More 3D printed meats are on their way to Europe thanks to Giraudi

Monaco-based Giraudi Meats has struck a major strategic deal with Redefine Meat to drive European distribution of its New-Meat plant-based products, and as Riccardo Giraudi told Monaco Life, the decision makes perfect business sense.

Redefine Meat has spent years studying the unique properties of animal meat and believes that it has perfected cutting edge technologies – including 3D food printing – to develop plant-based products that “provide the full sensory experience of meat, including flavour profiles, texture and aroma, without compromise.”

The start-up raised €170 million in a series A financing round this year and operates large-scale meat printers at its Rehovot headquarters south of Tel Aviv, and a new factory in the Netherlands, hoping to establish its products as an alternative to conventionally produced meat.

It’s New-Meat range includes minced meat products, premium muscle cuts, and an entirely new category of pulled meat – beef, lamb and pork. Many of the products are already being served up by leading chefs at hundreds of restaurants, hotels and other foodservice locations in the UK, Germany, the Netherlands and Israel. In Israel, they are also commercially available in retail channels such as butcher shops.

Redefine Tenderloin, Flank and Striploin

As Europe’s largest importer of high-end meat, Giraudi Meats is marking an historic milestone with this collaboration. The company has a presence in over 30 countries and an industry-leading sales, marketing and distribution network in hospitality comprising over 300 meat distributors and wholesalers. With this partnership, Giraudi Meats plans to drive the rapid expansion of New-Meat across European food services – starting with France immediately, followed by Italy, Greece and Sweden later this year, and dozens more countries to follow.

“Working intimately with the European food services industry, we’re seeing fast growing demand for more flexitarian products to satisfy the needs of meat-lovers,” says Riccardo Giraudi, CEO of Giraudi Group. “We’ve been searching for a high-quality meat alternative to add to our high-end meat portfolio to address this growing market, and I have to say that New Meat is in a category of its own. We believe that with this level of quality, combined with the product versatility across beef, lamb and pork, New-Meat will enable us to drive significant new revenue streams in the high-end meat market.”

Giraudi Meats will distribute New-Meat to its existing customer base, as well as prospecting new customers to sell Redefine Meat products. It will also add New-Meat products to the menus of it’s chain of Beefbar restaurants across Europe, including where it all began – here in Monaco.

Redefine Pulled Pork

Endorsed by world-leading chefs, the people behind New-Meat say that it achieves what was previously considered impossible in the culinary world: plant-based products with a level of quality suitable for high-end chefs and butchers.

“The synergies between Redefine Meat and Giraudi Meats lays in our love and passion for meat, and the uncompromising shared vision to serve the world only top-quality meat,” says Eshchar Ben-Shitrit, CEO and Co-Founder of Redefine Meat. “Having such a prestige meat importer as Giraudi Meats – working with the best chefs and butchers all over Europe – integrate our New-Meat into its portfolio of exclusive high-end meat alongside the likes of Angus and Kobe beef, exemplifies why New-Meat is defining a new category of high-end product in the meat industry. Giraudi Meats’ proven track record of creating new categories in the European meat market and its ability to continuously change and innovate makes it a great partnership, which will significantly accelerate the proliferation of New-Meat across Europe.”

All Redefine Meat Products are based on non-GMO, plant-based ingredients, are antibiotic and cholesterol free, and do not contain any animal-based ingredients or by-products.

It was recently described by legendary chef Marco Pierre White as “one of the cleverest things I have ever seen in all my years of gastronomy”.

“I wanted to collaborate because when I tried the product I was totally amazed.”

Q&A with restaurant guru Riccardo Giraudi, CEO of Giraudi Group

Monaco Life: As a high-end meat importer who knows good meat, and assuming you have tried the New-Meat products – what is it about them that made you want to invest in this partnership?

Well, first of all, when I first saw Instagram posts about New-Meats I was extremely curious and wanted to learn more. We met via social media with the owner, funnily enough, and I just thought it was a great addition to my meat portfolio, as yes, I do specialise in high-quality meats and logically, at this point in time, plant-based meats are clearly also a small portion of the “meat” business. But the most important reason why I wanted to collaborate is that when I tried the product I was totally amazed. It is something totally different than what there is currently on the market. It’s so much more forward, clean and simply delicious. I am very difficult with my suppliers selection in the meat or in the plant-based meats division, as I want only to excel in my portfolio.

This is obviously a smart business decision on your part – given the perilous nature of the future food industry – but it is also a win for the environment. Is that how you see this collaboration?

Yes and no. I am more of an entrepreneur who sees a demand for this type of new movement and I try to fulfill such a demand. I am also very creative and I think I can educate our distributors via our restaurant structure, which is key. The fact that it’s good for the environment is extra, but I see myself more of a “lets bring something new to the market” kinda guy.

How long do you think it will be before we really see plant-based meat alternatives like this alongside meat based products in all hospitality sectors in the world?

Many European countries, such as Germany, or the UK are much more ahead of southern countries when it comes to serving plant-based meats in their menu. I think it’s a cultural choice, and I think it will follow the same trend as high-quality meats. It took us a long time to get there, but once we get to the final consumer and they are happy with the progress, they definitely come back. I definitely think, having tried myself these products, that it’s a new type of protein coming to the market. You can consider it as a new meat category.

And finally, the last time we spoke you were planning on opening the Leafbar this summer – do you have an update on that project for us?

Absolutely. It took us a lot longer because we decided to make the restaurant bigger. We had to acquire the unit next-door and of course, as you know, it takes a lot of time with regards to the building permits. We just wanted to do things well. But I can officially tell you Leafbar will open before summer next year!

 

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Interview: Restaurant guru Riccardo Giraudi

 

 

 

 

Contemporary exhibition: Roni Horn at Hauser and Wirth Monaco

‘Sweet is the swamp with its secrets’ is the opening line taken from a poem by Emily Dickinson, and as a title to this exhibition of Roni Horn’s work, it perfectly sums up what is hiding in the depths of the Hauser and Wirth gallery.

For the first time ever, Roni Horn’s photography and sculpture are presented alongside clips from Ingmar Bergman’s famous 1966 sexual drama Persona, her works interpreted through the prism of cinema by curator Jerry Gorovoy for an exhibition designed specifically for Hauser and Wirth Monaco.

“I am interested in Roni’s relationship to cinema both on a formal level and on a conceptual, content level,” says Jerry Gorovoy during a private tour of the exhibition. “The work tends to be more abstract and hermetic, but there’s an unconscious side to what she is doing that deals with sexuality and psycho-sexuality.”

Roni Horn is an American visual artist and writer who, at a very early age, decided that her gender “was nobody’s business”, as she said in a 2009 interview.

Curator Jerry Gorovoy infront of Roni Horn portraits at Hauser and Wirth Monaco, photo by Monaco Life

While words, literature and language are often coupled with Horn’s work, this exhibition proposes that images of the body, desire and sexuality – the ‘secrets of the swamp’ – are equally crucial to identity.

“Roni Horn has been interested in identity her whole life. Now, the idea of androgyny, of sexuality and people changing their sexual identity or physicality is much more common, but Roni’s been dealing with this for a long time,” says Gorovoy. “One of the things that defines who we are, really, is our relationship to sexuality. The Bergman film is quite famous, but it is also quite hard to figure out. Like Roni’s work, if you take all the typologies, it doesn’t end up at a narrative. Bergman himself said when you see this film, don’t try to make sense of it, just experience it.”

Gorovoy has selected six two-minute clips from the feature-length film, removed the audio and added subtitles. The clips display interactions between Elisabet, an actress who for some unknown reason suddenly refuses to speak, and Alma, the nurse who is assigned to her care.

They are juxtaposed with the artist’s photography, where her erotic imagination – real and fantasized, conscious and conscious – come to life. We see the ‘peephole’ cinematic techniques in her photographs of a girls’ locker room at the hot springs, the phallic message behind the stuffed birds photographed from behind, “who is looking at who?” questions Gorovoy; the serial images of a woman named Margaret, sweating in the thermal waters. “See the slight variations in her expressions,” instructs the curator.

Roni Horn’s clowns on display at Hauser and Wirth Monaco, photo by Monaco Life

The clown in ‘Cabinet of’ with its smeared red nose and lips can be read as a symbol of sexual arousal while revealing the relationship between identity, mask and performance. “These are two separate photographs that she’s cut and spliced together, like in film, to make one image. Here again we ask, is this the same person? Is this two people? It’s very ambiguous in a way.”

‘a.k.a.’, a series of self-portraits, charts Horn’s exploration of her androgyny to reveal the relationship between gender and performance and, like Bergman, the multiplicity and fluidity of identity.

“According to Freud, basic understanding comes down to passive and active more than male and female within the psychic life. In these pictures of Roni, you can see how her identity, the way she styles herself, is like a mask. Androgyny is a big part of Roni’s work because it’s not masculine or feminine, it’s inclusive of both sides of the psychic life.”

At the centre of the exhibition is a large cast-glass sculpture with its seductively glossy surface inviting the viewer to gaze into an optically pristine interior, as if looking down on a body of water.

Portraits of Roni Horn, photo by Monaco Life

Jerry Gorovoy says that both he and Roni are happy with the exhibition he has put together specifically for Hauser and Wirth Monaco. Gorovoy has already forged a connection with the Principality – as assistant to Louise Bourgeois for 30 years and now President of The Easton Foundation, he oversaw Hauser and Wirth’s inaugural exhibition by Louise Bourgeois, including the gaint ‘Spider’ sculpture in the gardens of Monte-Carlo, in 2021.

“I’ve never done anything like this before, the projection and all that. But I think it works,” concludes the curator. “The complexity of the forms and the images allow Roni’s work to be read in many ways, but this is my interpretation. Hopefully people agree. Roni has seen it and she is very happy. She said it’s even richer than she thought.”

‘Sweet is the swamp with its secrets’ runs until 24th of December. As with all Hauser and Wirth exhibitions, this chapter includes a series of events including a screening of the movie at the gallery, a talk, still life workshops with school groups and more.

Photo above by Monaco Life. 

 

 

 

Fuel shortage: service station designated for priority customers

As strikes at French fuel depots continue to paralyse fuel stations across the country and Monaco, the Prince’s Government has chosen to partially reserve one local service station for vehicles belonging to priority groups. 

The government announced on Friday that in order to deal with the current fuel shortage, from Saturday 15th to Wednesday 19th October, Romano Energy service station, located at 25 boulevard Charles III, will be closed to the public from 5:30am to 7:30am and 7pm to 9pm.

“These time slots will be reserved for the refuelling of vehicles used by personnel qualified as priority by their public action and their profession (who will have been notified by the State services), in order to allow continuity of service deemed vital,” said the government in a statement. “The Prince’s Government thanks all users in advance for taking these time slots into account so as not to hinder the supply of these priority personnel.”

 

 

Photo source: Government Communication Department