Monaco’s economy cools from a record 2025, but jobs hit a new high

Monaco’s economy eased back in the first half of 2026 from the exceptional highs of a year earlier, with business turnover and the property market both down, though the slowdown was offset by a record job market, according to the latest quarterly bulletin from the statistics institute IMSEE, published on 16th September. Private-sector employment neared 70,000 by the end of June, an all-time high, even as total turnover fell to €9.2 billion.

Business turnover across the Principality, excluding financial and insurance activities, fell 9.6% year on year to €9.2 billion in the first six months of 2026 — though IMSEE was quick to put the drop in context. Much of it, the institute said, is mechanical: 2025 was inflated by the completion of several large construction projects and by one-off operations that were not repeated this year. Strip those out and the underlying picture is healthier — eight of the 13 broad sectors IMSEE tracks grew.

Retail was among the strongest, up 11.1%, led by car sales, watches and jewellery, and clothing, while hospitality and catering passed €600 million for the first time at this point in the year, a rise of 13.9%. The heaviest falls were concentrated in a few areas: specialised, scientific and technical activities more than halved after two firms’ exceptional 2025 business dropped out of the figures, while construction fell almost 20% and the real-estate sector by a quarter.

A record job market

If turnover cooled, employment did the opposite. The private sector employed close to 70,000 people at the end of June, up 4.2% on the year — some 2,795 more jobs, and a record for a second quarter. Growth was spread across almost every sector, the exception being industry, where a fall reflected an internal transfer of staff rather than job losses. Hospitality and catering passed 11,000 employees for the first time, administrative and support services grew fastest at 9.4%, and the number of hours worked over the half-year rose 1.8%. The Principality counted 6,444 private employers.

Trade, tourism and banking

Foreign trade excluding France came to €1.8 billion, down 6.1%, but the trade deficit narrowed by 11.4% to below €700 million. One shift stood out: on the back of nearly €190 million in imports of electronic components, Taiwan leapt to become Monaco’s second-largest supplier after Italy, while exports of watches jumped 43.5%.

Tourism told a similar story of growth with a caveat: arrivals rose 4.2% to almost 170,000 and overnight stays 2.6%, but with more hotel rooms available, the occupancy rate slipped to 62.3%. More cruise ships called than a year earlier, though passenger numbers fell. In banking, assets under management climbed 11.5% over the year, while in property new-build sales all but dried up, with just four recorded, even as resales held steady at 238 transactions worth €1.2 billion.

IMSEE cautioned that the figures follow the introduction of a new activity classification, NAF 2025, in January, meaning the sector results cannot be compared with its earlier bulletins; the foreign-trade data is also provisional and subject to revision.

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Photo credit: Richard McCreery

 

Pioneers, princes, and masterpieces: Unveiling season 23 of ‘Tout l’art du cinéma’

The Institut audiovisuel de Monaco has officially inaugurated the first part of the 23rd season of its signature initiative, ‘Tout l’art du cinéma’, spanning from September to December 2026.

Under the joint curation shaping the institute’s cultural oversight – with editorial notes and direction provided by the institute’s director Vincent Vatrican and the prominent film historian, critic, and associate programmer Jacques Kermabon – the autumn calendar offers a rigorous exploration of film heritage, archival restoration, and auteur retrospectives.

The new autumn highlight: ‘Les archives du lundi’

A major new addition this season is ‘Les archives du lundi’ (Monday Archives), introduced to intrigue audiences and encourage blind trust in the institute’s curatorial vision. Taking place every Monday at 3pm, the initiative features two alternating archival programmes each month. Emphasising the mystery and the institute’s commitment to discovery, head of collections Estelle Macé explains the core philosophy behind keeping the exact line-up under wraps: “Come and trust us.”

Tativille and the mechanics of modern satire

The programming opened on Tuesday 22nd September at the Grimaldi Forum with Jacques Tati’s 1964 masterwork, Playtime. As curatorial notes authored by Kermabon and Vatrican emphasise, the film represents a fundamental artistic shift: “The international success of Mon Oncle opened new horizons for the filmmaker, who wanted to push his satire of modern society further by tackling the gigantism of our cities, where humans are reduced to the state of ants.”

Constructing the sprawling, steel-and-glass studio set known as ‘Tativille’ in a Parisian suburb, Tati acted as an architectural visionary. Elaborating on his methods, Vatrican and Kermabon highlight his intent not to represent the world as it is, but rather to invent it from scratch, substituting traditional narrative progression for structural forms and sonic textures. The Tati retrospective extends later in the cycle with Jour de fête on 17th November at the Théâtre des Variétés.

The cabinet of curiosities at the Institut audiovisuel de Monaco. Photo credit: Virginia D’Umas

The cabinet of curiosities: Recovering the 1956 princely wedding

A centrepiece of the early-season schedule—unveiled during a mid-September press conference—highlights local media history through a dedicated exhibition inside the institute’s ‘Cabinet de curiosités’. Following the discovery of original reels and outtakes from Jean Masson’s 1956 documentary Le Mariage de Monaco, the institute undertook a meticulous photochemical and digital laboratory restoration. As Estelle Macé explained regarding the immense value of recovering these foundational records: “Reviving these forgotten images restores their full historical depth to foundational moments of our collective memory.” 

This extensive archival undertaking will culminate in a dedicated cine-conference on 16th October at the Grimaldi Forum, featuring a 4K screening and a sequence-by-sequence formal breakdown of the documentary.

Charle Chaplin’s Modern Times (1936). Photo credit: Institut audiovisuel de Monaco

Partnerships, auteur cinema, and heritage revivals

Institutional partnerships further diversify the autumn line-up. On 6th October, the Théâtre des Variétés will host Sophie Letourneur’s Voyages en Italie (2022) in collaboration with the Fondation Prince Pierre de Monaco, portraying ordinary home life in an honest, unfiltered way. Later in the season, on 4th November, the Salle Garnier will serve as the venue for a cine-concert presentation of Charles Chaplin’s Modern Times (1936), featuring a live orchestral arrangement conducted by Frank Strobel in partnership with the Orchestre Philharmonique de Monte-Carlo.

Rounding out the initial months of the twenty-third season are significant screenings of historical and contemporary works, including Giuseppe De Santis’s Pâques sanglantes (1950), Shôhei Imamura’s Pluie noire (1988), and Joachim Trier’s recent family drama Valeur sentimentale (2025).

Photo credit: Institut audiovisuel de Monaco

Magic lanterns, animation, and youth workshops

The season also extends its educational and generational reach through dedicated family programming and youth workshops. Designed for children aged four and older, a special family session titled ‘Que le spectacle commence!’ will take place on 23rd October at the Petite Salle de l’Institut. This presentation will explore pre-cinematic visual culture—long before screens and smartphones—focusing on magic lanterns and hand-painted glass slides brought to life by a lanternist-storyteller.

Complementing the public screening, a hands-on workshop titled ‘Invente ton spectacle de lanterne magique’ will be hosted for participants aged eight and older on 22nd and 23rd October. Led by historian and cinematic lanternist Anne Gourdet-Marès, the workshop introduces students to the technical secrets of the magic lantern, allowing them to paint their own transparent glass plates, invent original stories, and perform their own live-narrated projection. 

Ultimately, by passing these optical crafts to the next generation, the institute ensures that the foundational mechanics of moving images remain as alive as the stories they project.

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Jacques Tati’s 1964 masterwork, Playtime. Photo Credit: Institut audiovisuel de Monaco

Beyond the label: Inside M3 Monaco’s new standard for global marinas

For years, marinas and yacht clubs have struggled with too many overlapping green labels and safety certificates. Yet industry leaders point out that existing guidelines usually miss broader daily issues like customer service, property care, and what makes a destination attractive.

To bridge this gap, M3 Monaco has introduced the S3 Smart & Sustainable Standard—an international framework engineered to transform routine operational assessments into active performance drivers. The standard made its official debut during the sixth Monaco Smart & Sustainable Marina Rendezvous held at the Yacht Club de Monaco on 20th and 21st September.

A holistic approach to marina management

With the global recreational boating sector encompassing over 30 million boats and generating an estimated $300 billion in economic impact, modern facilities face complex operational challenges. M3 Monaco designed the S3 standard to function as a practical management system rather than a superficial certification. 

“S3 was born from a simple observation: amid the proliferation of labels and certifications, none offered a truly holistic assessment,” explained Audrey Luciani, Executive Director of M3 Monaco and initiator of the standard. “Environmental performance and safety were assessed, while customer experience and the appeal of the yachting destination—dimensions that are just as critical to performance—were overlooked. S3 places them at the heart of management.”

Opening the inaugural awards ceremony at the Yacht Club de Monaco on Monday, 21st September, Armelle Roudaut-Lafon, Director of Marine Affairs within the Principality, emphasised that yachting is deeply embedded in the DNA of Monaco, requiring a vital link between the sea, ships, harbours, and the marine environment. She said: “Initiatives like S3 help foster international exchange among specialists to develop smart marinas everywhere.”

The framework relies on a combination of rigorous document reviews, strategic interviews, and on-site audits to ground its evaluations in concrete data. Rather than enforcing a rigid single model of excellence, the standard assesses an organisation’s ability to control operations, understand its challenges, and pursue continuous improvement. As José Marco Caselini, CEO of M3 Monaco, said: “True excellence depends neither on sheer size nor on the volume of financial investment.”

Eight core pillars and four maturity levels

The S3 standard evaluates participating organisations across eight distinct areas, covering environment and biodiversity, energy and climate, customer experience, safety and asset integrity, operational resilience, service quality, innovation, and the preservation and transmission of maritime values.

To encourage steady progress rather than competitive ranking, the evaluation places facilities into one of four progressive maturity levels: Horizon, Regatta, Flagship, and Sovereign.

Claudia Batthyany with the S3 award for the Yacht Club de Monaco. Photo credit: Mesi

The inaugural international cohort and award winners

The first group to undergo the S3 evaluation represents a deliberately diverse mix of operating models, geographies, and developmental stages, culminating in landmark recognitions at the Rendezvous.

Standing out as the pinnacle of the inaugural group, Amaala achieved the highest Sovereign level for its Red Sea coastal destination that integrates architecture, nature, operational excellence, marine biodiversity protection, and a fully decarbonised fleet.

The other pioneering organisations recognised with the S3 label included the Yacht Club de Monaco, the Jeddah Yacht Club & Marina, the Corinthia Yacht Club, the Port of Saint-Florent, and Ayla Marina.

Beyond individual certification, the S3 initiative aims to foster an international network of marinas, yacht clubs, and sailing schools dedicated to peer-to-peer exchange and collective maritime progress.

“We are deeply honoured by this award. It reflects the incredible dedication and passion of our teams, partners, and members working together. Thank you so much to M3 Monaco; we are deeply moved, and we promise to keep pushing the standard of excellence forward,” said Claudia Batthyany, project manager at the Yacht Club de Monaco. 

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Photo credit: Virginia D’Umas

Monaco Yacht Show opens with new premieres and a €2bn residential giant

The 35th Monaco Yacht Show opened in Port Hercule on Wednesday, its first day given over to a steady round of press conferences and world premieres as the industry gathered for the start of the four-day event. The show, which runs until Saturday 26th September, has brought around 120 superyachts to the port, among them 43 launched this year.

Shipyards used the opening day to introduce their latest boats to the press. Poland’s Sunreef Yachts gave the world premiere of the first Sunreef 100 Eco, a fully electric sailing catamaran named Ipharra II. The roughly 29-metre multihull pairs solar panels built into its structure with an electric drivetrain, and was shown alongside the shipyard’s 100 Sunreef Power at berth H27, part of a growing number of large catamarans at this year’s show.

Turkish builder Sirena Superyachts also unveiled a new model, staging the world debut of its 42M — the yard’s step up into full superyacht size — at the Jules Soccal quay.

Away from the water, the Monaco residential yacht project Ulyssia used the show to mark the official order of its 323-metre vessel. Founder and chairman Frank Binder and lead architect Espen Øino presented the milestone at Binder’s private Monaco residence, confirming that the ship — with 122 private residences and 22 guest suites — will be built by China Merchants Cruise Shipbuilding, chosen over Germany’s Meyer Werft, the partner named when the project was presented at last year’s show. Construction is due to begin this autumn, with a maiden voyage from Monaco planned for 2031.

Leviathan. Photo credit: Cassandra Tanti

Those launches formed part of a busy programme of debuts. Organisers counted 43 world premieres across the fleet, all delivered in 2026, at a time when order books at the leading yards stretch years ahead. Other premieres included Italy’s Baglietto, with its 50-metre Fast50 and 60-metre T60, GX Superyachts’ first GX42 and Tankoa’s 45-metre Singolare, while the largest yacht at the show is Oceanco’s 111-metre Leviathan and the biggest debut Lürssen’s 102-metre Nixie. The show continues until Saturday 26th September.

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Main photo credit: Cassandra Tanti

Monaco’s Fête de la Science returns for fifth edition

The scientific community of Monaco will come together later this month as the Fête de la Science returns to the Principality for its fifth edition, offering the public an opportunity to discover topics ranging from marine biology and archaeology to medicine and environmental research.

The event will take place on Wednesday 30th September from 2pm to 6pm at Espace Léo Ferré, offering free entry and activities designed for both children and adults.

SCIENCE BROUGHT TO LIFE

Rather than simply presenting work taking place across Monaco’s scientific institutions, the afternoon will give visitors the chance to get involved through live experiments, demonstrations, quizzes, educational games, and hands-on activities.

Among the institutions taking part will be the Centre Scientifique de Monaco (CSM), with researchers from its marine, medical, and polar biology departments sharing their work directly with the public.

Visitors will have the chance to observe corals under a microscope and explore their anatomy with 3D models, while sea anemones will be used to demonstrate concepts surrounding the human immune system. The CSM’s polar biology team will also introduce its research on penguins and Antarctic ecosystems.

The Spéléo Club de Monaco will introduce visitors to the world of caving and the geology, biology, and archaeology connected to it.

FROM THE MEDITERRANEAN TO HUMAN HEALTH

With Monaco’s Mediterranean connection, marine science and conservation will play a major role throughout the event.

The Oceanographic Institute will present an activity linked to its Méditerranée 2050 programme, exploring the region’s biodiversity and ecosystems alongside pressures from pollution, climate change, and overfishing. Visitors will also be encouraged to consider, with this information in mind, what the Mediterranean could look like by 2050 and how it must be protected.

Additional participants will bring research covering cetacean conservation, marine pollution, protected areas, and climate change, while the full programme will extend beyond the sea.

SCIENCE BEYOND THE SEA

The Centre Hospitalier Princesse Grace (CHPG), where more than 50 clinical research projects are currently taking place, will highlight the role of research in the development of new medicines, medical devices, diagnostic methods, and treatments.

Meanwhile, Monaco’s prehistoric and natural heritage will also be showcased through the Musée d’Anthropologie Préhistorique and Jardin Exotique, whose Botanical Centre houses more than 10,000 cacti and succulents, around 85% of which are protected species, while conducting research on plant reproduction, growth, and conservation.

Bringing together institutions, associations and researchers from across the Principality and beyond, the Fête de la Science aims to make scientific research accessible beyond laboratories and institutions, giving the public the chance to observe, experiment and interact directly with those behind the work.

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Photo credit: Government Communications Department / Manuel Vitali

Inside the Broadway spectacle bringing Shrek to Monaco

A newly released teaser is offering audiences a closer look at the costumes, scenery and musical performances behind Shrek The Musical, which arrives at the Grimaldi Forum Monaco for four shows this December.

While the production retains the familiar characters and irreverent humour of the DreamWorks film, the stage adaptation is far more than a live recreation of the animated original. It introduces an original score, large ensemble numbers and theatrical transformations designed specifically for a live audience.

At its centre is the unlikely partnership between Shrek and Donkey, alongside Princess Fiona, Lord Farquaad and the displaced fairytale characters who find themselves in Shrek’s swamp.

A Broadway musical in its own right

The musical features music by Jeanine Tesori, the composer behind Kimberly Akimbo, Caroline, or Change and Fun Home, with its book and lyrics written by Pulitzer Prize-winning playwright David Lindsay-Abaire.

First staged on Broadway in 2008, the production went on to receive multiple major theatre nominations and a Tony Award. Its appeal lies partly in the way it expands the film’s themes of friendship, exclusion and self-acceptance while maintaining its humour for both children and adults.

The Monaco production will be performed in English with French surtitles, making it accessible to both Anglophone and Francophone audiences.

Four performances in Monaco

Shrek The Musical will be presented in the Salle des Princes at 7.30pm on Friday 11th December; at 2.30pm and 7.30pm on Saturday 12th December; and at 2.30pm on Sunday 13th December.

The performance lasts approximately two hours, with a 20-minute interval. Tickets start at €47 and are available through the Grimaldi Forum Monaco.

The newly released teaser can also be viewed through the Grimaldi Forum’s event page.

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