Roca Team humbled as Lyon restore parity

AS Monaco Basketball experienced a torrid night at the Astroballe on Friday, as they were played off the court by a completely rejuvenated Lyon-Villeurbanne (91-54), who levelled the Betclic Elite final series.

Monaco found themselves in difficulty from the offset as they struggled for scoring opportunities. A reaction from the home side was entirely foreseeable, but the intensity of their defensive game and their efficiency in attack seemingly caught the Roca Team off guard and by the end of the first quarter, the game looked beyond them.

On their route to the final, Monaco have been the masters of the comeback, most notably against Strasbourg in the deciding game of their quarter-final tie, but one never looked on the cards here.

Monaco were confined to a mere 54 points, equalling their seasons-worst tally, as only Ibrahima Fall Faye (10) reached double figures.

The scales were already evenly balanced going into the series, and in victory on Wednesday, they were tipped in Monaco’s favour.

Although, overall, Monaco will likely have a positive assessment of their result in Lyon (one victory, one defeat), the manner of the defeat will give Lyon the belief that the scales have tipped back in their favour, and that they can get a win at the Salle Gaston Médecin.

Lyon, however, will need to solidify their ascendancy in Monaco. “We had a reaction, which is good. Despite everything, it’s only one match, and we have to go to Monaco with the same intent, because we are facing champions, against whom all of our matches have been tightly-contested,” said Lyon manager Paul Lacombe. “We know that there will be a reaction from them. Nothing is won yet, and we have to be ready.”

The third match of the series takes place at the Salle Gaston Médecin on Monday as Monaco look to avenge their 2019 final defeat.

 

Photo source: AS Monaco Basketball

 

 

 

Princely couple officially open Monte-Carlo Television Festival

Princess Charlene looked dazzling in green as she accompanied husband Prince Albert to the opening ceremony of the Monte-Carlo Television Festival on Friday night.

After walking the red carpet and posing for selfies with the public at the Grimaldi Forum, Princess Charlene and Prince Albert took to the stage to declare the 61st Monte-Carlo Television Festival officially open.

During his speech, Prince Albert II of Monaco said, “Our Festival has always showcased on the one hand creativity, quality fiction production, and on the other hand, journalistic work for a better understanding of the real challenges, the major geopolitical and economic equilibria of the world we live in. Its content evolves constantly to integrate the technological developments which have turned the way we consume images, particularly with the development of digital platforms.”

Photo by Eric Mathon, Prince’s Palace

Created to recognise brilliant and exceptional rising talent, Princess Charlene then presented the very first International Golden Nymph for Most Promising Talent to French actor Théo Christine star of War of the Worlds, SKAM, and Suprêmes.

The opening night of the Television Festival each year features a world premier, and on Friday the public was able to attend the first two episodes of the series Last Light. Based on the highly successful novel by Alex Scarrow, Last Light is directed by Dennie Gordon (Jack Ryan) and stars Matthew Fox (Lost), Joanne Froggatt (Downton Abbey), Tom Wlaschiha (Game of Thrones) Alyth Ross (Traces) and Taylor Fay (Judge Rinder), all of whom were in attendance at the special screening.

“In the Golden Age of Content, there is no doubt that our Festival has become a leading force in the celebration of all aspects of the global television business,” said Laurent Puons, CEO of the Monte-Carlo Television Festival. “With an incredible line-up of the very best programmes and talent, both in front of and behind the camera, we are looking forward to delivering an exciting edition over the coming five days.”

Photos: Eric Mathon / Prince’s Palace

New restaurant: La Môme Monte-Carlo

La Môme is an oasis in a bustling, hot Monaco, with killer views, refreshing sea breezes, and a Mediterranean menu that hits all the right notes.

Antoine and Ugo Lecorché first opened the chic La Môme restaurant in the Côte d’Azur in 2015, a trendy go-to for fun-loving A-listers, and an international and local clientele. It was followed by the addition of a cocktail bar in 2017 inspired by the legendary New York bars that the pair had enjoyed in their travels. Then, a few feet away on the famous Croisette, La Môme Plage was established with its 1950s French Riviera inspiration. All in the capital of Cinema, Cannes.

Now, the twins are continuing the story in the Principality with La Môme Monte-Carlo, formerly La Marée, on Avenue J.F. Kennedy.

Antoine and Ugo Lecorché opened the first La Môme in Cannes in 2015

The restaurant is open seven days a week, welcoming up to 220 guests for lunch and dinner, in a dreamy setting on the rooftop terrace of the Port Palace, with a stunning view over the superyachts in the harbour, the blue waters of the Mediterranean, and the Prince’s Palace on the Rock.

At the helm is Managing Director Luigi Visciano who has worked at some of Monaco’s most prestigious establishments including the Hôtel de Paris, the Hôtel Hermitage and the Hôtel Métropole, bringing his professionalism and authentic “Italian-style” charisma to this new venture.

­“We wanted to bring that international-style service and welcome, but in a more relaxed way,” Antoine Lecorché told Monaco Life. “The temperature, the music, the timing of the food, everything has to be perfect, so that when people leave the restaurant, they feel great, even if they don’t know why.”

The view from the rooftop terrace of La Môme, credit: Cassandra Tanti, Monaco Life

Two interior designers were recruited for the décor: Soraya Djemmi-Wagner and Maxime Liautard from Liautard and the Queen design agency. In keeping with the Cannes legend, their vision for the space was a movie scene, in particular the film To Catch a Thief with its Hollywood star and Princess of Monaco Grace Kelly.

The décor is therefore quite feminine, with the use of blue and light tones on the terrace; soft furnishings, warm wooden textures and rounded finishes inside. This is contrasted with bold patterns and zebra fabrics, giving the restaurant a playful edginess.

The menu was created by La Môme Plage Executive Chef Alexandre Elia and executed with the help of new recruit Chef de partie Benjamin Zannier. The theme: Mediterranean with Provençal, Italian and Greek influences. Think flame-smoked eggplant dip, creamy burrata with an assortment of tomatoes, shaved artichoke salad, tuna tartare, and a heavily-truffled arancini. In fact, black truffles feature significantly on the menu at the moment, so-much-so the precious aroma fills the restaurant, and your heart, with luxurious goodness.

“Some of the dishes you can find in Cannes,” revealed Lecorché. “Most appetizers are designed to be shared, as people love to do now. We also have whole fish, lobster, and chargrilled meat dishes, served with fresh seasonal ingredients.”

The Mediterranean dishes at La Môme, credit: Cassandra Tanti, Monaco Life

For mains we were treated to a tuna tataki topped with rich caviar, deliciously seasoned mushroom tops, bright broccolini finished with salty black olives, creamy truffle mash, beautifully seared and tender beef loin with shaved truffles, and truffled rigatoni pasta.

Just when you think you can’t possibly fit another thing in, they present to you their “legendary” giant chocolate chip cookie; waffle with a trio of whipped cream, chocolate sauce and jam; and beautiful fresh fruit platter. Somehow, deep down, you find the space you need to finish the meal.

La Môme Monte-Carlo terrace, credit: Yann Deret

So, my first impression of Monaco’s newest restaurant? If you don’t come for the view, come for the food; come with a lot of friends and order everything on the menu; then sit back with a cocktail and watch the sun go down over Monaco. Life doesn’t get much better than this.

 

Visit Monaco Life’s Instagram page for videos of La Môme.

 

 

 

 

 

 

NMNM presents ‘Newton, Riviera’

The work of Helmut Newton, one of the 20th Century’s most prominent fashion photographers, is now on show at Villa Sauber for an exhibition that uniquely highlights his time in Monaco and the French Riviera.

The latest exhibition by the New National Museum of Monaco (NMNM) titled ‘Newton, Riviera’, features 280 photographs, some iconic and others rarely seen by the public before.

The title reflects the fact that the French Riviera was a place of huge inspiration for Helmut Newton from the 1960s, when he purchased a holiday home in Ramatuelle, to his death in the early 2000s.

“I like the sun, and there’s none left in Paris,” he famously told the Monegasque officer in charge of his residency file. It was the year 1981 and Newton was 61 years of age. He had already established himself as one of the greatest fashion photographers of his generation.

Born in Berlin in 1920, Helmut Newton moved to Australia when he was 20-years-old, marrying Australian actress June Brown (later known as photographer Alice Springs) and setting up a studio in fashionable Flinders Lane in Melbourne where he worked on fashion, theatre and industrial photography. He went on to work for British Vogue, Australian Vogue, French Vogue, Elle and Harper’s Bazaar, establishing a particular style marked by erotic, stylised scenes, often with sado-masochistic and fetishistic subtexts.

The New York Times described him as a “prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications.”

‘Helmut, Riviera’ exhibition at Villa Sauber, photo by Manuel Vitali, Communication Department

His time in Monaco, from 1981 until his death in 2004, was one of the most prolific and freest of his career. Monaco offered him an original setting for his fashion photography, and it is was not uncommon for one of the city’s construction sites to serve as a backdrop for a haute couture campaign he’d signed. In 1992, Monaco awarded him the ‘Officier des Arts, Lettres et Sciences’.

He also produced numerous images and portraits of the Princely family and stars of the Ballets de Monte-Carlo. It was here that he finally tried his hand at landscape photography, and developed one of his most personal series ‘Yellow Press’, strange images of a disturbing glamour, inspired by crime scenes.

‘Newton, Riviera’ has been curated by Guillaume de Sardes and Matthias Harder. It is being presented in collaboration with the Helmut Newton Foundation, Berlin. The exhibition will run at Villa Sauber, 17 avenue Princesse Grace, until 13th November 2022.

 

Top photo of Helmut Newton taken by photographer Alice Springs (pseudonym used by his wife June Newton)  

 

 

 

Analysis: Filling AS Monaco’s Tchouaméni-shaped hole

In selling Aurélien Tchouaméni, AS Monaco have lost one of the world’s best midfielders, and according to Philippe Clement, replacing him will be “impossible.” So, what are Monaco’s options?

When faced with the challenge that a departing player poses, the Principality side often look inwards, leaning on their academy, which has for many years now been an efficient assembly-line of first-team worthy products. But they won’t be able to do that this time.

The sheer size of the hole that Tchouaméni departure has created, means that Monaco will have to dig deep in their wallets to fill it in. Whilst Monaco certainty have some promising midfield youngsters on their books, none quite fit the criteria, whilst the psychological pressure of stepping into the shoes of one of Monaco’s greatest exports in recent years is undoubtedly too strong a burden to place on young shoulders.

Amongst the senior set-up there isn’t a ready-made replacement either, and due to Tchouaméni’s skill set especially in the defensive phase, it isn’t possible to mask his absence from their midfield.

Whilst Youssouf Fofana excelled towards the end of the season, he is not the same profile as Tchouaméni. He certainly couldn’t play as the sitting midfielder in the 4-1-4-1 system that Clement deployed when he first arrived on Le Rocher, and although he has shown himself once again to be adept in a midfield pivot, he needs to be accompanied by a more defensive element. That element won’t be Jean Lucas, who is more of a free-roaming 8, nor will it be the diminutive Eliot Matazo, whose play style more closely resembles that of Fofana rather than Tchouaméni.

Whilst Tchouaméni is an adept progressive midfielder (5.66 progressive passes per/90), this is a function largely shared with Fofana, who is the most progressive carrier of the ball (5 progressive carries per/90). It is in his defensive work that Tchouaméni’s “irreplaceable” qualities become quickly apparent.

Amongst his team-mates, he completes the most tackles (2.92 per/90), despite Jean Lucas applying the most pressures per/90 (23.8). Unsurprisingly, he also makes the most interceptions, and by a long way too. According to FBref, Tchouaméni is in the top 1% of interceptors in world football: the definition of irreplaceable for a team like Monaco.

The data highlight two things: firstly, that Tchouaméni is a world-class ball-winner and secondly that whilst he can be progressive, he very much shared that responsibility with Fofana. From there it is easier to define exactly what profile Monaco should pursue in this difficult recruitment process.

As has already been ascertained, it won’t be possible to bring in a like-for-like replacement, but an imperfect refilling of that Tchouaméni-shaped hole is possible without needing to rip up the entire road and start again.

Other clubs in the past, who have accepted the dangling €100m carrot in the past have not wisely re-invested. Tottenham’s scatter-gun approach to replacing Gareth Bale in 2013, when he was sold to Real Madrid for €101m, immediately springs to mind. But the names being linked to Monaco are indicative of a much more concentrated, tailored approach to fulfilling their needs. In their own way, Danilo and Amadou Onana, both of whom reportedly interest sporting director Paul Mitchell, according to L’Équipe, would go some way towards alleviating the impact of Tchouaméni’s departure.

Speaking in a press conference in early May, Clement revealed his admiration for Onana, telling reporters that he had tried to sign the defensive midfielder whilst he was manager of Club Brugge. Whilst he doesn’t quite boast the statistics of the departed Tchouaméni, it is clear that he is of a similar profile, whilst he also has Ligue 1 experience.

Onana’s 3.45 tackles per/90 is highly impressive, even better than Tchouaméni’s record, and by extension, all of Monaco’s other midfield options. He also boasts 2.06 interceptions per/90, which doesn’t rival Tchouaméni’s proficiency in regaining the ball, but is nonetheless better than all of Monaco’s other midfielders. The ability to intercept is inextricably linked to game intelligence and therefore experience, and at just 20, Onana has the ability to develop in this regard.

The Belgian is also a native-level French speaker, which, should he feature in a double pivot, mustn’t be overlooked. By its very nature, the double pivot partnership hinges upon automatisms and good communication, and as Onana’s likely partner would be fellow French-speaker Fofana, the language barrier, or lack thereof in this case, is another tick next to the young Belgian’s name.

The same can’t necessarily be said for the Brazilian Danilo. However, he wouldn’t be short of compatriots and other Portuguese-speaking players in the squad. Both full-backs, Caio Henrique and Vanderson are Brazilian, whilst further up the field, Gelson Martins also speaks Portuguese.

The Palmeiras midfielder’s profile recently received a boost when he was called up by the Brazilian national team for the first time, after an impressive league season with the newly-crowned Brazilian champions.

A defensive-minded midfielder, Scouted Football’s analysis of the Brazilian international reads strikingly similar to a description of Tchouaméni. “He tracks back well, filling in in the defensive line when required, and he has a strong knack for intercepting cut backs crosses into the penalty area…He will often be asked to back up the press, and he certainly has the energy for such a role… He’s very proactive with his decision making, and looks to engage opponents rather than forcing them to make a decision.”

Although Scouted Football add that he does sometimes get too easily turned and he is sometimes prone to ball-watching, these less desirable qualities are possible to eradicate with good coaching and general maturity. Just like Onana, at the age of just 21, Danilo has a lot of room for growth.

Importantly, both would also fit with Monaco’s philosophy of buying young players with high potential for further growth. Whilst there is an understandable despondency towards the future of Monaco’s future midfield having lost Tchouaméni, it must be remembered that Monaco have an unbelievable ability for renewal.

After losing Fabinho to Liverpool in 2018, two years later Monaco found a replacement who would later garner a €100m fee from the European champions. There is no reason why Onana, Danilo, or whoever else replaces Tchouaméni, can’t follow the same trajectory, and perched upon Le Rocher, they would be in the perfect place to emulate his path.

 

 

Photo by Luke Entwistle, Monaco Life

 

 

 

Top Marques Monaco a huge hit in numbers and sales

Thousands of car lovers turned out to celebrate the return of the Top Marques Monaco supercar show last weekend, with expectations exceeded in terms of sales and the number of visitors. 

Multiple sales were made in every category of the show including the area dedicated to iconic sports cars from the 50s to the 90s, where a number of exhibitors confirmed they had made sales during the four-day event.

Initial figures revealed that more than 22,000 visitors attended the show, coming from as far away as Japan, Brazil, Mexico and the USA.

“After two years of Covid, it was a real challenge to organise this edition of Top Marques, and to mobilise the exhibitors, the manufacturers and the public to make the event a success. But we met the challenge,” Salim Zeghdar, CEO of Top Marques, said.

“We exceeded our expectations both in terms of sales by our exhibitors and the number of visitors. All the indicators are very positive and are there to encourage me and my team to start working on a sensational edition next year, with even more world launches and exceptional vehicles.”

Top Marques Monaco 2022, photo by Monaco Life

From today, visitors worldwide can access the event virtually with the first ever digital Top Marques Monaco. Access is free by clicking on the 360° tab here. “Visitors who were not able to come to our event last week, or who want to return to see some of the incredible vehicles – and even buy them – can visit our virtual show. I think it’s a first for a car show and I’m very proud of this new dimension to Top Marques.”

The annual Top Marques show, held every June under the High Patronage of H.S.H. Prince Albert II of Monaco, returned in style with almost 100 exhibitors presenting more than 115 vehicles. There were also several superboats exhibited on the Esplanade outside the Grimaldi Forum as well as timepieces and fine jewellery in the Espace Diaghilev, all of which made sales.

The event began with an exclusive VIP avant-premiere opening for more than 2,500 guests, where several purchases were made ahead of the opening to the public on 9th June.

Prince Albert unveils a world-premier supercar at Top Marques Monaco 2022, credit: Elite Visual Concept

Highlights of the event included a record-breaking number of world launches unveiled by Prince Albert on day one of the show. These included Italy’s PJ -01 Project by Pambuffetti, the 660 LMS by Swiss manufacturers Picasso Automobile, the Dallara D50, the Mini E-Electric from Aznom Automotive, the Magnifica motorbike from Radikal Design, and three incredible aerial vehicles: a flying motorcycle from Xturismo, the Jetson One, and a flying car from Mc-Clic, the MC-One.

European launches included Pininfarina’s Battista, the Aspark Owl from Japan and the electric supercar Deus Vayanne, as well as five avant-premieres: McLaren’s Artura, Aston Martin’s Valhalla as well as the DBX 707, and two cars from Maserati, the MC20 and the SUV Grecale.

But for many, the most beautiful vehicles were found in the Classic Car Hall, with emblematic models exposed by leading classic car dealers such as Monaco Luxury, Boutsen Classic Cars, British & Sportscars, DPM Motors, Dream Car Performance as well as a private collection by Classics 4 You.

The pinnacle for other supercar fans was the appearance of Top Marques’ ambassador, auto influencer GMK, who spent more than five hours over the weekend greeting fans and inviting them to sign his car.

See Monaco Life Instagram page for more videos from Top Marques Monaco 2022! 

 

SEE ALSO: 

Photos: Top Marques 2022

 

 

Top photo credit: Elite Visual Concept