White Lotus begins filming on French Riviera for season set during Cannes Film Festival

Production on the fourth season of White Lotus is now under way on the French Riviera, with the Emmy-winning series setting its sights on the Cannes Film Festival for its latest chapter.

The season follows a new group of hotel guests and employees over the course of a week during the festival, continuing the show’s established format of immersing a rotating cast in the world of high-end hospitality — previously explored in Hawaii, Italy and Thailand.

Two White Lotus hotels feature in the story: the White Lotus du Cap, filming at the Airelles Château de la Messardière in Saint-Tropez, and the White Lotus Cannes, shot at the Hôtel Martinez on the Croisette.

Filming is taking place in Cannes, Saint-Tropez, Monaco and Paris, with the story set entirely along the Côte d’Azur. Production is under way in the region during this year’s actual Cannes Film Festival, running 12th to 23rd May, though HBO has declined to confirm whether the two will overlap on the ground.

The ensemble cast includes Helena Bonham Carter, Vincent Cassel, Steve Coogan, Kumail Nanjiani, Chris Messina, AJ Michalka and Nadia Tereszkiewicz, among others.

 

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Sotheby’s brings 300+ vintage Cartier watches to auction in “most important collection ever assembled”

A private collector has spent a quarter of a century quietly building what Sotheby’s is now describing as the largest and most comprehensive collection of vintage Cartier watches ever brought to market. This year, it goes under the hammer across three continents.

The Shapes of Cartier: The Finest Vintage Grouping Ever Assembled spans more than 300 timepieces and traces a century of Cartier’s watchmaking history, with pieces drawn from all three of the maison’s historic branches — Paris, London and New York. The collection is expected to achieve in excess of $15 million in total, distributed across Sotheby’s Important Watches auctions in Hong Kong on 24 April, Geneva on 10 May and New York on 15 June.

Why Cartier London is the star

While Cartier Paris produced the Tank and Santos that most collectors recognise instantly, it is the London branch — and specifically its extraordinary experimental period between 1967 and 1974 — that gives this collection its most significant pieces and its genuine depth.

Operating independently from Paris and New York, Cartier’s Bond Street workshop under Jean-Jacques Cartier pushed the boundaries of watch design further than anywhere else in the maison’s history. The results were watches that challenged every convention of the form: asymmetrical, geometric, distorted, sculptural — objects that had more in common with wearable art than conventional horology.

The centrepiece of the Hong Kong sale is a rare yellow-gold Cartier London Crash from 1987, estimated at $400,000 to $800,000. The Crash, originally conceived in 1967, remains one of the most radical watch designs ever produced. Its entire form — case and dial — was deliberately deformed into a surreal, melted silhouette. For years, stories circulated that the design was inspired either by Salvador Dalí’s melting watches in The Persistence of Memory or by a Baignoire Allongée destroyed in a car accident. As Francesca Cartier Brickell revealed in her book The Cartiers, neither is true: Jean-Jacques Cartier and his chief designer Rupert Emmerson simply took the existing Maxi Oval, pinched and bent it, and created something entirely new. Fewer than a dozen original London Crash watches are believed to have been produced between 1967 and 1970. This 1987 example is thought to be one of only three made that year.

The other highlights

Alongside the Crash, the collection includes a remarkable assembly of Cartier London pieces that rarely appear on the open market. A Decagonal — a ten-sided 18ct yellow gold watch hallmarked 1970–71 — is one of only five known examples, all in men’s sizes, estimated at $60,000 to $80,000. A Tank Asymétrique in 18ct white gold with blue numerals, hallmarked 1992, carries the same estimate range. An Asymétrique with blue enamel from 1973–74, produced in the final phase of Cartier London’s experimental years, is one of only five known London enamel watches from the era, estimated at $50,000 to $80,000.

A gentleman’s Baignoire London from circa 1973–74, in yellow gold with the case ends stretched outward rather than pinched — inverting the standard Baignoire form entirely — is estimated at $50,000 to $68,000. A Driver’s watch from 1966–67, deeply curved to allow the time to be read from the steering wheel, estimates at $50,000 to $80,000. A Tank Allongée in white gold with a stark black dial from 1992 is estimated at $40,000 to $60,000.

What makes this collection unusual

Sam Hines, Global Chairman of Sotheby’s Watches, described the collection as remarkable not merely for the number of pieces but for the quality and rarity of individual examples, particularly in the London category. “The appeal of vintage Cartier lies in its ability to capture a moment in design history while remaining entirely timeless,” he said. “This collection is remarkable not only for its breadth, but for its depth — particularly in its unprecedented assembly of Cartier London pieces, many of which are among the most important examples ever to appear on the market.”

The auction schedule begins in Hong Kong on 24 April, with further sales in Geneva on 10 May and New York on 15 June. Additional highlights from the collection will be announced throughout the year.

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Photo source: Sotheby’s

 

The week Jannik Sinner conquered Monte-Carlo — on court and on the cover of Vogue

By the time Jannik Sinner lifted the trophy at the Rolex Monte-Carlo Masters on Sunday, defeating Carlos Alcaraz 7-6, 6-3 to reclaim the world number one ranking, the cameras had already found him once that week — in rather different circumstances.

Before the tournament began, the world’s best tennis player was at Villa Monaco, a private estate tucked into the hills of Cap d’Ail just minutes from the Monaco border, submerging himself fully clothed in tailored high fashion into a heated infinity pool overlooking Saint-Jean-Cap-Ferrat at sunset. The occasion was a photoshoot for the inaugural issue of Vogue Man China — a closed-set, intimate affair that transformed the villa into what its owners describe as “a tennis-inspired dreamscape”.

The juxtaposition is hard to ignore. One of the most dominant athletes in the world, stepping away from the clay to be photographed for a global fashion magazine at a discreet Monaco estate. It says something about where Sinner is right now — not just as a tennis player, but emerging as a cultural figure.

Villa Monaco

Sinner lives five minutes from the property in Monaco. The villa, located at 9-11 Chemin des Eucalyptus in Cap d’Ail, sits on 4,000 m² of private grounds and has built a quiet reputation as the go-to retreat for elite athletes who need to disappear — Kevin Durant, Dirk Nowitzki, Mark Cavendish and Nathan Aké among those who have passed through its gates. It offers, as the property puts it, not access but absence: no external visibility, discreet staff and complete environmental control.

For Vogue’s purposes, it also offered something no studio could replicate. The light reflecting off the heated infinity pool, the manicured gardens, the natural acoustics. Very little needed to be staged.

The defining shot of the editorial was the pool sequence — Sinner in tailored clothes, submerged in water, Saint-Jean-Cap-Ferrat visible behind him at golden hour.

Other sequences included a classic red sports car on the villa’s private driveway and — in a more playful nod to his origins — a ball pit filled with dozens of tennis balls.

The cover

The editorial appears in the inaugural issue of Vogue Man China. The shoot was completed while he was preparing to compete at the Monte-Carlo Country Club — and days later, he walked off the clay as champion, having not dropped a set until the semi-finals and defeating the defending champion in straight sets in the final.

It has been that kind of season.

See also: 

Tennis: Sinner dethrones Alcaraz in Monte-Carlo Masters final to become world No.1

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Photo source: Villa Monaco

Young Monaco artists can win a spot at the 2027 World Expo with this open stage competition

The Direction des Affaires Culturelles is inviting young artists aged 16 to 30 to apply for the fourth edition of Scène Ouverte — Les Talents du Fort, taking place on Friday 10th July at Fort Antoine.

The annual open stage evening gives emerging performers the chance to appear before a large public audience in professional conditions — but this year’s edition carries a significantly higher stake than previous editions. One of the selected performers will be chosen to represent Monaco at the 2027 World Expo in Belgrade, Serbia, performing on an international stage before audiences from around the world.

The competition is open to musicians, singers, dancers, actors, circus artists and DJs who are Monegasque nationals, resident in Monaco, enrolled in school in the Principality, or have a demonstrable connection to Monaco. Applicants must be aged between 16 and 30.

The application deadline is 17th May. Forms are available online through the Direction des Affaires Culturelles.

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Photo: Copyright B Vergely

Monte-Carlo Fashion Week: Seven brands featured at two-day fashion hub in Monaco

A two-day fashion hub at Marius Monaco is bringing together international designers against the backdrop of Port Hercule this week.

Thursday 16th April marked day one of a two-day fashion hub hosted at Marius Monaco overlooking Port Hercule in Monaco. Taking place as part of Monte-Carlo Fashion Week, the event features seven international fashion brands, each bringing something unique to the showcase.

Baíah, a contemporary swimwear brand defined by sculpted silhouettes with an emphasis on sustainability; Crida Milano, a refined Italian ready-to-wear brand offering timeless femininity; Daphne Milano, offering elevated springtime dresses for every occasion; Di Iorio Monaco, a Monaco-based designer offering expertly crafted heels; Presente Ancestral, culturally inspired pieces blending heritage with modern design; Sorellina Bijoux, delicate, elegant jewelry designed for everyday wear; and Yasmina Al Jaramani, refined artistic fashion defined by a detail-driven approach.

The hosted brands offer a full spectrum of fashion, from ready-to-wear luxury designs to swimwear, shoes, and jewellery. The kickoff event at 1pm welcomed a crowd of enthusiastic guests eager to discover the brands present. Guests had the opportunity to enjoy a welcome drink and hors d’oeuvres while shopping and exploring the collections.

The setting proved to be a natural complement to Monaco’s landscape, with a stunning view of yachts set behind the collections. The fashion hub will continue into Friday, offering guests a final opportunity to discover the collections in an intimate, waterfront setting.

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Photo credit: Kayla Sauceda, Monaco Life

Monaco plants its 17th symbolic birth tree as programme surpasses 15,000 trees

Monaco’s Mairie marked the 17th edition of its One Birth, One Tree initiative on Tuesday 14th April at the Jardin Saint-James, with the symbolic planting of a carob tree — a hardy Mediterranean species chosen for its robustness and longevity.

The ceremony was attended by Marjorie Crovetto, Deputy Mayor responsible for the Environment and Sustainable Development, several members of the Conseil Communal, and Stéphane Valeri, Président-Délégué of Monte-Carlo Société des Bains de Mer, which hosted the event and financed the symbolic planting this year.

A simple principle, now in its 17th year

Launched by the Mairie in 2008 in partnership with the Office National des Forêts, the programme operates on a straightforward premise: for every birth registered in the Principality, one tree is planted. It forms part of the global Plant for the Planet campaign, sponsored by Prince Albert II, which aims to plant one billion trees worldwide.

In 2025, 732 births were registered in Monaco — meaning 732 additional trees will be planted in the Saint-Auban area of the Alpes-Maritimes, reinforcing reforestation efforts in the territories surrounding the Principality. Since the programme launched, more than 15,000 trees have been planted by the Mairie.

Since 2020, the initiative has taken on an additional dimension through integration into the Îlot d’Avenir programme, which focuses on introducing tree species better adapted to changing Mediterranean climate conditions. The approach aims not only to restore forest plots but to serve as a replicable model for sustainable reforestation across the wider Mediterranean region.

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Photo source: Mairie de Monaco