The Jazz à Juan festival returns to Juan-les-Pins from 9th to 19th July, bringing ten nights of concerts to the Pinède Gould with a line-up topped by Tom Jones, Seal, Marcus Miller and rising jazz star Samara Joy.
At 85, Tom Jones opens the festival on 9th July with a set drawing on decades of hits including ‘What’s New Pussycat?’, ‘She’s a Lady’ and ‘Sex Bomb’, marking his third appearance at the Pinède Gould after previous performances in 2012 and 2017. He follows a special opening set from singers China Moses and José James marking the 50th anniversary of Marvin Gaye’s album “I Want You”.
Spiritual jazz, trip hop and a soul double bill
The festival’s first weekend turns towards more experimental territory on 11th July, when oud player Dhafer Youssef performs ‘Shiraz’, an intimate work dedicated to his wife, before British trip hop group Morcheeba, fronted by Skye Edwards, close the night. Two days later, on 13th July, soul singer Mica Millar opens for Seal, whose performance of hits including ‘Crazy’ and ‘Kiss from a Rose’ is being billed locally as one of the standout nights of the festival.
A free evening for Bastille Day
On 14th July, the festival marks France’s national holiday with a free, invitation-only evening hosted by the town of Antibes Juan-les-Pins, featuring the Banksia Trio, singer Laura Anglade and Maë Defays, followed by fireworks at 11pm.
World music, funk and a tribute to Miles Davis
The programme turns to world music on 15th July, when Malian singer Fatoumata Diawara shares the bill with Bosnian musician Goran Bregović and his Wedding and Funeral Orchestra. The Fearless Flyers, an American funk supergroup featuring Cory Wong, Joe Dart, Nate Smith and Mark Lettieri, play on 16th July alongside Nigerian-born guitarist Keziah Jones.
The festival’s penultimate weekend brings one of its most anticipated nights on 17th July, when 26-year-old Samara Joy, already a multiple Grammy winner, opens for Marcus Miller’s ‘We Want Miles!’ project. The show forms part of Miller’s 2026 Reunion Tour, marking the centenary of Miles Davis’s birth and reuniting former Davis collaborators including guitarist Mike Stern, saxophonist Bill Evans and percussionist Mino Cinelu. It is Miller’s 13th appearance at the festival, cementing his status as one of Jazz à Juan’s most familiar faces.
Closing nights pay tribute to Sketches of Spain and gospel
On 18th July, trumpeter Erik Truffaz and flamenco saxophonist and singer Antonio Lizana revisit Miles Davis’s ‘Sketches of Spain’, before Thomas Dutronc makes his fourth appearance at the festival, joined by pianist Éric Legnini, trumpeter Stéphane Belmondo and guitarist Rocky Gresset. The festival closes on 19th July with a second free, invitation-only evening hosted by the town of Antibes Juan-les-Pins, featuring a gospel performance from Linda Lee Hopkins.
Now in its 65th year
First held in 1960 in tribute to Sidney Bechet, Jazz à Juan is widely regarded as one of Europe’s oldest jazz festivals, having hosted performers including Miles Davis, Ella Fitzgerald, Ray Charles and Nina Simone over the decades. Concerts take place outdoors at the Pinède Gould, with free daily Jammin’ Summer sessions at the nearby Petite Pinède showcasing emerging talent, alongside late-night jam sessions at the Hôtel AC Ambassadeur. Tickets for the festival are available through the official Jazz à Juan website and the Antibes Juan-les-Pins tourist offices.
Monaco-Ville will host this year’s edition of U Sciaratu, the city’s traditional summer carnival, on Friday 3rd July, with the Mairie de Monaco organising the event around the theme of ‘Fantastic Beasts’.
The free, open-access celebration will see the Rock’s narrow streets filled with travelling performances, acrobatic acts, face-painting workshops, balloon sculptors, popcorn and candy floss stalls and other entertainment from 6.30pm until 11.30pm, with a DJ-led ball taking over Place de la Mairie from 10pm.
The event takes its name from the Monegasque word for “uproar” or “racket”, and traces its origins back centuries to Monaco’s pre-Lenten carnival season, when residents of the Rock would dress in costume, often with women dressed as men and men as women, and young people would parade a straw-and-rag effigy known as “u payassu” through the streets before burning it on a terrace of the Palace. In the post-war years the carnival continued in winter on the Rock, though scaled back to three days, with youths known as “i mufi” tossing the same effigy into the air before it was hanged and burned in Place de la Mairie on Mardi Gras.
The Roca-Club later revived the tradition, adding floats and marching bands to the procession, and it was at this stage that “u sciaratu” itself, in the form of a carnival king parading on a float, took centre stage. The event’s growing popularity eventually prompted organisers to move the parade to summer, allowing greater numbers of both residents and tourists to take part, giving rise to the modern open-air format now held every July.
A different theme each year
U Sciaratu has built a following by pairing its fixed format, street performance, children’s workshops and an evening ball, with a new theme each year. The 2025 edition was themed around pirates and princesses, while 2024’s carnival paid tribute to America, with performers staging a pirate-camp scene in Place du Palais and mock battles between corsairs and cabin boys through the Rock’s lanes, drawing dozens of costumed children up to Monaco-Ville with their parents. Floats, once a central feature of the parade, were withdrawn from the event following an accident in 2022, with the subsequent legal proceedings later closed without further action, though this has not dampened attendance or enthusiasm for the carnival’s other entertainment.
This year’s ‘Fantastic Beasts’ theme continues that tradition, with the Mairie once again positioning the carnival as a free, family-friendly highlight of Monaco’s summer calendar.
Practical information
U Sciaratu takes place in Monaco-Ville on Friday 3rd July, from 6.30pm to 11.30pm, with the ball on Place de la Mairie running from 10pm. Access is free and open to all. For further information or details on accessibility for people with reduced mobility, the Mairie de Monaco can be contacted on +377 93 15 06 03.
Prince Albert II has expressed his sorrow and solidarity with the people of Venezuela following two violent earthquakes that struck Caracas on Wednesday evening, killing more than 200 people and injuring thousands more, in an official statement released by the Palace on Thursday.
“Princess Charlene and I learnt with profound emotion of the occurrence of two violent earthquakes which successively struck the west of Caracas yesterday, causing cruel loss of life and leaving many injured,” the Prince said in the statement. “My Family and the Monegasque people join me in offering the Venezuelan people our most sincere condolences and our entire solidarity in the face of this tragedy. Our thoughts are with the bereaved families and the injured, to whom we express our profound compassion in these painful moments.”
Two powerful quakes, 39 seconds apart
The disaster struck shortly after 6pm local time on Wednesday, when a magnitude 7.2 earthquake hit north-western Venezuela, followed just 39 seconds later by a far stronger magnitude 7.5 quake centred nearby, according to the United States Geological Survey. Both earthquakes were classified as strike-slip events, with epicentres in the Veroes municipality of Yaracuy state. The stronger of the two is the most powerful to strike Venezuela in more than a century, surpassed only by a 1900 quake of similar magnitude.
Venezuela’s Health Minister, Carlos Alvarado, said on Thursday that at least 235 people had died and more than 4,300 had been injured, with figures expected to rise further as search-and-rescue operations continue. National Assembly President Jorge Rodríguez said 157 people remained reported missing, while more than 200 people were believed to remain trapped beneath the rubble of around 250 collapsed or damaged buildings.
La Guaira declared a disaster zone
Acting Venezuelan President Delcy Rodríguez declared a state of emergency, saying several states had sustained heavy damage, with the coastal state of La Guaira hit hardest. A United Nations humanitarian agency reported more than 100 buildings had collapsed in La Guaira alone. Satellite images of the area showed extensive structural damage across residential neighbourhoods, hotels and warehouses, with some images also showing evidence of fire damage.
Footage from Caracas showed apartment and commercial buildings reduced to rubble, with residents gathering in the streets in shock as emergency crews searched for survivors. Tremors from the earthquakes were felt as far afield as Bogotá, northern Brazil and several Caribbean islands, including Aruba, Bonaire and Curaçao.
International aid mobilises
The United States pledged assistance, alongside humanitarian organisations and several other countries, including China, Argentina, Brazil and Mexico. Specialist search-and-rescue teams from Fairfax County, Virginia, and Los Angeles County were deployed to Venezuela, while Mexico sent rescuers and health personnel from its defence ministry.
The disaster has prompted an outpouring of condolences from leaders around the world, with Prince Albert II’s statement adding Monaco’s voice to those expressing solidarity with Venezuela as the country begins what is expected to be a long and difficult recovery effort.
For almost half a century, the former Hôtel Provençal sat dormant on Boulevard Edouard Baudoin at the gateway to Cap d’Antibes — its Art Deco façade intact, its legendary rooms empty, its history frozen. Pablo Picasso had eaten here. The Duke and Duchess of Windsor had stayed here. Winston Churchill, Coco Chanel, Ernest Hemingway and Charlie Chaplin had all passed through. And then, in 1977, it closed. It would take John Caudwell — mobile phone entrepreneur turned property developer and philanthropist — to bring it back to life. What he has created from those 256,000 square feet of dormant grandeur is now on the market, and Monaco Life’s Cassandra Tanti was among the first to see it.
The building that stands on Boulevard Edouard Baudoin today is unrecognisable from the shell Caudwell acquired in 2014. Originally built in 1926-27 by architect Lucien Stable for American millionaire Frank Jay Gould, the Hôtel Provençal was for decades one of the French Riviera’s finest five-star addresses — until its closure left it stranded between its illustrious past and an uncertain future. What Caudwell has done is resolve that tension entirely: 35 residences, a gross development value exceeding €350 million, and an address that now ranks among the most significant on the Côte d’Azur. Apartments start at €4.05 million. The most expensive ‘villa’ on the market currently is listed at €29 million. All are available for immediate occupation.
THE CHALLENGE OF REINVENTING A LANDMARK
Converting a hotel into luxury homes is not, on paper, complicated. Converting this hotel was. The exterior is protected, meaning every proposed alteration required negotiation with the authorities. “We weren’t really allowed to change the exterior at all,” Caudwell said on a recent press tour that he led personally. “Every single change was hard fought for.”
Inside, more than 300 hotel rooms had to be reconfigured into luxurious residences. The layouts of former intimate rooms offered limited possibilities, so Caudwell redesigned them as large lateral apartments running through the full depth of the building, giving residents views of both the Mediterranean and the mountains. Standard hotel balconies — too small for outdoor dining — were enlarged while being matched to the original architectural style.
The lobby sets the tone for what comes at Le Provençal
Working alongside Parisian architecture and interior design house Affine Design — whose portfolio includes the Hôtel de Crillon, the Hôtel de Paris and the Shangri-La Paris — Caudwell’s team preserved the Art Deco details that define the building: the columns, the rotunda, the grand entrance lobby, the proportions.
The lobby sets the tone for everything that follows — plaster Art Deco wall panels, carefully selected furnishings, and an arrival experience that recalls the building’s former life as one of the Riviera’s great hotels.
The six acres of landscaped gardens are centred on a 30-metre outdoor pool. The adjacent five-star Hôtel Belles Rives manages the property, providing concierge services, valet parking and access to its Michelin-starred restaurant, cocktail bar, spa and private beach club.
John Caudwell presenting his €350 million French Riviera development project in June. Photo credit: Cassandra Tanti
John Caudwell was involved at every stage of the design process, and makes no apology for it. “It should be beautiful. It should be practical. And it should have longevity,” he says. “Those three components are absolutely vital to good interior design, yet every interior designer I’ve ever met struggles to achieve all three. I find space planning fascinating. It’s like a giant jigsaw puzzle. You go through iteration after iteration. Every time you think you’ve solved it, you find something that doesn’t quite work. So you keep refining it until it feels right.”
Even the gym reflects this thinking. “You can see that the weights incorporate the Art Deco Le Provençal design,” he said. “There aren’t many gyms where the weights are as stylish as these.” It is a small detail, but one that reveals the broader philosophy behind the project: design was not applied to the building, it was embedded in it.
The former ballroom has been transformed in Villa Zelda.
The villas: history made habitable
Three of the marquee residences draw directly on the building’s extraordinary past, each one centred on a space that once defined Riviera social life.
Villa Zelda — listed at €27.25 million — is built around what may be the most extraordinary living room on the French Riviera.
At its centre is the former ballroom and restaurant of the Hôtel Provençal, a spectacular double-height rotunda with a 5.5-metre coffered ceiling, soaring arched French doors and meticulously restored Art Deco plasterwork. This was once the social heart of the Riviera, where Florence Gould hosted glittering soirées attended by Winston Churchill, Ernest Hemingway, Coco Chanel, Marilyn Monroe, Elizabeth Taylor, Pablo Picasso, Marlene Dietrich and the Duke and Duchess of Windsor. Charlie Chaplin lived at the hotel for a year and took breakfast in the rotunda each morning.
Curves at every turn in Villa Zelda
Named after Zelda Fitzgerald, whose husband F. Scott Fitzgerald was among the hotel’s famous guests, the five-bedroom residence spans two floors and includes a private cinema, massage suite, Steinway grand piano and a nine-metre swimming pool. Yet it is the rotunda itself that remains the star attraction — a room that has witnessed nearly a century of Riviera history and now forms the centrepiece of one of its most exclusive homes.
To furnish the residence, Caudwell partnered with Invisible Collection, whose co-founder said she became “obsessed” with the spirit of the Riviera’s great artistic residences while working on the project. Sculptural seating, bespoke pieces, hand-finished materials and collectable contemporary works were carefully curated to create what the company describes as a collector’s home rather than a conventional luxury property.
Poolside at Villa Zelda
Villa Gabrielle — priced at €15.1 million — is centred on what was the hotel’s main reception room, a triple-height space with a 9.15-metre ceiling that Florence Gould filled with French Impressionist paintings: works by Cézanne, Van Gogh, Toulouse-Lautrec, Monet and Gauguin that now hang in four dedicated galleries at the Metropolitan Museum of Art in New York.
The four-bedroom residence has been dressed by RH, with a six-foot waterfall chandelier cascading six feet through the atrium and a cantilevered open staircase as the room’s centrepiece. The poolside terrace looks directly through the triple-height windows into the grand lounge beyond — one of the most remarkable interior views on the Riviera.
The family room in Villa Jardin
Villa Jardin — on the market for €29 million , the most expensive residence — occupies the substantial VIP suite where the Duchess of Windsor stayed in 1938 while house-hunting on Cap d’Antibes, hosted by Florence Gould, who was her fellow top client at Van Cleef & Arpels.
The five-bedroom duplex with guest house, pool house and private 11-metre pool has been decorated by Caudwell Design in the colours of the Riviera and displays a range of design features that the Duchess of Windsor would recognise from motifs in her own homes.
Villa Jardin reception room
References run throughout: the “Wallis blue” of the guest suite walls, the Chinoiserie in the reception room, and a de Gournay dining room with hand-painted silk Williamsburg wallpaper mirroring Wallis Simpson’s own dining room at Villa Windsor in Paris.
“Villa Jardin is one of the finest trophy residences at Le Provençal,” Caudwell said. “The Duchess was one of many famous guests who frequented Le Provençal during its former life as a grand hotel — the building’s transformation into a residential address marks an exciting new chapter in Antibes history.”
Stunning hand-painted silk Williamsburg wallpaper in the Villa Jardin dining room
The echoes continue in details easy to miss. A sculptural chandelier inspired by Giacometti hangs over the reception room, while a pair of Song Dynasty-style lamps in glossy Tenmoku glaze, sourced from Pimlico antiques specialist Tarquin Bilgen, nod to the Duchess’s own taste for Chinoiserie.
In the guest suite, a sculptural headboard in the style of Picasso sits beside lamps shaped around the artist’s dove motif, a quiet reference to his stay at Le Provençal in 1937. Even the cocktail bar carries an echo of the Duke’s own habits: tucked discreetly off the lounge behind Moroccan Tadelakt plaster walls, it recalls the hidden “Bahamian Bar” at the couple’s Mill at Tuilerie, where the Duke liked to mix drinks for guests himself.
The expansive private pool, terrace and outdoor kitchen area of Villa Jardin
Outside, the residence opens onto extensive terraces and a private 11-metre pool, furnished with tubular Locus Solus armchairs by Jacquemus and Exteta alongside Italian sofas, pine green ceramic side tables and sculptural white counterparts.
The adjoining pool house brings its own kitchen and bar, with an outdoor dining area set with a table by Belgian designer Philippe Colette and teak chairs from Gommaire, completing a residence built as much for entertaining outdoors as in.
The rooftop terrace that John Caudwell originally intended as his own residence inspired the exceptional quality found throughout the development.
The three penthouses start from €31 million each, with rooftop mosaic-lined pools, six or seven bedroom suites and up to 9,440 square feet of internal space — including the penthouse Caudwell designed for himself, which set the standard for everything else in the building.
Top tier amenities
Beyond the residences themselves, Le Provençal’s communal amenities run to a scale rarely seen on the Riviera. A cinema with 16 reclining seats upholstered in café au lait leather sits alongside a 2,155 square health spa, complete with sauna, hammam, cold plunge pool, ice fountain, hydrotherapy jets and hot stone benches, the whole space topped by an Ottoman-style domed ceiling.
The health spa at Le Provençal
A separate 200 square metre wing houses the gym, fitness studio and a women-only steam room and sauna, along with a tinted spa pool with its own feature waterfall.
Residents also have access to a yoga studio, 24-hour security, valeted parking, airport transfers and daily housekeeping, along with a 30-metre heated outdoor pool set within six acres of landscaped gardens.
Le Provençal offers top tier amenities including a giant outdoor heated pool and an impressive interior health spa.
The thinking behind it all
A statue of Caudwell stands at the entrance to Le Provençal. “Some members of my family thought it was a little cringeworthy,” he admitted, “but I’m glad we did it.” His reasoning: most buildings end up disconnected from the people who created them. “I’ve always kept an eye on the beautiful things I’ve created in life — primarily my children,” he said. “This is something else I’ve created that I’m very proud of, so the statue is keeping an eye on it too.”
This is not a developer driven by margin. Caudwell runs two significant charities — Caudwell Children and Caudwell Youth — and through the Giving Pledge has committed 70 per cent of his wealth to charitable causes during his lifetime and after it. The man who specified bespoke branded weights for the gym, oversaw every furniture choice, and pushed back on interior designers until each room felt right is the same man channelling the vast majority of what he earns into causes that have nothing to do with property.
At Le Provençal, that combination — unlimited budget, genuine aesthetic conviction, and no pressure to cut a single corner — produced something that is simply not seen at this level in the current market. Property values in the area have risen as a result. The few who buy here will own a piece of French Riviera history restored and reimagined. For everyone else, it is a rare and instructive glimpse into what luxury looks like when money is not the point.
A new graphic novel recounting Monaco’s ‘Siège des Génois’, the four-month assault that secured the Principality’s independence more than five centuries ago, will go on sale on 17th September. Assiégés: Monaco, written by France Richemond and Laurent Vissière and illustrated by Germano Giorgiani, carries a preface by Prince Albert II, who describes the episode as a “jalon fondamental” — a fundamental milestone — in the affirmation of Monaco’s sovereignty.
The story is set in the winter of 1506, when the Republic of Genoa launched a vast army against the Rock of Monaco in a final attempt to reclaim the territory it had once controlled. Monaco had served as Genoa’s western border fortress from 1215 until the Grimaldi family took hold of the Rock at the turn of the 13th and 14th centuries, and by 1506 the Genoese, under a newly installed doge keen to distance the republic from France, set their sights on retaking it.
Lucien Grimaldi, the young lord then ruling Monaco, chose to defend the fortress rather than surrender it. According to historical accounts, his garrison numbered at most around 1,500 men, facing a Genoese force several times larger. The siege began in early December 1506 and held until March 1507, ending in a Monegasque victory that, in the Prince’s words, marked “l’affranchissement définitif de Monaco de sa mère patrie” — Monaco’s definitive emancipation from its mother country.
From fortress to palace
In his preface, dated January 2026, Prince Albert II situates the siege at a hinge point between two eras, describing it as the moment “entre la fin du Moyen Âge et le début de la Renaissance” — between the end of the Middle Ages and the start of the Renaissance. With the military threat from Genoa removed, the Grimaldis began transforming their fortified château into a palace better suited to the dynastic ambitions the family was beginning to develop. France’s King Louis XII, recognising the strategic value of the Rock, briefly considered taking it for himself, before formally acknowledging Monaco’s independence in 1512.
The Prince also pays tribute to the authors’ research, noting that the strength of character shown by Lucien Grimaldi during the siege proved decisive for the Monegasques, at most fifteen hundred men, against a Genoese army ten times their number.
Children watching the gates
The graphic novel frames the siege as a hundred-day struggle in which “tous les coups sont permis” — anything goes — between the two camps, with the gravest danger coming not from Genoese cannon but from the possibility of betrayal from within. According to the publisher, it is the threat of a traitor opening the city’s gates that drives much of the tension in the book’s narrative, with a group of children playing a watchful role in keeping the Rock secure.
Assiégés: Monaco is illustrated by Germano Giorgiani, with colouring by Dimitri Fogolin, and will be available in bookshops from 17th September.
