AS Monaco Volleyball unveiled a new performance project for its women’s team ahead of the 2026-2027 season, showcasing ambitions to reach the highest levels of French volleyball and ultimately compete for titles in the years to come.
The project, developed alongside Swiss volleyball agency Sideline, was presented at the Yacht Club de Monaco on Monday 14th September, bringing together players, staff, partners, and representatives from various Monegasque institutions.
The project marks a tremendous change to the structure surrounding the women’s team. Last season, the team typically trained two times per week, with this schedule now increasing to ten training sessions per week as the club combines both amateur and professional players in a high-performance environment.
New Head Coach Filipe Lacerda reflected on the change, highlighting the importance of connection across the team. “I think this will be the secret, everyone connected. That’s the most difficult part of building a team. So, I think we are taking the right steps,” he said during the press conference.
A 2030 VISION FOR AS MONACO VOLLEYBALL
The 2030 vision for the project was outlined, with long-term objectives of competing for both national and international titles. In order to reach that point, the club seeks progression through the French volleyball pyramid to ultimately reach the professional level.
The partnership also brings support for the team off the court as AS Monaco seeks to develop the infrastructure needed to achieve its goals. Hyundai is providing vehicles to support players travelling between training sessions, while Pierre & Vacances is providing accommodation for players and coaches.
For Sideline, Monaco itself was a factor in determining its investment in the project. After considering other opportunities across Europe, the company saw greater potential in the Principality, with the international recognition attached to Monaco proving critical to the decision.
The new project builds on decades of volleyball in the Principality. Founded in the 1950s, AS Monaco Volleyball and Beach Volleyball now has more than 500 members, with 37 teams entered into competition and all youth categories represented.
NEW SQUAD TAKES SHAPE
The 2026-2027 squad was presented during the evening, bringing together existing amateur players with the new professional recruits. This combination will be critical to the club’s immediate sporting ambitions while also building a strong foundation.
For Camille Mistral, the difference is already being felt ahead of the season. “We went from two or three training sessions to two training sessions a day,” she said. “You can feel that everyone is really involved, whether it’s the coaches, the staff, or the players.”
Laura De Zwart also explained what attracted her to joining AS Monaco. “There is a lot of thought going into this project. I trusted that this would be a good step for me and that we will make a good season here and do our best for this project and for Monaco.”
With the new structure now in place, the upcoming season represents the beginning of a larger project, as AS Monaco Volleyball looks to turn its women’s programme into one capable of competing at the professional level.
Almost a year after taking the helm of CFM Indosuez Wealth Management, Monaco’s only listed bank, Bénédicte Chrétien faced the press for the first time on Tuesday — and she did not do it alone. Rather than address the room from the front, the chief executive sat surrounded by her senior leadership team and handed each of them the floor in turn. It was a deliberate signal of the more collaborative way she intends to run a 104-year-old institution now navigating some of the deepest changes its industry has faced.
Bénédicte Chrétien, who took over last October from Mathieu Ferragut, arrived after more than two decades in wealth and asset management and, most recently, a spell as group head of human resources at Crédit Agricole — the people-first background that colours much of her thinking.
Chrétien’s new strategy sets out six priorities for the bank, with ‘Client at the Heart’ at the top of the list. It calls for a more integrated advisory model in which the private banker acts as a conductor, drawing together an increasingly specialised orchestra of experts for each client.
Not a pyramid, but a collective
Chrétien was emphatic that the bank is no longer led from a single desk. Its executive committee has been renewed by 80% since she arrived — younger, and now 62% women — and she framed that collective as the point rather than a by-product.
“This bank is not run by one man or one woman alone,” she said. “There is no providential man or woman. There is a team that, through the diversity of its experiences, profiles and skills, balances itself positively.” Bringing that team to the microphone, instead of speaking for it, was the demonstration.
From left to right: Co-Head of Wealth Management Vincent Cartillier, Deputy Chief Executive Officer Sophie Armando, Chief Executive Officer Bénédicte Chrétien, Co-Head of Wealth Management Jad Bardawil, and Sophie Couve de Murville, Global Head of Advisory. Photo source: CFM Indosuez Wealth Management
A clientele in transformation
The urgency, as Chrétien tells it, comes from three shifts striking wealth management at once. The first is the great wealth transfer: by 2030, she said, around 30% of the world’s wealth will change hands, half of it in the United States and a quarter each in Europe and Asia. The second is a new generation of clients who want more than returns. “How can my wealth have an impact on the world — now, but also in 20 or 50 years?” is the kind of question they now ask, she said.
The third she called genuinely new: the rise of women’s financial power. In 2015, women held 31% of global wealth; by 2026 that had climbed to 41%. It is a shift mirrored in the bank’s own leadership, with a female chief executive and deputy chief executive, and an executive committee that is now majority women. Where the priorities of the next generation and of women converge, Chrétien argued, is on a demand for meaning and measurable impact. It is this that she brands “the bank of meaning” — the case that preserving and growing family wealth must now sit alongside purpose, from the blue economy to sustainable building and education.
The human, augmented by technology
On technology, Chrétien was pointedly unromantic. Artificial intelligence, she said, is now simply the norm — every bank will have it — so it cannot be what sets one apart. “The real differentiator is the human being augmented by technology,” she said, reaching, for her largely Anglophone audience, for a line she attributed to Steve Jobs: “I would trade all of my technology for an afternoon with Socrates.”
Sophie Couve de Murville, the bank’s Global Head of Advisory, explained what this looks like in practice. AI already allows the bank to produce instant consolidated reporting across complex structured-product positions and monitor more market signals than any analyst could track alone. During one recent client review, she said, the technology revealed that a portfolio which appeared well diversified was actually heavily concentrated in technology once its underlying US and Asian exposures were analysed. Yet even within her own field, she added, AI still combines “extremely advanced” analysis with “beginner’s errors”.
“What still makes the difference is intuition – particularly an understanding of how markets will react,” said Couve de Murville. “At this point, AI is not yet able to reproduce that.”
Scale, and a bigger footprint
The platform behind the strategy is substantial. CFM Indosuez is the largest employer in Monaco’s financial sector, with more than 400 staff, some 60 private bankers — average age 45, 40% of them women — and what it says is the largest trading room in the Principality, run by 50 multilingual specialists. It is the only listed bank among the 25 in Monaco, and part of Crédit Agricole, the world’s ninth-largest banking group. It was again named Best Bank in the Principality by Global Finance this year, the tenth year running.
That footprint grew in March with the acquisition of BNP Paribas’ wealth-management clients in Monaco, alongside the arrival of 37 staff. Deputy chief executive Sophie Armando said the measure of such a deal is not the assets but the handover: clients, she recalled, told the bank, “On Friday, we were with BNP Paribas; on Monday morning, we were with CFM Indosuez. It happened transparently and seamlessly, and for us that was a tremendous reward.”
Co-Head of Wealth Management Vincent Cartillier said CFM Indosuez had built an increasingly international private-banking team to reflect its clientele, with nearly 20 nationalities represented and around a dozen foreign languages spoken among its bankers. “We are a bank that is profoundly Monegasque by our history and our roots,” he said, “but resolutely international by our set-up and our clientele.”
For Cartillier, however, that international reach must extend across generations as well as borders. “Our objective is simple: to be the bank of the family, not merely the bank of one generation,” he said. That responsibility requires advisers to know not only their clients, but also their children—and to understand how the next generation’s needs, expectations and attitudes towards wealth are evolving.
His fellow Co-Head of Wealth Management, Jad Bardawil, said that international reach is already translating into “spectacular” growth among Anglophone ultra-high-net-worth clients relocating to Monaco, while one in two existing clients has recommended someone close to the bank.
Making it work across the bank
Turning all of this into the daily work of 400 people is, Chrétien acknowledges, the harder task. The conductor model only functions if the specialists are within reach, so the bank’s transversal wealth-engineering, financing, real-estate and investment-advisory teams are built to plug directly into each private banker rather than sit in silos. Investment experts now join client meetings as a matter of course, Couve de Murville said, and for its largest clients, the bank assembles a dedicated team of bond, equity and other investment specialists who work together and review the portfolio monthly, operating in effect as an in-house family office.
The second lever is generational. With a long-serving cohort of bankers retiring, Chrétien has been deliberately recruiting younger “digital natives” with a real appetite for AI, then pairing them with the bank’s most seasoned advisers. The technology, she argues, the newcomers bring naturally; the human craft of reading a family’s story “cannot be improvised”, and has to be handed down. “Every family is unique and every family carries its own story,” she says. “It is human intelligence – with its subtlety, discernment, free will and responsibility – that ultimately enriches the solution we offer.”
Training is continuous, particularly in compliance, where regulatory monitoring, staff education, controls and audits form a permanent cycle. Chrétien wants compliance treated not as a checklist but as a culture – and, for Monaco’s only listed bank, a source of trust and competitive advantage.
Underpinning it all is a conviction shaped by Bénédicte Chrétien’s years in human resources: two of her three stated ambitions are to be the first choice not only for clients but for staff, because, she insists, one is impossible without the other. Look after employees’ wellbeing, the logic runs, and they will advise clients better. Each acquisition, the BNP integration included, becomes a chance to rebuild the bank’s own operating model and, in her words, to “question ourselves and look at ourselves with humility”.
For all that structure, CFM Indosuez’s new CEO is clear that the hardest part is cultural – that shifting the habits of a 104-year-old institution can be neither forced nor left to drift. Eleven months in, she measures progress less by reorganisations than by how many employees have embraced the changes. “I believe we have brought 80% of our teams on board,” she said. “Cultural transformation of this scale requires time – but it must not take too long. I give it two years.” It is an unusually concrete deadline for a change of that kind, and a telling one: patience, but with a clock running.
It amounts to a wager that a century-old institution can be run less as a pyramid than as an ensemble, and that the way to keep increasingly demanding clients is to look after the people serving them. Almost a year in, with her team assembled around her, that is Chrétien’s strategy — and, just as deliberately, her message.
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Main photo source: CFM Indosuez Wealth Management
Monaco and 19 firms shortlisted for Citywealth awards
Monaco’s private wealth sector is up for international recognition, with the Principality shortlisted for the IFC of the Year 2027 title and 19 local firms nominated across three categories at the Citywealth International Financial Centre Awards. The shortlist has been published by the awards’ judges and the public vote is now open, giving the global private wealth industry until 20th November to have its say.
Run by Citywealth and founded by its chief executive, Karen Jones, the IFC Awards recognise the achievements of firms and individuals in private wealth across the world’s major international financial centres. The public vote counts for 10% of the final result, with the remaining 90% decided by an independent panel of senior industry judges.
Law Firm of the Year – Monaco
The nominees are CMS Monaco, Donald Manasse Law Offices, Etude Mullot, Etude Régis Bergonzi, the Law Offices of Jean-Charles S. Gardetto and Zabaldano Advocates.
Legal Advisory Firm – Monaco
Shortlisted in this category are Groom Hill, Harpers Legal, HFW Monaco, Interlaw Monaco, Square Services and Tempest Legal.
Private Bank of the Year – Monaco
The contenders are Banque Richelieu, Barclays Private Bank, CFM Indosuez, Edmond de Rothschild, Julius Baer, Moncrief Private Bank and Société Générale Private Banking.
How to vote, and what’s next
The public vote is open until 20th November on the Citywealth website. The winners will be announced at the Citywealth IFC Awards 2027 gala dinner on 26th January 2027 at The Biltmore Mayfair on Grosvenor Square in London, hosted by BBC News presenter Rich Preston.
The Pavillon Bosio – École Supérieure d’Arts Plastiques will open its doors for the 2026/2027 public art workshops, running from 5th October through 29th May 2027.
Led by practicing artists and specialist tutors, these sessions are designed for children, teenagers, and adults looking to build technical skills, explore new mediums, or refine their creative expression. New for this term is a dedicated Tuesday painting class tailored for sixth-formers, undergraduates, and adults of all abilities.
Shaping the next generation
In the ceramics studio at the Pavillon Bosio, children aged seven to eighteen can dive headfirst into the tactile realities of clay, learning the nuances of modelling, moulding, and glazing under the guidance of Jeffrey Haines. Across town at the Foyer Sainte Dévote Annexe, Marine Gambardella will steer younger participants through the fundamentals of drawing and art history, pairing imaginative exercises with rigorous explorations of proportion and perspective. These tightly capped groups—twelve for ceramics, twenty for drawing—ensure that instruction remains intensely personal.
Adult apprenticeships in medium and material
For adults and undergraduates, the curriculum reads like a masterclass in traditional and contemporary craft. The ceramics department, led by Jeffrey Haines alongside master technician Jean-Sylvain Marchessou, will offer rigorous pathways from introductory throwing to advanced form-building. Nearby, the printmaking and bookbinding ateliers will preserve vanishing arts. Laure Fissore will introduce students to the intricate friction of woodcut and drypoint, while Sophie Sediri will initiate participants into the quiet, exacting world of leatherbound volumes, marbled papers, and contemporary bradel structures.
New horizons on the easel
Painting and drawing command a significant share of the weekly timetable, anchored this season by a brand-new Tuesday painting class designed specifically for sixth-formers, undergraduates, and adults of all skill levels. Sandrine Flury and Laure Fissore will guide students through the heavy lifting of colour theory, light, and chromatic mixing, while Yannick Cosso will secure the drawing sessions with rigorous studies in portraiture and life drawing across venues like the accessible Espace Lamartine.
The practicalities of practice
Engaging with the arts in the Principality requires a touch of administrative timing. Pre-registrations for the upcoming term run from 7th to 11th September 2026, with confirmation letters dispatching from 28th September ahead of final payments on 12th October.
For those unable to commit to a full academic year, seasonal practical workshops offer intensive bursts of making throughout the holidays and into June.
Detailed schedules, registration forms, and enrolment guidelines remain accessible directly through the Pavillon Bosio platform under the public workshops rubric.
Travellers flying easyJet through Nice have avoided disruption this week after the airline’s French pilots called off a two-day strike due to begin on Sunday and agreed to return to talks with management. The relief may prove short-lived, however: the pilots’ union has not withdrawn its strike notice but pushed it back to Thursday 24th and Friday 25th September, leaving the threat of cancellations hanging over easyJet’s French bases, Nice among them.
The walkout, called by the National Union of Airline Pilots (SNPL), had originally been set for 13th and 14th September before being suspended over the weekend once negotiations resumed.
Talks reopen, but no deal yet
The SNPL said it had postponed the action to “give this renewed dialogue a genuine chance of success”, while making clear that the dispute is far from settled. “At this stage, no firm commitments have yet been secured regarding key demands, particularly concerning schedule stability and working conditions,” the union said, though it welcomed the return to the table.
A dispute over unstable rosters
At the heart of the disagreement is what pilots describe as chronic instability in their schedules, which they say are changed too often and at too short notice, driving fatigue. Rosters can be altered several times a week, and in some cases up to ten times for a single day before departure. “It is not uncommon for a pilot to end the month with a schedule where not a single day matches what was originally planned at the start of the month,” the SNPL said.
Pilots want the deal cabin crew won
The pilots’ move follows a similar revolt by easyJet’s French cabin crew, who walked out on 15th and 16th August in a strike that grounded close to 100 flights by the airline’s count, and nearer 200 according to unions. That dispute ended in an agreement guaranteeing cabin crew at least five fixed days each month when their schedules cannot be altered, along with compensation when changes exceed two hours, backdated to 1st April 2026. Pilots argue they deserve the same protections, noting that they “operate the same aircraft and the same flight rotations within the same operational environment”.
What it means for travellers
If talks fail, the strike notice covers pilots at easyJet’s six French bases — Paris Orly, Paris Charles de Gaulle, Lyon, Nice, Nantes and Bordeaux — with any new dates to be confirmed at least 48 hours in advance.
Monaco Life is written by qualified journalists, writing original content. Sign up for our free newsletter, listen to our podcasts on Spotify, and follow us across Facebook, Instagram, LinkedIn, and Tik Tok.
Photo by Cassandra Tanti
Ballets de Monte-Carlo unveils an ambitious 2026/2027 season
The Ballets de Monte-Carlo have pulled back the curtain on their 2026/2027 season, promising a typically ambitious mix of landmark revivals, high-profile collaborations, and international touring following last year’s 40th-anniversary celebrations.
Under the direction of Jean-Christophe Maillot, the upcoming calendar leans heavily into the company’s vast 180-ballet repertoire while continuing to embrace the wider contemporary dance landscape across its three pillars: the Compagnie, the Monaco Dance Forum, and the Académie Princesse Grace.
Jean-Christophe Maillot’s Roméo et Juliette. Photo credit: Les Ballets de Monte-Carlo
Echoes of history, visions of today
The season will open at the Salle Garnier from 29th October to 1st November 2026, with Maillot’s Roméo et Juliette. Celebrating its 30th anniversary after more than 400 performances worldwide, the production remains renowned for telling the classic tragedy through the deep guilt and regret of Friar Lawrence, who looks back in torment over how his actions led to the lovers’ deaths.
From the 19th to the 21st December, the Grimaldi Forum will host two very different dance pieces together. The first is Bronia, a tribute piece created by the dance group Kor’sia. The second is Altro Canto, a spiritual dance set to music by Monteverdi with costumes designed by Karl Lagerfeld.
Closing out the winter calendar from 28th December 2026 to 2nd January 2027, Maillot’s Ma Bayadère is set to return to the Grimaldi Forum following sell-out performances last year, accompanied live by the Orchestre Philharmonique de Monte-Carlo under the baton of conductor Garrett Keast.
Spring festivals and world premieres
The Monaco Dance Forum will take over the Principality in April 2027, bringing a diverse line-up of international names to local stages. Highlights will feature Aakash Odedra’s Songs of the Bulbul on 22nd April, an inclusive creation by Cécile Martinez and Compagnie 6eSens on 23rd April, and a prestigious WINNDance bill on 24th April featuring choreography by John Neumeier and Javier de Frutos with costumes by Hugo Boss. Acclaimed flamenco artist Israel Galván will also bring his powerful staging of The Rite of Spring to the Salle Garnier on 26th April.
Spring will culminate in a dedicated Bartók evening running from 27th April to 2nd May 2027, featuring two world premieres at the Grimaldi Forum. This showcase will present a fresh reimagining of Maillot’s The Miraculous Mandarin, originally created in 1987, alongside Alexei Ratmansky’s The Wooden Prince, with the Orchestre Philharmonique de Monte-Carlo once again in the orchestra pit.
Cinderella. Photo credit: Les Ballets de Monte-Carlo
Summer wrap and open-air events
The summer schedule will shift entirely to the Salle Garnier for a trio of distinct runs. La Mégère apprivoisée will take the stage from 24th to 27th June, followed by a shared bill of Paul Lightfoot’s See You and George Balanchine’s Violin Concerto from 8th to 11th July, and concluding with Maillot’s perennial favorite Cinderella from 22nd to 25th July.
Beyond traditional theatre walls, dance will spill out into the public square on 17th May 2027, when Maillot will take the artistic reins of the opening ceremony for the Games of the Small States of Europe at the Place du Palais Princier. Meanwhile, the Académie Princesse Grace will stage its annual student graduation gala on 18th and 19th June.
Global touring and ticketing
True to their role as cultural ambassadors for the Principality, the company maintains a packed international itinerary through 2026 and 2027, taking productions to Antwerp, Brussels, Baku, Cairo, Rabat, Hanover, China, Cagliari, and Ludwigshafen.
Tickets and multi-show subscription packages are available now through the official Ballets de Monte-Carlo and Monte-Carlo Ticket platforms, as well as via the box offices at the Atrium du Casino and the Grimaldi Forum.