Inside Monaco’s summer exhibition of Alberto Giacometti

After the disappointment of having the 2020 summer exhibition cancelled due to the Covid pandemic, the Grimaldi Forum has come out all guns blazing this year with an event that parallels its past monograph exhibitions of Dali, Bacon, Picasso and Warhol.

This time, major 20th century artist Alberto Giacometti takes centre stage, his iconic Walking Man statue forming part of one of the biggest retrospectives of his work ever organised in the world, thanks to the exceptional loan of 230 works by the Giacometti Foundation.

During an exclusive preview for the press on Thursday, the foundation’s Curator Émilie Bouvard guided us through a giant exhibition space that gives prominence to all phases and mediums of Giacometti’s career – sculpture, paintings, drawings, and prints that the artist used to express himself.

Photo of Alberto Giacometti sculpture by Monaco Life

“The trail has the rhythmic character of a music score: first, a prelude retracing in chronological order, Giacometti’s works of his youth, the temptation of cubism and abstraction then his surrealist period,” says the Grimaldi Forum’s Scenographer William Chatelain. “Variations on the quasi-obsessional theme of the human figure follow, a motif that was to haunt the artist from the end of the 1940s to his death.”

Ten rooms follow the themes of Heads, Fayum Portraits, Animated Sculptures, Nature, Melancholia, Solitude, Marvelous Reality, Loves and Friendships, Women or Goddesses?, and to finish, At the Limits of Sculpture with the iconic Walking Man sculpture bringing the exhibition to a close.

At the heart of the trail is a digital studio, an immersive space for visitors supported by dialogues and animated photographs showing the special relationship Giacometti had with his models.

Photo of the exhibition’s digital studio by Monaco Life

The simple white walls and minimal ambiance is punctuated by the addition of one quote by Alberto Giacometti per room.

“The themes preferred by the artist – the representation of the head, the face, the female body – will be particularly prominent but the public will also discover this relationship with solitude and melancholia as well as his relentless work with his models: his wife Annette, his brother Diego, his close friends,” says Curator Émilie Bouvaard. “The visitor will also encounter another Giacometti, the artist experimenting at the very limits of sculpture, and the remarkable painter who also practised, next to portraits, the genres of landscape and still life.”

Alberto Giacometti lived from 1901 to 1966 and grew up in Switzerland in the Val Bregaglia alpine valley, a few kilometres from the Swiss-Italian border. His father, Giovanni Giacometti (1868-1933), was an impressionist painter esteemed by Swiss collectors and artists.

Albert Giacometti in his studio in Stampa, 1961. Photo by Ernst Scheidegger © Stiftung Ernst SScheidegger-Archiv, Zurich

From 1922, he lived and worked mainly in Paris and is considered one of the most important sculptors of the 20th century. His work was particularly influenced by artistic styles such as Cubism and Surrealism.

Philosophical questions about the human condition, as well as existential and phenomenological debates, played a significant role in his work. His critical nature led to self-doubt about his own work and his self-perceived inability to do justice to his own artistic vision. His insecurities nevertheless remained a powerful motivating artistic force throughout his entire life.

‘Albert Giacometti: a retrospective, Marvellous Reality’ is on show at the Grimaldi Forum from Saturday 3rdJuly to 29th August 2021.

Top photo of ‘Children’s Workshops’ by Alberto Giacometti at the Grimaldi Forum, taken by Monaco Life

See the gallery below for more photos of the exhibition…

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Manon Fleury: "This is the future of gastronomy"

For almost a decade, Elsa has modernised the way we think about cuisine. The first 100% organic restaurant to receive a Michelin star, using only wild-caught fish and the freshest local produce, this Ecocert certified restaurant embodies the future of gastronomy and sustainable cooking.
Manon Fleury, meanwhile, is part of that new generation of chefs who combines fine dining with a full respect for nature and the land. Her ecological and zero-waste approach involves using the entire product from head to tail, fruit to stone, and flower to leaf.
It is for that reason that Manon Fleury was chosen this year to head the Michelin-starred Elsa restaurant at just 30-years of age. Her mandate: to enhance seasonal products with an emphasis on plants, actively collaborate with local artisans and producers, minimise waste and create modern and responsible cuisine without compromising on excellence and creativity.
“It’s new for us, because it is the first female chef that we have had here at Elsa, and she is young,” Danièle Garcelon, General Director of Monte-Carlo Beach, tells Monaco Life. “But first comes talent, then gender, and she is so courageous. We all work well together as a team. It’s been a great start to the season.”

Photo of Head Chef Manon Fleury and General Director Danièle Garcelon of Monte-Carlo Beach by SBM

This legendary location is no stranger to remarkable women, with the likes of Irish architect and designer Eileen Gray, American columnist and songwriter Elsa Maxwell, and Indian architect and designer India Mahdavi among the former famous faces.
But it is the common values and convictions that Manon and Elsa management share that secured her appointment to the top job.
“For me, Elsa is the whole package,” Chef Manon Fleury tells Monaco Life. “The challenge of producing food with zero waste gives me more potential to be creative. When I have, for example, peas in the pod, I think ‘will I create a broth with the pod, or a jelly?’ It is a challenge to use what you would normally throw in the bin, and above all it has to taste good.”
Photo of Manon Fleury’s sweet and sour cucumber, fresh almond and verbena infusion by SBM

In the tranquil setting of the Monte-Carlo Beach, sheltered from the hustle and bustle of busy Monaco, guests are invited seaside for a moment of harmony and wellbeing – in mind, spirit and taste.
On this warm June day, my entrée of sweet and sour cucumber, fresh almond and verbena infusion sets the tone for a light yet flavoursome lunch. It is followed by a mixed grain risotto with peas, beans and punchy zaatar, before a refreshing candied citrus fruit dessert with amaretti biscuit, cream and orange blossom. Even after a glass of champagne, I am left feeling comfortable and satisfied – the perfect meal for these hot summer days.
“French cuisine doesn’t generally have a healthy approach,” Manon tells me. “We never really think about building a dish in a healthy way. So, I try to inject that into my cooking. Even if butter is great – I love the taste of butter – it is possible to remove some ingredients, a heavy sauce for example, and think in terms of what is good for the people who are eating at my restaurant.”
Photo of Monte-Carlo Beach – Elsa restaurant by SBM

“I think this is the new way to chef, to concentrate flavours,” adds Manon. “The challenge is to show that healthy cuisine, and introducing more vegetables, more grains, is trendy. As chefs, we have a lot of influence over consumers and what they choose to buy in terms of products and what they cook.”
Creativity abounds on this menu, where guests can also find San Remo prawns with raspberries and nasturtium flower jelly, stuffed zucchini flowers with candied lemon peel and oat foam, and vegetable pie with herbs from the Domaine d’Agerbol, an organic agricultural farm in Roquebrune-Cap-Martin.
Photo of the vegetable pie at Elsa by SBM

“The pie is one of my favourites, and I don’t even make it,” reveals Manon.  “My sous chef Laurène Barjhou makes it. It is very fine, technical, and it changes every day depending on the vegetables that are available. Sometimes we have zucchini, other days we have only onions or carrots. For decades, the habit has been to eat meat pie with meat sauce, but for me it is about keeping something very emblematic and classical, while adding a modern twist.”
Apart from alpine lamb and guinea fowl, the menu at Elsa is predominantly seafood and vegetable-based. But even the most ardent meat lover will find contentment in the caramelised Mediterranean Sea Bass with wild chard, ridge butter sabayon and beetroot puree.
“This is my new way of working. I want to know where the produce comes from, why I am using it, and to give it more sense,” says the chef. “Sometimes in fine dining, you are given a plate and told ‘this is from the chef’, but you don’t know anything else about that dish. I want to speak to my guests through my food, about my team, the producers, everyone who contributes to that great experience.”
Photo of Manon Fleury’s San Remo prawns by SBM

Manon’s career began in the kitchens of Alexandre Couillon and then in Pascal Barbot’s three-Michelin-starred restaurant. In 2015, she joined Blue Hill at Stone Barns, the “farm to fork” restaurant of Dan Barber situated north of Manhattan, where her passion for ecological cooking was triggered. She returned to Paris in 2016 and Eric Trochon, Meilleur Ouvrier de France, appointed her sous-chef of his Michelin-starred restaurant, Le Semilla. In 2018, at the age of just 27, Manon Fleury took over Le Mermoz in Paris and was acclaimed by critics.
While developing her passion for sustainable gastronomy, this award-winning chef also has the responsibility of maintaining the Michelin star that Elsa has held since 2014. But it is a challenge that she seems very confident of achieving.
Photo of the new-look Monte-Carlo Beach by Monaco Life

Meanwhile, guests at Elsa can now enjoy views of the new-look Monte-Carlo Beach, which – after two years in the making – has finally been returned to its 1930s glory.
Tonnes of earth and pebbles have been transported to the shoreline, giving beach goers easy access to the water and a new jetty to enjoy.
Elsa will remain open for the season until 3rd October.
 
 
 

Monte-Carlo Gala changes things up for 5th edition

The Prince’s Foundation has announced that its biggest event of the year, the Monte-Carlo Gala, will return this September to a new location – the Prince’s Palace – and for the first time the Princess Charlene Foundation will also benefit from the exclusive fundraiser.
The Monte-Carlo Gala for Planetary Health will this year be marking its fifth edition, but more importantly, it will be celebrating the 15th anniversary of the Prince Albert II of Monaco Foundation.
On Thursday 23rd September, the Foundation will gather in Monaco some of the world’s most famous artists and philanthropists for the Principality’s most extravagant night of the year.
Traditionally staged on the terraces of the Opera Garnier, the Monte-Carlo Gala will this year take place at the Prince’s Palace, bringing together the best of all worlds, from science and arts, to cinema and music, inspired by the environmental stewardship of HSH Prince Albert II of Monaco.

Photo of the 2018 Monte-Carlo Gala by Philippe Fitte for Tuff Consult

Through the gala’s signature auction, funds are raised to support the Foundation’s critical and comprehensive portfolio of conservation projects – to protect endangered species from the illegal wildlife trade, to expand marine protected areas, to promote renewable energy and resource efficiency in emerging economies, to eliminate deforestation, and to better understand climate change particularly in the polar regions.
Given the illustrious guest list, the annual gala has managed to raise millions for the Foundation and its projects.
But for this exceptional edition, the Prince Albert II of Monaco Foundation is joining forces with the Princess Charlene of Monaco Foundation through a series of lots that will be auctioned in support of their efforts to save lives by fighting against drowning and to develop the education of children through the values of sport.
Photo of Princess Charlene and Prince Albert by Eric Mathon, Prince’s Palace

The Monte-Carlo Gala auction, led by star auctioneer Simon de Pury, is renowned for offering collectors once-in-a-lifetime experiences, invaluable artworks, memorabilia, stunning bespoke jewelry and more. Many of the lots and experiences are offered by Prince Albert himself.
Meanwhile, each year, the gala honours high-profile personalities in recognition of their outstanding work and commitment for environmental preservation. Previous award recipients are Leonardo Di Caprio, Orlando Bloom, Robert Redford, and Sting.
This year’s gala honourees, event co-chairs and talents will be unveiled in the coming months.
For tickets, visit the website: www.montecarlogala.org
 
 
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Top photo of the 2019 Monte-Carlo Gala by Eric Mathon, Prince’s Palace
 
 
 

NFT drop at this year’s UPAW art event

When street artists descend on Monaco for UPAW this year, they’ll be raising funds the Prince Albert Foundation. But they will also have the unique opportunity to be part of the NFT revolution.
Urban Painting Around the World (UPAW) returns for the 5th edition at the Esplanade des Pêcheurs from Tuesday 6th to Thursday 8th July, bringing international StreetArt artists to the Principality of Monaco for the benefit of the Prince Albert II of Monaco Foundation.
The 2021 edition features 12 artists from seven different countries: Nadib Bandi (France), Cacao Rocks (Greece), Chicadania (Colombia), Michael Bereens (France), Manomatic (Spain), Misterpiro (Spain), Andrea Ravo Mattoni (Italy), Pez (Spain), Spok Brillor (Spain), Jacques Schneider (Luxembourg), Mr OneTeas (Monaco), and Tones (Switzerland).
Like every year, the 2021 theme is linked to the protection of the environment: ‘The planet and its colours’.
Money raised from an auction of the street art on Thursday 8th July will go towards the Mediterranean Monk Seal Alliance conservation initiative spearheaded by the Prince’s Foundation. Previously, funds have been raised to help finance a project for the protection of chimpanzees in Uganda, and the BeMed (Beyond plastic Med) initiative to fight plastic pollution in the Mediterranean.
Urban Painting Around the World was created by Alberto Colman in 2017 to bring StreetArt to Monaco and show the sensitivity that street artists have for the environment, while bringing fans closer to the cause.
This year’s art show and auction will be complimented by other interesting side events.
On Wednesday 7th July at 4pm, there will be a Zoom session with the Abobo Contemporary Art Museum in Abidjan, Ivory Coast, who will show their simultaneous StreetArt exhibition featuring African artists.

StreetArt artist Pez from Spain will feature at this year’s UPAW event

Perhaps the most exciting aspect of this year’s event comes on Wednesday at 6pm, when there will be a roundtable titled ‘NFT on StreetArt’ moderated by art advisor Karolina Blasiak. It will a range of interesting speakers from Arteïa who will discuss the implications of NFT’s (Non Fungible Tokens), why they matter and how to participate in the art revolution.
Arteïa will supply the 12 participating artists with NFC tags, which the artists will be able to attach to their artwork.
Meanwhile, Thursday 8th July at 5pm will see the presentation of the book ‘Sous le StreetArt, le Louvre: Quand l’art classique inspire l’art urbain’ by art historian Cyrille Gouyette.
 
Photo of Spain’s Misterpiro
 
 

How to get your Monaco ‘Health pass’

Monaco citizens and residents can now apply for the Principality’s version of the ‘Health pass’ to be used throughout Monaco and the EU, with an operational date set for 5th July. Here’s how it works.
Minister of State Pierre Dartout outlined the aim of Monaco’s health pass at a press conference on Thursday, saying, “We made a commitment on one point, among others, that Monegasques and residents would have the health pass at the beginning of July. The objective was to allow Monegasque nationals and residents to travel under the same conditions as all other Europeans even though Monaco is not part of the European Union.”
The Prince’s Government will distribute two types of Health Pass: the Monaco Safe Pass, which is valid in Monaco and France, and the European Health Pass, which will be acknowledged by European Union countries and those with agreements with France and the EU such as Switzerland.

The pass will be in the form of a QR code which can either be photographed, issued on paper or in digital version. It can be used by Monegasque citizens and residents who are fully vaccinated, have received a negative PCR test or have recently recovered from the virus.
Vaccinated or recently recovered people will be able to apply for the pass online at covid.mc from Friday 25th June and it will be emailed out from 5th July.
Those vaccinated after 5th July will receive a sms alerting them that their pass is available. It will be sent via email, or can be collected in paper version from a counter at the Rainier III Auditorium – the new vaccination centre.
A traffic light system will also be in play – showing green for people whose vaccination was completed more than 14 days previously, have a negative PCR test of less than 48 hours, or a certificate of recovery of between 15 days and less than six months.
According to the government, Monaco has been working on developing the pass since March, but were delayed due to a lag time in the European Union. Now the EU has finalised its pass system, Monaco has been able to adapt and is ready for a roll out to the public.
“It was a digital challenge, but today we are going to offer you a system that will make it possible to facilitate, very concretely, the movement of Monegasques and residents,” said Frédéric Genta, the Interministerial Delegate in Charge of the Digital Transition.
 
Photo by Michael Alesi / Government Communication Department
 
 

Monaco's ‘Summer of Dance’

Les Ballets de Monte-Carlo is celebrating the return of live shows with two summer highlights this July.
To kick off the start of the 2021 edition of ‘L’Été Danse’ (Summer of Dance), the troupe will perform two creations by Mimoza Koike and Julien Guérin, both members of the ballet, from 15th to 17th July. With the full support of Artistic Director Jean-Christophe Maillot, these two young talents will bring their own new ballets to life over the three nights. Koike’s dance spectacle is called Tsunagu, a journey paying tribute to the people and places that shaped her artistic personality and the naturalism and poetry of her choreographic art with music by Iiia Osokin.
Also on the bill is Le temps du Tendre by Guérin with music by Vivaldi, who looks at love through the eyes of the 17th century approach to it. For Guérin, love is one of the “essential reasons for living. Love — true love shared — has always remained the most elusive and unintelligible of emotions. Without it, life is neither possible nor worth living. It is the driving force that moves us, empowers us, embraces us and sometimes even overpowers us. An overwhelming attachment to someone else, sublimated or incarnate.”

Photo of Mimoza Koike’s ‘Tsunagu’ by Takashi Shikama

Next up, from 22nd to 24th July, the dancers will take audiences on a journey to the shores of the Mediterranean with two creations.
The first, In Memorium by Sidi Larbi Cherkaoui, a former winner of the Nijinsky Award for Emerging Choreographers at the Monaco Dance Forum, was created back in 2004 for the Ballets de Monte-Carlo. This haunting ballet asks audiences to remember those who are no longer with us and will be accompanied by A Filetta, a Corsican musical group who will add their voices to the dancer’s moves.
This is described as “the presence of the dead persisting only through the memories they leave with the living. Some archaic rituals take the form of dances in honour of the dead. This bond between reality and memory is at the heart of In Memoriam.”
The second piece will be Core Meu by Jean-Christophe Maillot, which combines the Apulian Tarantella with classical ballet, an unusual but evocative and joy-filled mix. Antonio Castrignano and Taranta Sounds will accompany the dance.
All shows will be performed at the Grimaldi Forum and all start at 7pm. For tickets and more info, visit the ballets website at www.balletsdemontecarlo.com
 
 
Top photo by Alice Blangero