La Table D’Antonio Salvatore opens a new chapter with its most personal spring menu yet

Chef Antonio Salvatore has unveiled a new spring menu at La Table D’Antonio Salvatore at Rampoldi Monaco, alongside a significant shift in how guests can experience his restaurant.

The change is straightforward: where the Michelin star restaurant previously offered a single preset tasting menu, guests can now choose how they eat. A full multi-course tasting menu of up to eight courses remains available for those who want complete immersion, but shorter options of two or three courses have been introduced alongside a full à la carte offering. The idea, Salvatore says, is that fine dining should not be a one-size-fits-all proposition.

A menu that announces itself before it begins

Even before the first course arrives, La Table D’Antonio Salvatore signals that this is something different. Each menu is hand-painted and numbered, delivered signed at the end of the meal as a keepsake — a detail that speaks to Salvatore’s deeply personal approach to hospitality. The olive oil on the table carries artwork commissioned by the chef himself, another quiet expression of a creative sensibility that runs through every element of the experience.

On the tasting menu, that creativity announces itself early. A delicate tartlette of parmesan, lemon and green asparagus sets the tone, before a theatrical Monaco egg — one of the kitchen’s signatures — raises the expectation for what’s to come.

Chef Antonio Salvatore’s signature egg makes the spring menu at his namesake Michelin star restaurant

Spring on the plate

That expectation is well placed. What follows is a carefully proportioned journey through the season. Freshly churned butter arrives shaped and coloured as the Italian peninsula, divided into sections each carrying a different flavour — a playful, personal flourish that recalls the chef’s roots. Beef tartare topped with osciètre caviar gives way to ravioli filled with loup de mer, then a Breton lobster served alongside a provolone mousse, before the menu turns to a richly satisfying pigeon.

A citrus palate cleanser — lemon granita, arancia jelly and maraschino — cuts through beautifully before a final dessert of white chocolate mousse, lemon confit, citron jelly marshmallow and finger lime, delicate but unmistakably spring.

The menu’s centrepiece is a Menton lemon, which runs as a thread through multiple courses and reflects Salvatore’s broader philosophy: a contemporary Mediterranean cuisine built on absolute respect for local, seasonal produce at its peak.

The Breton lobster served alongside a provolone mousse

The signature finale

The meal ends with two of the restaurant’s most memorable flourishes. A chocolate globe arrives at the table with a small wooden hammer — guests are invited to smash it open enthusiastically.

Nearby, an all-chocolate structure styled as catacombs invites diners to reach into its crevices and retrieve an almond white chocolate surprise. Both are theatrical without being frivolous, and perfectly in keeping with a kitchen where imagination is as important as technique.

The delightful palette cleanser of arancia jelly and maraschino

A setting unlike any other in Monaco

La Table D’Antonio Salvatore occupies the basement of Rampoldi Monaco, a refined and serene space that feels entirely removed from the Principality above it. Tucked below street level, the room has a quiet intimacy that is genuinely rare in Monaco — and that, combined with Salvatore’s commitment to keeping the restaurant open almost year-round, makes it one of the most distinctive dining addresses in the Principality.

The restructured menu format — from a full eight-course tasting to shorter two or three-course options — is designed to bring that experience to a wider range of occasions and a younger, more international clientele, without compromising the standards that earned it its Michelin star.

The spring menu is now available at La Table D’Antonio Salvatore.

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See also: 

Interview: Antonio Salvatore on 80 years of Rampoldi, the legend of Monte-Carlo, and why classics never die

All photo sourced from La Table d’Antonio Salvatore