also suggests helping children identify trusted adults they can turn to, whether that’s a teacher, a friend’s parent, or a school counsellor. Additionally, when problems arise, children should be encouraged to act with friends rather than alone, turning the power of a group dynamics into something positive.

Lastly, it also reminds parent that children cannot invent detailed descriptions of abuse. If a child reports something troubling, there’s truth in what they’re saying.

However, the French guidance also reminds parents that they aren’t alone. As an old saying explains, it takes a village to raise a child. Teachers, coaches, librarians, and parents must all play their part in helping young children grow up understanding respect and boundaries.

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Main photo credit: Vitaly Gariev, Unsplash

New Jean Cocteau exhibition in Menton is a tribute to friendship, art, and identity

A major new exhibition, Jean Cocteau and His Friends: Portraits and Self-Portraits, is open at the Musée Jean Cocteau Le Bastion in Menton until 8th June 2026. Presented by the city’s mayor and curated from the Séverin Wunderman collection, the exhibition celebrates the life and work of the iconic French artist through over 150 works — including drawings, paintings, sculptures and photographs.

At its heart, the exhibition explores the duality of the self and the influence of friendship, offering a deeply personal look at Jean Cocteau’s emotional world. Alongside his own self-portraits — some created during periods of grief and introspection — are portraits of his closest friends, among them Raymond Radiguet, Jean Marais, Jean Desbordes and Édouard Dermit. These individuals not only shaped his creative journey but were themselves immortalised in intimate and expressive works.

The exhibition is presented in four thematic sequences: Self-portraits, Monstres sacrés, Musicians, and Dancers and Writers. Cocteau’s depiction of his friends as mythic and sacred figures is especially poignant in the Monstres sacréssection, where larger-than-life personalities like Sarah Bernhardt, Lucien Daudet and Pablo Picasso are cast as muses.

Meanwhile, his lifelong collaboration with musicians such as Erik Satie and Francis Poulenc is explored in the Musicians sequence, while his connections with dancers and literary figures — from Serge de Diaghilev to Raymond Radiguet — are highlighted in the final section.

A particular focus is placed on self-portraiture as a spiritual exercise. Cocteau used his art to process grief, identity and time, especially following the deaths of loved ones. His introspective series Jean l’Oiseleur is a striking example, created during a period of mourning and seclusion at the Welcome Hotel in Villefranche-sur-Mer.

The show also features rare international loans and collaborations, including pieces by the Spanish sculptor Apelles Fenosa and artists Yvonne Billis Régnier and Zhang Hua, whose works reflect Cocteau’s ongoing influence across continents and disciplines.

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