Football: Monaco’s winning run ends in Strasbourg

Monaco's Paris Brunner leaping highest to head a cross at the Meinau

AS Monaco’s 100% win record under Filipe Luís came to an end at the Meinau on Saturday, as RC Strasbourg Alsace held the Principality club to a tense draw (1-1).

Luís’ winning run as Monaco manager has come to an end, but what will remain is his record. None of his predecessors at the Stade Louis II have done what he did, winning all of his first five games in the dugout. It could have been six. The Brazilian’s tone post-match said as much, and whilst fine margins came into play, so did some questionable refereeing.

Despite an exquisite long-range equaliser from Paris Brunner, it was Éric Wattellier, the referee, who made himself the star of the show with some contentious calls that enraged the Principality club, who will write to the relevant authorities in order to gain clarity on some of the decisions made during the game.

Brunner the pantomime villain

Monaco will claim that a handball should have been signalled just prior to Strasbourg’s free-kick just after half-time. From that dead ball, a whipped ball was flicked past Lukas Hradecky by his own defender, Sadibou Sané. Monaco, to that point, had lacked the spark that had lit up their start to the season and allowed them to go into Saturday’s game as the only team in Ligue 1 to have won their first three games.

But, as was the case at the Parc des Princes the previous weekend, there was a reaction from Luís’ men. Paris Brunner, the unexpected breakout star in Ligue 1 this season, forced Chelsea loanee Filip Jorgensen into action as he dived low to his right to tip the Monaco forward’s header onto the post.

But he could do nothing about the German’s effort in the 71st minute. Receiving the ball in space, he drove towards the RCSA box and unleashed a thunderbolt that beat Jorgensen low to his right. Silence descended on the Meinau. Then came the jeers as Brunner celebrated in front of the Strasbourgeois Kop, inciting their anger with an imitation of a knife cutting a throat. He was subsequently booed by the home crowd for the remainder of the encounter.

Brunner, who risks a suspension, explained himself post-match: “The supporters were talking about my family, about my mum, my dad. I could see them. There was a lot of emotion. I didn’t want to be disrespectful. I wouldn’t say that I regret it, but it isn’t the message that I wanted to send. It was misunderstood. I wanted to say, ‘What a goal; it’s over!'”

Luís critical of refereeing display

But it wasn’t quite over and Monaco, reinvigorated, pushed against a Strasbourg side now on the back foot. Denis Zakaria saw a goal disallowed. There was no disputing the offside that saw the strike ruled out, but there was more debate about an incident in the 89th minute. Matthis Abline was felled in the box. Wattellier was undeterred, but he was not sent to review the action on the screen. Replays showed clear contact.

“Errors can happen,” said Luís post-match. “If there was the same rule as at the U20 World Cup, we could have made the referee look at the screen. He would have had to review it because when I watch it back, there is no doubt [that there is a penalty]. In real time, it is hard for the referee, but technology is there to help him.”

That help was not forthcoming and so Monaco were forced to settle for a draw. As of Sunday morning, Monaco are still top of Ligue 1; only Lille, who face ESTAC Troyes, can topple them before the conclusion of the gameweek. RC Lens await Les Monégasques next week as they look to head into the extended international break on a high.

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Photo source: AS Monaco

Monaco joins Paris Summit as Macron demands European space autonomy

Delegations from more than 90 nations converged on the Grand Palais on 9th and 10th September for the inaugural International Space Summit in Paris, confronting a pivotal moment for orbital governance, security, and industrial autonomy.

Representing Prince Albert II, Ambassador Valérie Bruell-Melchior led Monaco’s delegation alongside officials from the Department of External Relations and Cooperation, embedding the Principality directly into continental strategies for peaceful and sustainable space exploration.

Meanwhile, President Emmanuel Macron and other leaders met in Paris to address a growing worry: Europe relies too much on foreign rockets and technology.

A fragile ambition: The case for European crewed flight

French President Emmanuel Macron delivered a blunt assessment of the continent’s standing during his address on Thursday, 10th September: “We want Europe to assert its ambition in crewed spaceflight,” he told delegates. “Our European space programme remains fragile, and we must step up our efforts.”

Macron’s challenge mirrored a sharp warning issued earlier by European Space Agency (ESA) chief Josef Aschbacher during a closed-door address to ministers and dignitaries. Posing a fundamental question to the continent’s political leadership — “Will we be passengers or pilots?” — Aschbacher highlighted the rapid pace of global space development, according to Le Monde.

For decades, Europe has sought greater independence yet remained entirely grounded in manned spaceflight, relying on Russian and American rockets and capsules. According to figures highlighted in Le Monde, continuing down this path carries a severe financial penalty: buying foreign seats for European astronauts is expected to drain roughly five billion euros over the next decade into external economies rather than building domestic jobs and technological capacity.

To break this cycle, Macron outlined an aggressive ten-year roadmap, demanding an estimated annual investment of one billion euros. His explicit milestones include docking the first European cargo capsule, Nyx, with the International Space Station within two years; landing the Argonaut lunar vehicle on the Moon in five years; and launching the first European crewed capsule from Kourou with domestic and international astronauts aboard within a decade. Member states must now weigh these ambitions ahead of a decisive ESA ministerial meeting in December 2026, following last year’s record-breaking 22.1 billion euro budget securing three years of baseline programming.

Monaco’s dual strategy: Legislative rigour and lunar engineering

While major continental powers debate multibillion-euro outlays, Monaco is carving out a specialised role through proactive domestic governance and vanguard industrial engineering. The Prince’s Government Space Affairs Bureau is advancing robust legal frameworks designed to shield local actors from the rising hazards of orbital congestion, ensuring that the Principality’s scientific and commercial operations adhere to strict international standards of safety and sustainability.

Simultaneously, Monaco’s growing industrial footprint stepped onto the global stage in Paris. Venturi Space utilised the international gathering to exhibit its advanced space engineering, drawing attention with Alta Luna—a specialised single-seater vehicle engineered specifically to operate within the harsh, demanding environments of future lunar bases. 

See also: 

Venturi Space unveils astronaut-driven Alta Luna for future Moon bases

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Photo Credit: Ministère de l’Europe et des Affaires Étrangères

Princess Alexandra of Hanover announces engagement to Ben-Sylvester Strautmann

Monaco’s Princely Family has a wedding to look forward to, with Princess Alexandra of Hanover announcing her engagement to long-time partner Ben-Sylvester Strautmann.

Princess Alexandra of Hanover and Ben-Sylvester Strautmann are engaged, marking a new chapter in a relationship that has spanned around a decade.

The couple shared the happy news on Friday 11th September, with Princess Alexandra revealing her engagement ring in a series of photographs.

The engagement follows a long relationship between the youngest daughter of Princess Caroline of Hanover and Strautmann, who have been together since around 2016. Over the years, the couple have become familiar faces at major events in the Principality, regularly appearing together alongside members of Monaco’s Princely Family.

Strautmann has also accompanied Princess Alexandra to a number of official and sporting occasions. During the Paris 2024 Olympic Games, for example, the couple joined Prince Albert II at a water polo match, according to the Monaco Olympic Committee.  

 

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A post shared by Alexandra De Hanovre (@alex.hanover)

The youngest daughter of Princess Caroline

Princess Alexandra was born on 20th July 1999 and is the daughter of Princess Caroline of Hanover and Prince Ernst August of Hanover. She is the younger half-sister of Andrea Casiraghi, Charlotte Casiraghi and Pierre Casiraghi through her mother, and of Prince Ernst August and Prince Christian of Hanover through her father.

While she has largely maintained a more private profile than some members of Monaco’s Princely Family, Princess Alexandra regularly attends major occasions in the Principality, including National Day celebrations, the Rose Ball and the Monaco Grand Prix.

Strautmann, who grew up in Monaco, has been by her side for many of these appearances and is himself well known within the Principality.

No details regarding a wedding date or plans have yet been announced.

See also: 

In conversation with young entrepreneur Ben Strautmann

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Image taken from Alexandra of Hanover Instagram account

 

Monaco’s annual Braderie returns to Parc Princesse Antoinette

The Braderie de la Mairie de Monaco is returning to the Principality on Saturday 26th September. The free-to-enter event will take place at Parc Princesse Antoinette from 10am to 4pm.

Throughout the day, visitors will have the chance to browse clothing, books, home décor, toys, and various accessories offered for sale by individuals. Held around the back-to-school period, the event gives unwanted items a second life while encouraging reuse, in line with Monaco’s wider sustainability objectives.

Beyond the opportunity to pick up second-hand finds, the annual braderie offers residents a simple way to participate in the circular economy while also bringing the local community together.

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Photo credit: Benjamin Vergely, Tourism Department of Monaco

Interview: Laurence Jenkell on sharing the bonbon vibes

For renowned French contemporary sculptor Laurence Jenkell, establishing an ephemeral concept store on the Croisette in Cannes marks a profound full-circle moment. Running from early May through to 31st October, the extensive 400-square-metre pop-up represents the first time the artist has been able to assemble such a vast concentration of her works under a single roof. 

For Jenkell, who arrived in Cannes at the age of 20 and previously worked just next door at the legendary Carlton Hotel, the location carries deep personal resonance. 

Run closely alongside her daughter, Kelly De Clercq, and dedicated assistants, the concept store operates within a welcoming, family-style ecosystem. As Kelly explained to Monaco Life during an exclusive tour of the store, acquiring one of her mother’s sculptures goes far beyond simple decoration: “When you buy a work of art, you buy a part of the artist’s life. For me, it is really essential to know her history, because we can truly understand the deeper meaning behind why she chose to create a specific piece in that exact way”.

Rather than competing with international galleries like the Opera Gallery, which frequently showcases her pieces globally, this temporary space fosters intimate, direct exchanges with both seasoned collectors and newcomers discovering her iconic style for the first time.

Laurence Jenkell with her daughter Kelly De Clercq. Photo credit: Virginia D’Umas, Monaco Life

From family to fame: The origin of the name Jenkell

Behind the vibrant colours and oversized wrappers lies a deeply personal choice of identity. Early in her career, Laurence made the decision to adopt a singular artistic pseudonym, signing her sculptures simply as Jenkell. This distinctive name is actually a creative blend born from the names of her daughters, Jenny and Kelly, bringing her family history directly into her art.

Dropping her first name allowed her to establish a memorable, unified presence in the global contemporary art world, turning a name rooted in motherhood into a globally recognised symbol of modern pop art.

Photo credit: Virginia D’Umas

From kitchen remnants to global iconography 

Jenkell’s signature candy sculptures trace their origins back to a simple childhood restriction. Because her mother disliked commercial sweets and chemical additives, young Laurence was rarely allowed store-bought candies, instead watching her mother melt sugar into pans and cool it onto spoons. Decades later, while raising her own daughters and growing frustrated with constant sweet consumption around the house, Jenkell decided to take their bonbons, melt them in the oven, and add resin.

When studio ants began invading her sugary compositions, she improvised with protective plexiglass boxes. This sparked a revolutionary material breakthrough. Around 25 to 30 years ago, she began experimenting with putting small pieces of plexiglass into the oven. Wearing protective gloves against the intense heat, she modelled the material into a spiral configuration.

As the artist said: “I had no idea what was going to come out of it… I just made one twist on the left, another twist on the right and I thought, ‘this looks amazing, it looks like a bonbon’!”

Butterly and robots collections. Photo credit: Virginia D’Umas, Monaco Life

This foundational shape quickly expanded into diverse series. As Kelly explained, each collection shows a new part of the artist’s journey. The Twist Collection focuses on the core torsion of packaging, elevating the simple wrapper into the primary artistic subject. The DNA Collection evolved naturally when Jenkell noticed that combining two spirals creates a double-helix structure resembling genetic DNA. The Butterfly Collection introduced weightless, dreamy wings to offer a sense of oxygen and lightness after the heavy physical labor of twisting complex spirals. 

Additionally, her Robot and Light Sculptures feature intricate, manually cut geometric shapes and purple LED lighting built to pay tribute to her grandfather, who frequently envisioned a robot-filled future. Meanwhile, the Bittersweet Collection incorporates everyday objects like coffee percolators, refrigerators, and trash cans crafted from aluminum and bronze to comment on consumerism, poaching, and heavy water consumption.

The collaborative artwork at the Jenkell Concept Store. Photo credit: Virginia D’Umas, Monaco Life

An immersive experience and interactive workshops 

Unlike traditional white-cube museums or silent galleries where children are often discouraged from speaking loudly, Jenkell’s concept store invites multi-generational engagement. Reflecting on her own childhood museum visits, Kelly said: “Let’s be honest, growing up I was bored to death in museums – there was no colour, and we weren’t even allowed to run.” 

At the Croisette space, children enter wide-eyed, examining oversized candy sculptures, and even contributing directly to community projects.

The collaborative spirit extends directly to specialised creative workshops hosted at her permanent creation workshop in Valbonne and during gallery sessions. Participants receive a transparent plexiglass plate to paint and decorate under guidance. Jenkell then transforms the plate under their eyes, shaping it into a signature 40-centimetre four-handed sculpture complete with a signed certificate of authenticity.

These interactive sessions have quickly evolved into deeply personal experiences that go far beyond standard gallery visits. As Kelly explains, visitors have the unique opportunity to personalise the candies by embedding different meaningful objects inside them before they are cast. “You can put whatever you want inside,” Kelly said, highlighting how collectors can customise the sculptures with personal tokens or keepsakes. This custom approach has led to unforgettable moments, with upcoming workshops even featuring a romantic marriage proposal where a custom candy is crafted specifically to conceal an engagement ring.

Shared moments and sweet intentions: Sharing good vibes with the world

Visitors to the ongoing exhibition can also participate in an interactive installation where they unwrap a real candy, enjoy a tasting, and write a personal message to slip inside a collaborative artwork. The completed collaborative canvas will be auctioned off on 31st October, with all proceeds donated directly to a children’s charity association. 

Whether crafting custom corporate golf trophies for the Ryder Cup, creating personalised memory capsules filled with children’s memories, or displaying historical pieces from the early 2000s, Laurence Jenkell continues to share her vibrant energy with the world. 

As the artist concluded: “Everybody needs a bonbon in life… it’s all very positive, gives you good vibes and great energy, and you just want to spread it all over the world”.

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Laurence Jenkell’s pop-up store on the Croisette. Photo credit: Virginia D’Umas, Monaco Life

New faces and growing ambitions for Monaco Basket Association

Monaco Basket Association has unveiled its lineup for the Ligue Féminine 2 2026-2027 season alongside its main partner, Monte-Carlo Société des Bains de Mer (SBM), at the Casino de Monte-Carlo.

During the reveal at the Casino de Monte-Carlo on Thursday, Founder Éric Elena and SBM President Stéphane Valeri discussed the team’s ambitions for the season ahead and long term, while also introducing the roster looking to achieve these objectives. The location of the event was intentional, marking another ceremony for the team held at the Casino, which has become somewhat of a tradition.

In 2024, SBM finalised its partnership with MBA as part of its commitment to investing in the Principality and Monegasque sport. Shared values have remained a key part of the partnership, including the pursuit of excellence, commitment, team spirit, and the fight for gender equality.

Looking towards the future, Valeri said that SBM had set a three-year benchmark for the project, with the ambition of seeing MBA represent the Principality in Ligue Féminine 1. Following last season, the team, its leaders, and partners have learned and adjusted to better prepare for the season ahead.

With a new coach, Emmanuel Body, and new additions to the roster, the team is aiming to bring additional strength to the squad this season. MBA also continues to build upon partnerships within the Monegasque community, with those involved remaining ambitious and passionate about the project.

Changes have also been made behind the scenes. This season, MBA created two new positions, with Lysa Millavet appointed general manager and Élise Cammas as sporting director.

Team captain Maud Stervinou spoke about her optimism for the season ahead, reflecting on the success the team has found throughout preseason. However, she also acknowledged that humility will be vital in maintaining their progress and ultimately achieving their goal.

The current downfall of the Roca Team, Monaco’s men’s basketball team, was also addressed during the press conference. In a matter of months, the team has fallen from national champions and EuroLeague playoff contenders to being ineligible to compete at the highest level nationally. MBA announced its intention to offer Roca Team season ticket holders season tickets for MBA games, with objectives to attract new fans and compete at Salle Gaston Médecin this season.

The women’s team will take part in their Coupe de France match on 17th September, followed by their first regular season game on 26th September. With ambitious goals for the 2026-2027 season, MBA will seek to maintain consistency, develop teamwork, and continue working towards promotion.

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Photo credit: Kayla Sauceda / Monaco Life