Why teaching children to say ‘no’ matters

France has published new guidance on teaching children about consent, an education necessary to protect young children and shape tomorrow’s society. 

Delphine Saulière, editorial director at Bayard Jeunesse and co-author of a book on preventing sexual violence against children, explains that consent education should begin in early childhood, even though children rarely understand the term itself.

According to the guidance, consent involves giving permission for things that affect you. While adults must make certain decisions for children, respecting a child’s input means explaining what will happen and why.

The key is informing children about decisions affecting them, listening to their concerns, and helping them feel involved in their own lives.

Everyday consent lessons

Parents can teach consent through daily situations. For instance, they might explain that children needn’t accept unwanted kisses from people they barely know, and mustn’t force kisses on others either. Similarly, siblings can learn to respect each other’s privacy during bath time, asking permission before entering the bathroom when someone is washing. Parents might also discuss playground dynamics, such as when certain groups occupy play spaces and exclude others.

These ordinary moments help children recognise what feels right and wrong, and push them to speak up.

This consent education creates a culture of mutual respect. Children learn they have rights over their own bodies, and thus must respect others’ boundaries too.

The approach covers all forms of mistreatment, not just sexual violence. Children should know they can refuse being pushed around at school or excluded from games.

Practical advice for parents

Experts recommend creating regular dialogue opportunities, perhaps during shared reading time, when conversations can flow naturally. Meanwhile, parents might use age-appropriate books to introduce difficult topics without making children feel ambushed. Another recommendation is taking advantage of natural moments, for example school registration or joining sports clubs provides opportunities to discuss what children might experience in these new environments.

The guidance also suggests helping children identify trusted adults they can turn to, whether that’s a teacher, a friend’s parent, or a school counsellor. Additionally, when problems arise, children should be encouraged to act with friends rather than alone, turning the power of a group dynamics into something positive.

Lastly, it also reminds parent that children cannot invent detailed descriptions of abuse. If a child reports something troubling, there’s truth in what they’re saying.

However, the French guidance also reminds parents that they aren’t alone. As an old saying explains, it takes a village to raise a child. Teachers, coaches, librarians, and parents must all play their part in helping young children grow up understanding respect and boundaries.

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Main photo credit: Vitaly Gariev, Unsplash

New Jean Cocteau exhibition in Menton is a tribute to friendship, art, and identity

A major new exhibition, Jean Cocteau and His Friends: Portraits and Self-Portraits, is open at the Musée Jean Cocteau Le Bastion in Menton until 8th June 2026. Presented by the city’s mayor and curated from the Séverin Wunderman collection, the exhibition celebrates the life and work of the iconic French artist through over 150 works — including drawings, paintings, sculptures and photographs.

At its heart, the exhibition explores the duality of the self and the influence of friendship, offering a deeply personal look at Jean Cocteau’s emotional world. Alongside his own self-portraits — some created during periods of grief and introspection — are portraits of his closest friends, among them Raymond Radiguet, Jean Marais, Jean Desbordes and Édouard Dermit. These individuals not only shaped his creative journey but were themselves immortalised in intimate and expressive works.

The exhibition is presented in four thematic sequences: Self-portraits, Monstres sacrés, Musicians, and Dancers and Writers. Cocteau’s depiction of his friends as mythic and sacred figures is especially poignant in the Monstres sacréssection, where larger-than-life personalities like Sarah Bernhardt, Lucien Daudet and Pablo Picasso are cast as muses.

Meanwhile, his lifelong collaboration with musicians such as Erik Satie and Francis Poulenc is explored in the Musicians sequence, while his connections with dancers and literary figures — from Serge de Diaghilev to Raymond Radiguet — are highlighted in the final section.

A particular focus is placed on self-portraiture as a spiritual exercise. Cocteau used his art to process grief, identity and time, especially following the deaths of loved ones. His introspective series Jean l’Oiseleur is a striking example, created during a period of mourning and seclusion at the Welcome Hotel in Villefranche-sur-Mer.

The show also features rare international loans and collaborations, including pieces by the Spanish sculptor Apelles Fenosa and artists Yvonne Billis Régnier and Zhang Hua, whose works reflect Cocteau’s ongoing influence across continents and disciplines.

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Photo source: Ville de Menton