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Princess Grace-inspired jewellery collection unveiled at Palace

by: Cassandra Tanti
17/07/2022

Prince Albert and Princess Charlene have welcomed guests to the Palace to celebrate and showcase a new jewellery collection by Van Cleef and Arpels in support of the Princess Grace Foundation USA.

The new creations, inspired by Princess Grace, were unveiled on 14th July, the same day the pieces became exclusively available in three boutiques in Monaco, Cannes, and Place Vendôme in Paris.

The new Van Cleef and Arpels collection features a Vintage Alhambra long necklace, a pendant, and a bracelet.

“With each piece of jewellery, the warmth of yellow gold unites with the iridescence of gold mother-of-pearl and the sparkle of diamonds. The reflections multiply from one motif to another, giving rise to creations imbued with a sunny elegance,” says the jeweller of its new collection.

The pieces will only be available for 18 months with a portion of the profits to be donated to the Princess Grace Foundation USA.

“In keeping with the organisation’s commitment to emerging artists, Van Cleef and Arpels reaffirms its dedication to the arts and to Grace Kelly’s majestic legacy,” said the company.

Prince Albert and Princess Charlene with Brisa Carleton, CEO of the Princess Grace Foundation USA (far right), and representatives of Van Cleef & Arpels, photo by Eric Mathon/Prince’s Palace

“Two years ago the Princess Grace Foundation USA launched Grace Influential with the goal of ensuring new generations continue to be inspired by Princess Grace’s ongoing influence and impact,” Brisa Carleton, CEO of the Princess Grace Foundation USA, told Monaco Life. “One of our proudest collaborations as part of this new initiative is our partnership with Van Cleef and Arpels. It’s been a privilege to work with such an iconic company and one that has such close personal history with Princess Grace and Monaco. We are delighted that proceeds from this exclusive collection will go directly toward continuing Princess Grace’s legacy supporting emerging artists in theatre, dance and film.”

Grace Kelly had an affection for the maison when she lived in the United States. In 1956, Prince Rainier III gave her a pearl and diamond set from Van Cleef & Arpels as a wedding present, which she kept for the rest of her life. The following year, as a result of that commission, Van Cleef and Arpels became the Official Supplier to the Principality of Monaco.

Princess Grace expanded her personal collection over the years with high jewellery creations, such as the diamond and sapphire Daisy clip (1956), as well as jewels she wore on a daily basis, including animal clips from the ‘La Boutique’ collection and various Alhambra long necklaces.

“Whether in yellow gold, white mother-of-pearl, onyx or malachite, this iconic creation adorned the elegant princess on various occasions in her public and private life,” reveals the house. “

Princess Charlene wearing the tiara/necklace created by Van Cleef & Arpels and gifted to her by Prince Albert

“Today, the Maison maintains its relationship with the Principality of Monaco through prestigious commissions such as the Océan necklace, which can be transformed into a tiara; a gift from Prince Albert to his wife, Princess Charlene,” it added.

The Princess Grace Foundation USA is dedicated to honouring the legacy of Princess Grace of Monaco. Her commitment to advance the arts in the United States is sustained by the Princess Grace Award which supports and elevates extraordinary early career artists in theatre, dance and film through game-changing grants, and nurtures and supports Princess Grace Award winners throughout their careers.

 

 

 

Top photo by Eric Mathon/Prince’s Palace

 

 

 

 

Paul McCarthy’s Pirates Stew Pot in Monaco

by: Cassandra Tanti
16/07/2022

Hauser and Wirth’s new exhibition by Paul McCarthy is a timely reflection on the links between violence, depravity and masculinity, despite the 20 years that have passed since its inception.

‘Paul McCarthy. Pirates Stew Pot’ at Hauser and Wirth Monaco marks the 20th anniversary of McCarthy’s Pirate Project. One of his most important bodies of work, the show highlights the artist’s dedication to this theme across multiple strands since 2001. Originally stemming from Paul McCarthy and his son Damon’s fascination with the Disneyland amusement park attraction ‘Pirates of the Caribbean’, the selection of works includes sculpture, drawing, video and photography, and explores the complex universe of the pirate theme.

McCarthy’s pirate world offers an allegory of society, focusing on a range of unrestrained behaviours or forms of resistance, from untrammelled greed, rampant commercialisation and social ostentation to sadism, perversion, anarchism and corruption. Two decades after its inception, the work continues to be relevant in the context of current global conflicts for the way it addresses the links between violence, depravity and masculinity.

Piggies, Painted – Paul McCarthy 2008/2018. Photo by Monaco Life

“Paul thinks it is very relevant to show the exhibition at this time because of the context of the war on Ukraine,” Gregoire Schnerb tells Monaco Life. “The series started in 2001 when George W. Bush decided to invade Iraq, and throughout the work of Paul, there’s been a denunciation of the American society and all its kitsch; all the positive images it conveys and the parallel with war. On the other hand, there is the image of celebrity, beauty, and wealth, contrasted with imperialism and violence.”

The exhibition in Monaco starts where the project began, with a series of large-scale Pirate Drawings including‘Large Pirate Drawing (Poop Deck)’ and ‘Cut off the Lips’ (2001). These works, McCarthy says, lay bare the psychological sources of this wide-ranging project about the imaginary world of pirate yarns. Enormous sheets of paper serve to gather associations and mould thoughts into pictorial form. Combining charcoal, pencil and marker with collage, McCarthy examines the flow of images from the consumer world and the porn industry.

“It is the second exhibition that we have here in our Monaco space and it is important for us to show the work of Paul McCarthy, to show exactly what the gallery is about,” adds Schnerb. “McCarthy is a central artist and part of our DNA. The artists that we show are linked, and he is representative of the values that we have at the gallery.”

Pig, Paul McCarthy 2003, photo by Monaco Life

Utilising playfully oversized characters and objects, sculptures such as ‘Piggies, Painted’ (2008/2018) and ‘Paula Jones, Painted’ (2007/2018) merge the fantasy Pirate world with figures from the real worlds of politics, philosophy, science, art, literature, film and television. McCarthy locates the traumas lurking behind the American Dream, presented as a Hollywood or Disney-style stage set gone wrong, and identifies their counterparts in the art historical canon.

The exhibition also celebrates ‘Caribbean Pirates,’ an immense two-volume artist’s book by Paul and Damon McCarthy, released in 2019. It details the ongoing endeavour of the Pirate Project, an acclaimed example of McCarthy’s multidisciplinary practice, through photographic documentation and production stills of the performance alongside a text by the artist and an essay by John C. Welchman.

The exhibition will run until the end of summer.

Click on the images below to see more works from Paul McCarthy’s Pirates Stew Pot…

 

 

 

All photos by Cassandra Tanti, Monaco Life

 

 

 

 

A picture is worth a thousand words

by: Cassandra Tanti
16/07/2022

Photographers are once again being encouraged to submit their photos for the RAMOGE – Man of the Sea competition, highlighting the relationship between human activity and the Mediterranean sea, in all their positive and negative dimensions.

‘RAMOGE – Man of the Sea’ (L’Homme et la Mer) international photography competition is on now until 30th September 2022, under the auspices of the International Federation of Photographic Art (FIAP).

This year, it features an internationally renowned jury, composed of Riccardo Busi (President of FIAP), Greg Lecoeur (Nature Photographer of the Year – National Geographic, 2016), and Sergio Pitamitz (Environmental Photojournalist of the Year – NPPA, 2016).

As part of its awareness-raising activities, the RAMOGE Agreement invites all lovers of the sea and photography to highlight in their photos the relationship between human activities and the Mediterranean in its multiple aspects.

The ‘RAMOGE – L’Homme et la Mer’ competition is divided into three categories for adults: Free theme, L’Homme et la Mer, and RAMOGE Zone, as well as a category dedicated to young people aged under 21. The competition is free and open to all.

To participate, simply register and upload your photos on the RAMOGE website: https://ramoge.org/concours-photos/.

The RAMOGE Agreement is a scientific, technical and administrative cooperation tool between the French, Monegasque and Italian governments for the protection and conservation of the marine environment in the area of sea stretching from Marseille (France) to La Spezia (Italy). Since 1976, the RAMOGE Agreement has been organising awareness-raising initiatives targeting citizens and tourists on key environmental issues concerning the Mediterranean Sea, and is the promoter of this photo contest.

 

Photo of 2021 3rd place winner of the the ‘Man and the Sea’ category: “Pirate Slurp” by Giannicola Marello.

 

 

Nice Airport launches new summer destinations

by: Stephanie Horsman
14/07/2022

From Transylvania to Iceland, Sardinia to Crete, Nice Airport welcomed a host of new airlines and new routes in July. So, where are you heading this summer?

With all the bad press surrounding air travel this summer in Europe, it’s nice to hear a bit of good news with Nice Airport adding some fantastic new flights to some very travel-worthy spots.

At the start of July, perennial low-cost favourite EasyJet added two flights a week to Alghero, Sardinia, as well as three flights per week from Nice to Brest. Both flights run out of Terminal 2, with the flight to Alghero running until 4th September and the one to Brest until 28th October. These flights feature reasonable ticket prices, even during the peak months of the summer season.

Nice Airport has added a new airline company to the line-up, as well. Amelia Airlines has been around for 40 years but this is the first time they have added a Nice flight to their itinerary. From now until 3rd September, the airline is offering a weekly flight from Nice to Brive in the enchanting southwest of France. 

Meanwhile, Wizzair has added a flight to mysterious Transylvania and the vibrant city of Cluj. The Nice to Cluj flight runs two flights each week from 1st August to 28th October.

Icelandair has added a Reykjavik routing that allows passengers to visit the natural beauty and warm people of Iceland. They will be running two flights per week in July and August, taking advantage of the short summer season the island nation has to offer.

Air France has also jumped into the fray, adding a new Nice-Crete flight. Travellers will now be able to go to the most populous of the Greek Islands and enjoy the pink sand beaches and clear waters of the coast, as well as the delights of Heraklion three times a week for all of July and August.

Finally, the latest addition at Nice Airport is an Iberia flight to Valencia three times per week in the high season months of July and August. Visit all the city’s offerings, and enjoy the futuristic buildings, planetarium, oceanarium, walks, parks and beaches.

For those looking to stay closer to home, the trains of the region have 30 stops, each one as charming as the last. Take a day trip to a new beach, enjoy one of the many different village restaurants, or just wander through the streets of a town not visited before.

The options are plentiful this summer, so take advantage of the new choices, as well as enjoying the best of the established.

 

 

 

Photo source: Nice Côte d’Azur Airport

 

 

 

Photos: Christian Louboutin: L’Exhibition(iste)

by: Cassandra Tanti
13/07/2022

You don’t have to be a shoe lover to appreciate the brilliance of the Grimaldi Forum’s new summer exhibition. Every inch of the enormous space has been used to transport visitors on a fantastical journey through the mind, and extraordinarily creative career, of the world’s most famous shoe designer, Christian Louboutin.

After the first edition at the Palais de la Porte Dorée in Paris in 2020, ‘Christian Louboutin: L’Exhibition(iste), Chapter II’ opened to the public on Saturday 9th July at the Grimaldi Forum Monaco. The exhibition, redesigned by curator Olivier Gabet, Director of the Musée des Arts Décoratifs, is devoted to the work and imagination of Christian Louboutin, a shoe designer and key figure in the world of fashion. It is based around themes that reveal Louboutin’s eclecticism – couture, travel, the extremes of fantasy and innovation.

It is a fun and sophisticated odyssey through 30 years of prolific creativity, a journey in which emotion and expertise intermingle with his love for performance and a sense of humour.

But chapter two of this artistic venture goes one step further in Monaco. Louboutin the designer becomes Louboutin the curator as he showcases carefully selected art works and sculptures, and reveals his friendship with artists.

Room two of Christian Louboutin: L’Exhibition(iste) features huge stained glass windows designed by Louboutin, photo by Monaco Life

The journey begins in a room bathed in red, before moving onto a church-like space showcasing where it all began for Christian Louboutin. The black room, highlighted by incredible, large stained-glass windows specially designed by Louboutin, features the first shoes that he ever designed and made himself – ingenious, humorous shoes that reveal the boldness of those initial stages of his creative career, and that won clients over at Louboutin’s first boutique in Paris, from Madonna to Princess Caroline of Monaco.

In inventing the red sole, Christian Louboutin found his signature that was to be recognised the world over.

Then, from room to room, visitors are taken on an elaborate journey through the artistic mind of the designer; they are given the opportunity to witness his most iconic creations, chosen from a corpus which today constitutes thousands of designs – some one-offs, others templates for series that would continue for decades.

The ‘Theatre Room’ is a nod to Paris nightclub Le Palace, photo by Monaco Life

One room is a veritable treasure chamber, the circular space evoking a catacomb where the designer – who is still very much alive – becomes a deity, immortalised and revered, and sent to the gods surrounded by gold, silver, and his iconic creations. Is the blood splattered cavity with an apocalyptic pair of men’s golden Louboutins a clue as to how he came to his demise?

The journey moves from genius imagination to fantastical reality, where whimsical videos feature a mini-Christian Louboutin following the process of handmade shoe making, before it reaches a charming old granny’s house in a typical British street, in which the knick knacks, upon close inspection, reveal works of photographer Pierre Moliniere (1900-1976), who used to transform himself into a hypersexualised woman.

“This audacious ‘period room’ shows how much the ideas we have about shoes are shaped by projections and suggestions that are often a long way from reality, and sometimes more obvious,” we are told in one of the written guides that accompany each room.

The ‘Period Room’ is another bizarre journey into the mind of Christian Louboutin, photo by Monaco Life

The exhibition also reveals Louboutin’s love of music and dance, which he has had from an early age, being a child of the famous Paris nightclub Le Palace. A large number of pieces related to this domain have been brought together within a theatre set that has been specially created by Bhutanese artists in the grounds of the royal palace in Thimphu, including carved wooden elements that Louboutin devised in collaboration with the artisans.

The “imaginary museum” is a personal tribute to the artists and artworks that have been Christian Louboutin’s constant companions since his teenage years, serving as the inspiration for his eclecticism, from queer culture and Gandharan art, to photography and contemporary African art.

The tour ends as it began – a Pop Corridor bathed in red, a “passageway between two worlds”, where portraits of celebrities in music and cinema intertwine with magazine covers, extracts from television shows and social media posts, each serving as a reminder of how much Christian Louboutin’s work has been embraced by the talents of our time, all making his name legendary in contemporary design and fashion culture.

Christian Louboutin: L’Exhibition(iste) is open at the Grimaldi Forum until 28th August.

Click on the gallery below for more pictures of Christian Louboutin: L’Exhibition(iste)…

 

 

Photos by Cassandra Tanti, Monaco Life…

 

 

 

 

Delighted visitors to Palace get photo op with Princess

by: Stephanie Horsman
13/07/2022

Princess Charlene gave tourists to the Palace a thrill as she stopped to chat and take photos with them on Wednesday, a lovely gesture that will create a lifetime memory for those she met.

A smiling and relaxed Princess Charlene gave visitors to the Prince’s Palace serious bang for their buck when she made an unscheduled appearance during a guided tour

The Princess is shown on photos released by the Palace’s social media pages looking her ever-chic self in a sleeveless black tunic and cream trousers. She is featured with a group of schoolchildren in one snap and with her arm around a beaming tourist in another, exuding a warmth that is indicative of her personal approach to the public.

Princess Charlene joined visitors on a tour of the Prince’s Palace on Wednesday, photo by Eric Mathon/Prince’s Palace

Not just a by-stander, Charlene joined in as these lucky visitors walked around the newly refurbished Grand Apartments with her as she pointed out points of interest. She also was happy to point out the Renaissance frescoes that have been lovingly restored over the past few years and are only this summer being unveiled to the public.

The social media post read “Yesterday afternoon, H.S.H. Princess Charlene introduced a few guests to the recently refurbished Grand Apartments of the Prince’s Palace as well as the Renaissance frescoes unveiled to the public after several years of restoration work. Princess Charlene also went to meet holidaymakers visiting the magnificent salons of the Prince’s Palace.”

The appearance is a boost for those who have missed seeing the Princess at events, and seems to show she is well on her way back to good health.

 

Photos: Eric Mathon / Prince’s Palace